More from Books

Sharing the pinnacle

One-to-one conflict injects adren- alin into sport. For a period, inevitably finite, a pair of rivals will elevate themselves above their contemporaries, and produce contests which will divide not only cognoscenti, but also the community at large, into two camps. This book is about one of the most magnetic of such contests for primacy waged over a decade and a half, between Chris Evert and Martina Navratilova for the unofficial title, Queen of Women’s Tennis. What makes such a rivalry truly memorable? The talents of the pair must be equal but separate — equal because otherwise the outcome would be predictable; separate because even if unpredictable it would be tedious.

A cruel twist of fate

This, as its title suggests, is a poignant book. In his account of the world’s last great polio epidemic in Cork, to which he fell victim at the age of six, nearly 50 years ago, Patrick Cockburn is neither self-centred nor self-pitying. He shows journalistic detachment in discussing the history and character of this terrifying disease, and as much, if not more, sympathy for its other victims as for himself. But he does at one point allow himself to say — and it is a most convincing claim — that he was perhaps ‘uniquely unlucky’. His famous parents, Claud and Patricia Cockburn, were largely responsible for his crippling.

A truly Russian icon

For far too long, the history of 20th- century Russia has been understood almost exclusively through the prism of politics, as if it were about nothing more than Marxism and Leninism, revolution and totalitarianism, war and famine. But in fact the history of Russia over the past 100 years is not only one of multiple political crises, but of an unprecedented cultural catastrophe. Between 1917 and 1937, the Bolsheviks destroyed not just the Russian political system, but an entire civilisation, everything from its manners and its habits to its stamp-collecting clubs and its fashion designers. A generation of cultural and social leaders died or emigrated. Most of those who stayed were imprisoned, impoverished, or otherwise silenced.

Tricks played by memory

In a learned essay on semiotics (and here, I imagine, the chaste Spectator reader will blanch but, steeling himself for the worst, bravely carry on reading) published in 1979, Umberto Eco explored the role of the reader in the construction of a text. The essay, ‘Lector in fabula’ — punning on the Latin tag, ‘lupus in fabula’, ‘the wolf in the story’ or, as we would say, ‘talk of the devil’ — invited us to consider how a text is transformed, completed and appropriated by a ‘naive’ reader willing to play the game of fiction. Twenty-six years later, Eco has decided to grant that naive reader a book of his own.

Low-level challenge and response

Steven Johnson has written a bold little book that very nearly undermines the only moral precept of my adult life: thou shalt not get into video games, since then thou really won’t, ever, get any work done. Thank heavens, his argument wasn’t quite that good; but it came extremely close. His key thesis is this: ‘popular culture has been growing increasingly complex over the past few decades, exercising our minds in powerful new ways.’ He economically dispatches the notion that culture has anything to tell us about moral right- eousness, which is a blessing, since I (racistly) never quite trust Americans to know the difference between proselytising and educating.

The Doctor’s dilemma

With this book, character assassination reaches a level not known since William Shake-speare did the business with the Macbeths, another family with political interests. First there was Michael Crick with Jeffrey Archer, Stranger than Fiction. Now there is Crick’s ex-wife Margaret with Mary Archer. I see from the blurb that there is a daughter, who presumably even now is amassing files on William and James Archer. For the Cricks, nemesis has become a cottage industry. Lady — no, Doctor — Archer (‘call yourself “Lady” and they think you haven’t got your O levels’) did her best to stop the book being written. Photographers were asked not to let their pictures be used, friends were instructed not to speak.

A hard act well followed

The names reverberate like a sustained drumroll — Victory, Royal Sovereign, Téméraire, Colossus, Mars, Bellerophon — an overture heralding the violence that will erupt when the warships drifting slowly downwind finally break into the crescent line of the French and Spanish fleet. At midday on the 21 October, the first massive broadsides are fired, smoke obscures the scene, and, when it clears three hours later, 19 enemy ships have struck their colours, another six will shortly be taken or wrecked, and Admiral Lord Nelson lies dead. In the two centuries since, it is less the strategic significance of Trafalgar that guarantees its fame than the operatic tragedy of the hero dying in the moment of victory.

Sweet Lady of Misrule

To my shame, back in the 1980s, I wrote a less than charitable obituary for the Daily Telegraph of the 13th Duke of St Albans, which dwelt unnecessarily on his unfortunate City directorships. This provoked a volley of letters from his grandson, Lord Vere of Hanworth, couched in intemperate terms. I seem to recall demands of satisfaction, challenges to a duel and the ominous question of whether my club had steps. Later this remarkable young man, by then styling himself Earl of Burford, caused a memorable scene in the House of Lords when he bounced on the Woolsack as if it were a trampoline — or, as he puts it himself, ‘an impromptu soapbox to defend the golden principle of sovereignty’.

The unacceptable face of capitalism

Philip Augar has found a snappy title for this forensic examination of the sins of the investment banking fraternity, and a startling figure: $180 billion. That is the amount he reckons the big hitters of Wall Street and the City harvested in the 1980s and ’90s in the form of excessive profits for their firms and excessive remuneration for themselves. They did not make this fortune as more admirable entrepreneurs do, by creating value that would not otherwise have existed or providing goods and services that improved their customers’ lives. They did it by skimming fees and commissions and trading profits out of corporate clients, retirement funds and individual investors like you and me, and very often by bending rules or simply breaking them.

Viragos on the march

Lucrezia Borgia was not the fiend history made her out to be. According to Gaia Servadio, she was a radiant symbol of Renaissance woman and, moreover, a judicious administrator of her husband the Duke of Ferrara’s realm. Lucrezia’s ethereal blonde looks had so captivated Lord Byron that, in 1816, he stole a strand of her hair from a cabinet in Milan. Lucrezia’s 16-year correspondence with the Venetian poet and future cardinal Pietro Bembo moved Byron almost to tears: ‘The prettiest love letters in the world,’ he declared. Unusually, Servadio ascribes the birth of the Renaissance to the invention of the printing press in 1456. As a result, books and new ideas were made widely available to women.

Before and after Babel

The origin of language is one of the riddles of mankind. History begins with languages already formed, the intricate relics of vanished civilisations. As history progresses, so languages deteriorate. Latin and Sanscrit are richer and more expressive than any of their living successors. As Adam Smith wrote in his beautiful essay of 1761, Considerations concerning the first Formation of Languages, the breakdown of the Latin inflexions left Romance languages that were wordy, unpleasing to the ear and rigid in their word order. Amaveram decayed into ego habebam amatum and then io aveva amato. The God of Genesis created different languages to thwart the insolence of humanity. As an explanation of the origin of linguistic diversity, the Tower of Babel is as convincing as anything since.

An odd couple

When the poems of Philip Larkin came to the fore in the late Fifties, I admired his graceful colloquialism but was dismayed by his almost proselytising gloom; life wasn’t given much of a chance. So I decided that he was a great Comic poet — stretching the idea of Comedy to almost Renaissance widths and depths — that he was the Les Dawson of the anthologies. This wasn’t good enough as a formula, it left too much out; but it was a way of admiring while keeping at a distance.

The frogman who failed

Ian Fleming pretended they were glamorous, John le Carré claimed they were brainy and unscrupulous. Commander Crabb, in real-life 1956, made Britain’s spies into the figures of fun they went on being until the Iraq fiasco showed they could be dangerous, too. He was the middle-aged chap, tripping over his flippers in a baggy wet-suit, who vanished into Portsmouth harbour near a Soviet warship, just when Anthony Eden’s government was vainly hoping to do some deal with the Bulganin-Khrushchev double act. If anybody knows what really happened, they have not yet told the rest of us. Tim Binding has embroidered a tale on to the bones of Crabb’s bizarre escapade. His novel sets out to do two things. It is an adventure story, but far too implausible to work as such.

Downhill all the way?

Martin Meredith ended his 1984 book on Africa, The First Dance of Freedom, with a quote from a recent report by the Economic Commission for Africa which looked ahead to the continent’s future over the next 25 years. On existing trends, it predicted, poverty in rural areas would reach ‘unimaginable dimensions’, while the towns would suffer increasingly from crime and destitution. ‘The picture that emerges is almost a nightmare.’ Africa has not disappointed Meredith. Twenty years on he is able to conclude this volume on the cheerful note that ‘African governments and the vampire-like politicians who run them are regarded by the populations they rule as yet another burden they have to bear in the struggle for survival’.

The last of the vintage wine

When Sybille Bedford was born, in Germany in 1911, it was into a world already vanishing: a world where ‘people were ruled by their servants’, lived in opulent houses (fully staffed by their rulers), ate heavy Edwardian-Germanic cuisine at very frequent intervals, took nothing so vulgar as holidays, but went south for their health, or entrained (taking their own monogrammed linen) for the major European spas. Her own family’s values looked back to the 18th century; her father was interested in mesmerism, and knew a man in Grasse who could raise the dead. In this long-awaited memoir, his daughter has performed the same feat.

Great wheezes of the world

Coleridge was supposed to have been the last person ever to have read everything, and that was in 1834. So Peter Watson, a Cam- bridge archaeology don, is up against it when he tries to squeeze the history of all the clever things that mankind has ever thought into 822 pages. He makes a pretty good fist of it, though, even if he has to rattle through it at 1066 and All That speed. In the space of one page, he jumps from man getting up from all-fours — about 6,000,000 BC — to man making stone tools (2,500,000 BC). Still, as he whips along, Watson gives attractive thumbnail sketches of developing ancient man.

Majority rules OK?

It was the second world war Allies, according to John Dunn, who converted ‘democracy’ into a slogan. Their object was innocent enough. They wanted to identify themselves by a word which signified everything that the Axis powers were not. Yet a word that could embrace both Stalin’s Russia and Roosevelt’s United States must have seemed rather elastic even at the time. Honest thinkers have had more difficulty in deciding what it means. At one extreme, it has its literal meaning: a system of government by the people. At the other, it has no meaning at all: just a hurrah word for whatever political arrangements the speaker admires, as in the expression ‘Democratic and Popular Republic of North Korea’.

The revenge of ‘the Thing’

What is the point of William Cobbett? Richard Ingrams claims that Cobbett was one of the greatest Englishmen who ever lived, yet his life is largely forgotten. He is remembered, if he is known at all, as the author of Rural Rides, a classic account of his travels around the English countryside in the 1820s. Previous biographers have celebrated Cobbett as a Radical politician and man of the people. Ingrams presents him in this admirably concise biography as a great journalist, who fearlessly exposed corruption in high places and championed the freedom of the press. In fact Cobbett in many ways resembles his biographer — the two men even look a bit alike. Cobbett was self-educated and self-made. His father was a small farmer near Farnham with a violent temper.