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Overbearing and undermining

A hundred and twenty years ago, the global hyper-power invaded a strategic Middle Eastern country. It talked of self-government but imposed its own rule. Other powers were excluded. Despite repeated promises to leave, its troops did not finally do so until 74 years later. Egypt under British occupation at the end of the 19th century has many parallels with Iraq under American occupation at the beginning of the 21st. The Bremer of the British occupation, the subject of this biography, was Evelyn Baring (from 1892 Lord Cromer). Younger son of a banking dynasty, he had spent his youth helping to administer Corfu, Malta and India, where he was known as the ‘vice-Viceroy’.

That was the week that was

Autism is in the air. Newspaper articles, television programmes and new books abound. It was not always thus; when Liam Nolan’s son, also called Liam, was diagnosed in the mid-Sixties, the term was almost unheard of by the general public. The condition was only identified at all in 1943. During Liam’s childhood, his behaviour was profoundly misunderstood. This book consists of the diary Liam senior kept for one week in August 1968, with an updated introduction and epilogue. ‘Liamy’ was ten. He was home for a holiday; he had already lived in an institution for some time, and still does.

Neither short nor sharp nor shocking

To be fair to him, George C. Schoolfield, of Yale University, does admit in his opening sentence that ‘movement’ may be too strong a word to describe the collection of writers on whom his Baedeker focuses. So, I think, may ‘fashion’. Links between authors in these 23 cross-global chapters are certainly thin — here an admiring letter, there a nabbed theme — and with some it is hard to see any link other than date and drivel. Each country has a chapter, and for that chapter they are allowed usually no more than one representative entry. Thus we get chapters on the decadent movement of Wales (entry: Arthur Machen) as well as that of Australia (Henry Handel Richardson). Other entries are justified: Huysmans is here, as are Strindberg and Rilke.

Watching the ranks closing

William Russell was a young American who worked as a clerk in the US embassy in Berlin at the time of the German invasion of Poland in September 1939. When Berlin Embassy, his account of those epic times appeared in 1941, it was acclaimed on both sides of the Atlantic. Little is known of what became of Russell after his return to America in 1940 and his book has been out of print for over 40 years. But thanks to the enterprise of the London-based publishers Elliott & Thompson, we can once again hear the cool, almost laconic, voice of the fun- loving 24-year-old as he calmly elucidates the horror and farce of an era now shrouded by a haze of revisionist history and political correctness.

The man who plans to run and run

Putin’s Progressby Peter TruscottSimon & Schuster, £17.99, pp. 370, ISBN 0743240057 Vladimir Putin will be re-elected President of Russia on Sunday with a thumping majority. This is the safest prediction it is possible to make in the New World Order where the word democracy can have many different definitions. In Russia the word means whatever President Putin chooses it to mean, as these two admirable books point out. Putin has spent his first four years in power destroying his opponents, either in the media, which has been cowed into Soviet-era submission, or in the political process itself.

A Light Blue victory

‘SCIENCE’S GREATEST DISCOVERY.’ So ran the front-page headline of the Reynolds’ Illustrated News on 1 May, 1932, the article underneath reporting that: ‘A dream of scientists has been realised. The atom has been split, and the limitless energy thus released may transform civilisation.’ The Sunday Express struck a more sombre note: ‘The Atom Split. But World Still Safe.’ For a few days after this announcement, the two scientists responsible for the breakthrough, John Cockcroft and Ernest Walton, were besieged by journalists and photographers and became rather reluctant celebrities.

Autumnal northern lights

Where are the songs of Spring? Well, certainly not in these short stories about people in crabbed old age or looking hard at death. Only in the last one, ‘The Silence’, where an ancient composer who believes that ‘the logic of music is eventually silence’, is any longing expressed to see ‘the cranes fly south again’ towards the wine-growing countries that nourished Beethoven, not these where ‘soured milk rules the roost’. Most of the collection is set in soured milk countries: pale, Nordic places. Yet in the title Barnes uses the symbol of a lemon. But the lemon, he says, has nothing to do with sunshine. It is the Chinese symbol of death and those who want to reflect together on mortality can sit round ‘the lemon table’.

Dishing only some of the dirt

This book, which presents itself as a no-holds-barred account of Joe Eszterhas’s reign as the toughest and most highly-paid screenwriter in Hollywood, is doubly misleading. To begin with, it’s heavily censored; and, secondly, he isn’t the fierce defender of his work that he purports to be, at least not judging from the way he’s allowed the lawyers to decimate this book. Eszterhas revels in his image as a Hollywood bad boy. When a lowly grip on the set of Betrayed, his 1988 film starring Debra Winger and Tom Berenger, suggests how the film’s ending might be improved, the warrior-screenwriter punches him in the stomach. The director of another of his scripts receives a memo that’s so eviscerating he suffers a heart attack while reading it.

From Wickquasgeck to Broadway

I have a fantasy of returning to ancient London and finding the way to my Camden home, just using the Thames and various hills and hollows for navigation. What fun it would be to track down the hunting grounds of Wardour Street ringing to the cry of ‘Soho!’, the exclamation used by hare coursers that lent its name to the area. How moving to dip your feet in the river Fleet, now running under Fleet Street, or swim in the Westbourne along West- bourne Grove. You get the same sort of kick out of Russell Shorto’s heavy-going but authoritative account of the Dutch discovery of Manhattan (from the Indian word, mannahata — ‘hilly island’). Well, not entirely Dutch.

The lure of the far horizon

In 1795, John Evans, the son of a Methodist preacher, set out from St Louis across the unchartered plains of North America in search of a lost tribe of ‘Welsh Indians.’ He had heard reports of a pale-skinned people speaking a language that sounded like Welsh inhabiting the area that is now North Dakota. Rumour had it that they were the descendants of Madoc, a 12th- century Welsh prince and his retinue who had supposedly made it to America 300 years before Columbus stood before the mast. After 1,800 miles, Evans discovered the tribe. He was welcomed into their huts and swapped pleasantries with their two chiefs, Big White and Black Cat. But even Evans could see that the Mandan Indians were about as Welsh as the Grand Mufti. He returned dejected and drank himself to death.

No tendency to corrupt here

Two things about this book — the first on the artist for over a century — are immediately off-putting: intermittent mustard-coloured pages, which make it look like a magazine, and the insistence of Robyn Asleson, a fledgling American historian, that Albert Moore’s paintings transcend words. Nonetheless she manages to hold the reader’s attention, despite the additional disadvantage that her subject had an uneventful life. Albert Moore (1841-93) was an important figure in the Victorian neo-classical revival, which in painting meant endless pictures of nude or draped beauties in a style derived from ancient Greece and Rome — none of it looking in the least classical, usually because the subject matter was clearly an excuse to paint a pin-up.

When Hollywood trembled

In its brief, action-filled history of 109 years the cinema has recapitulated the history of art from cave painting to Picasso, and conveniently for historians each decade has had a distinctive character. After the primitive but increasingly sophisticated fumblings of the first decade of the 20th century, the teen years saw the dominance of Chaplin and Griffith (respectively the great comedian who became the most famous man of all time, and the major pioneer of the popular feature film), and the creation of what were to be the great Hollywood studios. The Golden Age of the silent cinema came in the Twenties when Germany for a while challenged Hollywood and the Soviet film-makers had their hour of glory.

Patent medicine for mankind

Judging from his publications, since semi-retiring from his hedge fund empire George Soros has sorted out the world’s problems at the rate of about one a year: George Soros on Globalisation, Soros on Global Capitalism, Soros on Democracy, Soros on the Soviet System. Does the man have hobbies? Can we expect Soros on Pigeon-fancying, or Soros on Creating Small Formal Gardens? Hardly. Soros is on a mission. He helped topple John Major’s government when his hedge fund activity sent Sterling crashing out of the ERM. Now he is after bigger game. ‘I have made it my primary objective to persuade the American public to reject President Bush in the forthcoming elections.’ Soros not only helps to overthrow tyrants; he can nation-build too.

The pardoner’s tale

Books about wartime experiences are thick enough on the ground to make one wonder if it is really worth the trauma of reading yet another, but Adriaan Van Dis’s book, translated, a little clumsily, from the Dutch, offers a fresh angle. Set in Holland, it tells in retrospect the story of an illegitimate boy, born to a Dutch mother whose first husband was executed by the Japanese, while she is interned with her three half-Indonesian daughters. The fractured family return to Holland, acquiring on the way a new father, who — bizarrely but convincingly — shares the same name as the dead one, and who, like the mother, is Dutch and, like the father, a native of Indonesia, but whose precise racial origins remain obscure.

Full, frank and fraternal

The Army Records Society was founded 20 years ago in order to publish original documents describing the operations and development of the British army. Each year, in conjunction with Sutton Publishing, the society produces a meticulously edited volume printed on high-quality paper. Occasionally the subject matter, though important, is arcane and a shade dry: volume VIII, for instance, The British Army and Signals Intelligence in the Great War, still brings a knowing sigh from members. Usually, however, they are fascinating — in more recent years Lord Roberts and the War in South Africa, Rawlinson in India, and Amherst and the Conquest of Canada. And from time to time they are gems, significant papers hitherto unknown. This year’s volume is in that category.