More from Books

Tuesday

Suzi Feay

A free spirit: Clairmont, by Lesley McDowell, reviewed

Commentary on the young Romantics can be curiously puritanical. Not on saintly John Keats, who died too young to cause any trouble. But Byron and Shelley? Beastly to women, negligent as parents, destructive as friends, oblivious to their own privilege. Feminist observers tend to resemble the English visitors to Geneva in 1816 who borrowed telescopes to spy on the renegade inhabitants of the Villa Diodati across the lake, hoping to be scandalised. A central character in the summer that saw the birth of Frankenstein was the only non-writer of the villa’s gathering, Byron’s young lover and Mary Shelley’s step-sister, Claire Clairmont.

Tom Hodgkinson

All work and no play is dulling our senses

Free Time is an academic journey through two-and-half millennia of leisure options. The central question put by the historian Gary Cross, is: why do we not have more free time, and when we do, why do we waste it, like Sir Andrew Aguecheek in Twelfth Night, on ‘fencing, dancing and bear-baiting’ or their modern equivalents? We start with ancient Greek philosophers, including Socrates and Aristotle, who reckoned that life was all about free time. We should work to fulfil our basic needs and then use our leisure for scholé (self-improvement): for culture and reflection. The vita contemplativa was superior to the vita activa (though Socrates was also fond of a boogie – a fact Cross does not mention). People spent their free time at festivals and religious rituals.

Tibor Fischer

What became of Thomas Becket’s bones?

The St Brice’s Day Massacre? I must admit I hadn’t heard of this ‘most just extermination’ of Danes in Oxford at the instigation of King Aethelred the Unready in 1002, perhaps because the teaching of history in this country tends to kick off in 1066. You certainly don’t think of Oxford as a place that pioneered techniques of ethnic cleansing. Crypt is a collection of seven essays that unearth details about how certain people lived and died in the past. If you didn’t already know Alice Roberts’s background as an anatomist and biological anthropologist, you’d have a good chance of deducing it from this book.

Elisa Segrave

Longing for oblivion: The Warm Hands of Ghosts, by Katherine Arden, reviewed

This novel, set towards the end of the first world war, is eerie and fanciful yet gruesomely down-to-earth. It features Laura Iven, formerly a nurse at the Front – awarded the Croix de Guerre in 1915 – and her brother Freddie, part of the Canadian Expeditionary Force sent to take Passchendaele Ridge in November 1917. Owing to a deep shrapnel wound, Laura is back home in Halifax, Canada. It is January 1918, and the previous month her parents died when their ship Mont Blanc exploded in Halifax harbour. To make matters even worse, Freddie is missing. Laura is now a live-in nurse companion to three elderly sisters who conduct séances. A parcel arrives containing Freddie’s jacket and a German postcard with a cryptic note.

Andrew Rosenheim

An Oxford spy ring is finally uncovered

Oxford and Cambridge have many rivalries, but espionage has always been a one-sided contest between the two. Burgess, Maclean, Philby, Blunt and Cairncross were all Cambridge men. If this were put in Boat Race terms, Cambridge would have rowed halfway to Hammersmith Bridge before the dark blues had their blades in the water. Charles Beaumont’s excellent A Spy Alone (Canelo, £9.99) tries to redress the imbalance with its depiction of a richly imagined Oxford-based spy ring. His protagonist, Simon Sharman, is a former agent turned private security consultant. An Oxford man, he is approached when a Russian oligarch decides to donate some of his millions to the university. Sharman is tasked with investigating just how dirty the money on offer is.

Anthony Sattin

The remarkable Princess Gulbadan, flower of the Mughal court

In 1587, the Mughal Emperor Akbar, himself illiterate but with grand vision and even greater ambition, commanded his courtier Abu’l-Fazl to write an official history of his reign and dynasty. An order went around Akbar’s court that anyone who was ‘gifted with the talent for writing history’ should put pen to paper and record the events that had shaped their times. Unusually for a male-dominated society, this included the emperor’s aunt. The 64-year-old Princess Gulbadan was well placed to provide a first-hand description of the creation and consolidation of the Mughal empire, for she was the beloved daughter of the Emperor Babur, who founded the dynasty, and the half-sister of Akbar’s father, Humayun.

Mark Cocker

Do we really want to bring back the wolf?

Near our house on the Derbyshire-Staffordshire border is a place called Wolf Edge. It is a raven-haunted slope set to the sounds of curlew song in high spring and I visit it regularly, not least because I imagine that within the deep peat soil there is some remembrance of the site’s eponymous predator, and the thought thrills me. A similar emotion appears to have gripped Derek Gow, and has led him to locate, over several decades, as many references to British and Irish wolves as possible.

Tuesday

Mathew Lyons

The complexities of our colonial legacy

It happened by accident. In 1829 the naturalist Nathaniel Bagshaw Ward was trying to hatch a moth pupa. He placed it in a sealed glass container, along with some soil and dried leaves, and set it aside. Sometime later he was surprised to find that a fern and some grass had taken root in the soil, despite having no water. As Sathnam Sanghera writes in Empireworld, the discovery ‘revolutionised the logistics of international plant transportation’. Suddenly there was a means of securely transporting seeds and seedlings across vast distances. Empireworld is a sequel to Sanghera’s wildly successful Empireland. Where the latter examined the legacies of empire in Britain, this book seeks to apply that template to the world.

Mark Bostridge

Sisterly duty: The Painter’s Daughters, by Emily Howes, reviewed

The painter in the title of Emily Howes’s first novel is Thomas Gainsborough, famous, of course, as a great portraitist – ‘the curs’d face business’, as he once called it – and landscape artist. His daughters by his wife Margaret were Molly and Peggy, immortalised in half a dozen double canvases by their father. These family pictures allow us to intrude upon the sisters’ special intimacy as we follow their development from carefree girls playing in their native Suffolk to their emergence as fashionable young women in Bath and London society.

Caroline Moorehead

Wishful thinking: Leaving, by Roxana Robinson, reviewed

One evening, a man and a woman who haven’t met for decades bump into each other at the Metropolitan Opera in New York. It’s a familiar tale, but one to which Roxana Robinson brings many twists in her highly enjoyable latest novel, Leaving. Sarah and Warren were childhood sweethearts in a suburb outside Philadelphia. Sarah was uncertain, made biddable and cautious by cool, judgmental parents. Warren was bold and full of ambition and crazy-sounding dreams. They proved too much, too threatening, for the timid Sarah and she married a man she thought a safer bet. It turned out to be a mistake. Rob, who has electric blue eyes and an intimate manner, skitters from one improbable career to the next. They have two children, a boy, Josh, and a girl named Meg.

A.N. Wilson

The English were never an overtly religious lot

Generalisations about national characteristics are open to question. Nevertheless, the overwhelming impression one gets from reading the major works of English literature, or from studying the famous English men and women of politics, the military or the academic world, is that the English have not been an especially religious lot. Or, if you think that a strange judgment of a nation that produced the finest Gothic cathedrals in Europe and the hymns of Charles Wesley, then you could rephrase it and say that they have not generally worn their religious feelings on their sleeve. Jane Austen’s hilarious novels do not quite prepare us for her letters in which she confesses her sympathy for evangelicalism.

Lynn Barber

Will Keir Starmer ever learn to loosen up?

Tom Baldwin declares at the outset: ‘It’s only fair to warn those hoping to find these pages spattered with blood that they will be disappointed.’ Fair enough. This is not an authorised biography, but it is a friendly one, written with Keir Starmer’s co-operation. Baldwin briefly worked as Labour’s communications director, and then was asked to help Starmer with his autobiography. They did several interviews, but Starmer always had reservations and finally pulled the plug last spring. Instead, he agreed that Baldwin could write this book, using some of the material he had already gathered, and that he would assist him with contacts.

Jonathan Sumption

There was nothing remotely pleasant about a peasant’s existence

If we are to remember peasants, we need a definition. Here is an imperfect but workable one. A peasant is a person working on the land in return for a bare subsistence. Patrick Joyce’s peasants are smallholders making just enough to feed their families and pay the rent in a normal year. They are people without status, tied to the land even if they are legally free. They occupy the lowest place in society, people with no ambitions and no future, who come into the light of history only when they revolt against their condition, as they frequently do. Historically, there have been peasants who did not fit this mould. There were rich peasants, like the well-fed revellers in a Brueghel painting.

Alice Loxton

The making of Good Queen Bess

In the course of British history there have been few royals with a childhood as traumatic as that of Elizabeth I. She endured the torment of her mother Anne Boleyn’s execution, her father’s death, the comings and goings of four stepmothers, sexual abuse from a stepfather (who was executed soon after), the death of a half-brother, imprisonment and the death of a half-sister before finally acceding to the throne. All this by the age of 25. Throughout her young life, Elizabeth veered from sole inheritrix of the crown to hated bastard child Not many could cope with such a relentless identity crisis. Throughout her young life, Elizabeth veered from sole inheritrix to the crown to hated bastard child.

Tuesday

D.J. Taylor

Reluctant servant of the Raj: Burma Sahib, by Paul Theroux, reviewed

Eric Blair, to give George Orwell his baptismal name, arrived in Burma (present-day Myanmar) as a 19-year-old trainee police officer at the end of 1922 and left it in mid-1927 just before his 24th birthday. Not much of his time there had a direct impact on his work beyond a solitary novel, Burmese Days (1934), two luminous essays, ‘A Hanging’ (1931) and ‘Shooting an Elephant’ (1936), a poem or two and a scattering of autobiographical fragments, most of which turn up in the second half of The Road to Wigan Pier (1937). None of his letters home survives and only a handful of reminiscences by people who knew him as a servant of the Raj.

Ian Sansom

Four dangerous visionary writers

‘The production of souls is more important than the production of tanks... And therefore I raise my glass to you, writers, the engineers of the human soul.’ The quote is usually attributed to Stalin, though the phrase ‘engineers of human souls’ most likely came from someone else. Who’s to argue? Purges, executions, deportations – what’s a little light plagiarism in comparison? Whoever coined the phrase, it certainly struck a chord and indeed continues to ring various alarm bells whenever one comes across writers who deliberately set out to influence politics and ideas – and not just the big beasts, the Nobel Prize winners, say, or the shopfront-filling non-fiction authors hawking their wares, or the endless novelists with their little axes to grind.

Joanna Pocock

A mother-daughter love story

In Splinters, the American novelist and essayist Leslie Jamison leaves behind the issue of her addiction and recovery – the subject of her previous memoir, The Recovering (2018) – and takes us through her pregnancy, experience of childbirth, marriage, divorce and post-separation dating life. Each stage of her journey is related with the author’s trademark love of the telling detail: On the postpartum ward my window ledge filled up with snacks from friends: graham crackers, cashews, cheddar cheese, coconut water, oranges with tiny green leaves. Someone hands her a form to fill out. ‘Did I want bone broth?’ We can assume she does, as bone broth appears later on. Much of Splinters recounts her marriage to the author Charles Bock – referred to throughout as ‘C’.

Stuart Jeffries

The firebrand preacher who put Martin Luther in the shade

‘Now tell us, you miserable wretched sack of maggots,’ wrote Thomas Müntzer, sounding like the love child of Owen Jones and Ian Paisley, ‘who made you into a prince over the people whom God redeemed with his own precious blood?’ The question Müntzer posed Count Albrecht of Mansfeld was, you’d think, rhetorical. Like his contemporary Martin Luther, if less unremittingly scatological, the radical millenarian preacher wielded a sharp pen. Don’t forget Ezekiel’s prophecy, he wrote to Count Albrecht’s brother Ernst: ‘God would command the birds of the air to feast on the flesh of the princes and command the unthinking beasts to lap up the blood of the bigwigs.

Emily Rhodes

Flaubert, snow, poverty, rhythm … the random musings of Anne Carson

Anne Carson, the celebrated Canadian-American poet, essayist and classical translator, is notoriously reticent about her work. She agreed to just these three sentences appearing on the cover of her first book in eight years: Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget’s Thesaurus, my dad, Saturday night. The pieces are not linked. That’s why I’ve called them wrong. Not only does this suggest the range of subjects explored but also Carson’s idiosyncratic, playful humour. Of course there are links between the pieces, and of course they are anything but wrong. Wrong-footed by the blurb, it’s thrillingly difficult to find one’s balance on opening the book.

Simon Heffer

After Queen Victoria, the flood

Alwyn Turner writes early on that Little Englanders is ‘an attempt to take the temperature of the nation as it emerged from a century that had dominated the world and was beginning – whether it knew it or not – a long process of decline’. Perhaps for that reason, or perhaps because the high (and low) politics of the years from 1901 to 1914 – the Edwardian era continues for four years after the death of the eponymous sovereign, up to the lights going out all over Europe in August 1914 – have been so exhaustively covered in recent years, he tells his readers that he will draw heavily on popular literature, on the songs of the music hall and on the newspapers.