More from Books

Saturday

Tom Pocock

The first great bourgeois victory

The proposal that the English have a long tradition of violence is the opening of Adam Nicolson’s book and he supports his belief by invoking the Book of Revelations, Virgil, Homer, Joanna Southcott, the Methodists, Jane Austen and William Blake to bring this together at Trafalgar. That occasion cannot, of course, be without Nelson, and he writes, ‘The apocalyptic tradition required a conjuring, wise, intuitive, violent and triumphant leader.’ That this is an original and discursive bicentennial contribution is apparent. But, before a peace-loving Englishman can protest, invoking similar, even more violent tendencies among at least a dozen other nationalities, Nicolson has him on the quarterdeck of the Victory at dawn on 21 October 1805, and is making his point.

Olivia Glazebrook

Wearing heavy boots lightly

‘I used to be an atheist,’ says ten-year-old Oskar Schell, ‘which means I didn’t believe in things that couldn’t be observed... It’s not that I believe in things that can’t be observed now, because I don’t. It’s that I believe things are extremely complicated.’ On 11 September 2001, Oskar is sent home from school when the World Trade Center is attacked. He is not anxious for his parents, since neither of them works near the Twin Towers. But when he gets home, he plays the messages on the answering machine, and discovers that his father is trapped at the top of one of the burning towers. Minutes later, the tower collapses. Oskar is a brainy, precocious, charming, confident boy whose father has been his god.

Ian Mcintyre

A death greatly exaggerated

‘Canada,’ wrote the Toronto journalist Michael Valpy, ‘is the only country in the world where you can buy a book on federal-provincial relations at an airport.’ Things are looking up. Travellers eager to broaden their horizons can now curl up with this extended disquisition on globalisation by the consort of Canada’s outgoing Governor-General. His Excellency John Ralston Saul, C.C., son of a Canadian army officer and his English war bride, is a man of parts. Novelist, essayist, historian, philosopher, he has been variously described as ‘an erudite Toronto gadfly’ and, in a delightful oxymoron by Camille Paglia, ‘the intellectual as man of the world’.

Philip Hensher

The creepiness of Peter Pan

When I was a child, I frankly and thoroughly detested Peter Pan in every single one of its manifestations; horrible Christmas stage spectacular, horrible Disney cartoon, horrible, horrible novel. It was a passionate and immediate hatred, shot through with something very like terror. In part, I guess, it was the idea that someone might come through your bedroom curtains and abduct you; partly the idea, sinister and frightening, of a child prevented from growing up. Childhood has its own helpless fears, and it would be a strange child who found the prospect of never changing an appealing one. Really, the unanalysed dislike I had for Peter Pan was a dislike for something which evidently had undeclared designs upon me. I disliked C. S.

Saturday

Lucy Hugheshallett

When men were blokes

Ever since David Steen joined Picture Post at the age of 15 he’s been photographing celebrities. This handsome collection of male portraits shows his range. At one end of the spectrum is the cheesy picture of Steven Spielberg with his foot in the mouth of an inflatable rubber shark. At the other, there is the poignant picture of Augustus John in the year before he died, his head bent over clasped hands as though in prayer, alone in the breakfast room of a provincial hotel, in chilly grey natural light. For the former, Steen flew to Los Angeles (even though Spielberg could only give him an hour) and scouted for props. The latter he got by seren- dipity when, in 1960, he just happened to be staying in the same hotel as John.

Roy Strong

On the scent of the rose

The Gardens at Hampton Court Palaceby Todd Longstaffe-GowanFrances Lincoln, £25, pp. 208, ISBN 0711223688 The Gardens at Hatfieldby Sue Snell, with an introduction by the Dowager Lady SalisburyFrances Lincoln, £25, pp. 192, ISBN 0711225168 In 1979 the first major exhibition on the history of British gardening was staged at the Victoria & Albert Museum. It was a landmark, signalling the emergence of garden history, already pioneered in part by the young Garden History Society (now in its 40th year), as a serious academic discipline. Since then the subject has become established within the realms of academe and a torrent of literature has followed.

Rupert Christiansen

Brillo boxes and marble nudes

Professor John Carey is at his most acerbic, combative and impassioned in this brilliant polemic, developed from lectures he gave at University College London last year. Just don’t expect the question proposed by the title to be satisfactorily answered: Carey doesn’t exactly contradict himself — he’s far too fly for that — but halfway through, he executes an audacious volte-face that makes his arguments even more dizzyingly provocative. Taking positions he established in The Intellectuals and the Masses as his starting-point, Carey lays into the snobs, dilettantes and academics who have busily been carving a religion out of the arts ever since Baumgarten proposed a philosophy of aesthetics in the 1750s.

Nicolas Barker

Birds in the hand

Penguin By Designby Phil BainesPenguin/Allen Lane, £16.99, pp. 255, ISBN 0713998393 Publishers do not make popular heroes. Who has heard of Humph- rey Moseley, who published the Caroline poets? Or Jacob Tonson, apart from Pope’s patronising verses? Thomas Hughes made Tom Brown’s School Days famous, but could not do the same for Daniel Macmillan. But if there is an exception to the rule, it must be Allen Lane, founder of Penguin Books in 1935. The date, the format and the name have all become famous enough to put Lane in the national pantheon. But few know more than that, so a full-length biography is welcome.

John Weston

Putting the ghosts to rest

In 1976, the year of Mao’s death, I went back to China when the British foreign secretary Anthony Crosland paid an official visit there. Asked what he thought of Mao’s colossal experiment in social engineering, Crosland replied, ‘It’s revolting.’ If you’re puzzled by this reaction from Old Labour’s leading thinker, you should read the new biography by Jung Chang and her husband Jon Halliday. The book breathes life from every page. In addition to extensive Chinese and non-Chinese written sources, the authors have conducted several hundred fascinating interviews with people who were close to Mao and his entourage or witnesses to events described.

Saturday

A.N. Wilson

A good man up against it

Basil Hume, when a young Benedictine monk from Ample- forth in Yorkshire, was sent to study in Switzerland at the Catholic university of Fribourg. While he was there, two young men, staying at the same college, went mountaineering and got lost. The priest in charge of the seminary told the students that two young Englishmen had gone missing and that there was nothing to do but pray. Basil Hume prayed for a bit. Then the situation became too much for him. He went out, got hold of a car, drove to Gruyère and took charge of the search. Eventually, one man was brought back dead, the other alive. Hume helped to arrange the funeral of the man who had died. The other man went on to become a professor of philosophy at Cambridge.

Vernon Bogdanor

Prophet of doom and gloom

Those who can, do; but all too often they cannot resist pontificating as well. John Lukacs is a historian of Hungarian origins and conservative inclinations with a number of important if idiosyncratic books to his credit, including biographical studies of Churchill and Hitler. His aim in Democracy and Populism, however, is more far-reaching. He seeks to do nothing less than provide that ‘new science of politics’ for the ‘new world’ of democracy which Tocqueville called for over 150 years ago but which has not yet been forthcoming. Lukacs believes that the old categories — socialist, liberal, conservative, even perhaps Left and Right — have lost their meaning.

Stephen Abell

Too bloody writerly

Novelty alone — with writing as with condoms — should not ever be the overriding criterion when making an important selection. Unfortunately, in their introduction to New Writing 13, Toby Litt and Ali Smith make clear that they have only chosen authors practically squeaking with novelty: writers ‘for whom everything they write is a renewal — of language, of place, of the senses and of the contemporary’. As well as being an essentially meaningless piece of lit — or rather Litt — crit, it tells us that, in this book, newness is as much a question of aesthetics as chronology; it may also remind us that an approach that is so right-on is already a real turn-off.

Paul Routledge

Cold comfort on the wolds

Moving to a farm cottage 700ft up in the Pennines, surrounded by sheep and serenaded by curlews, and conscious of the dawn-to-dusk regime of the family next door, one begins to understand life on a small mixed farm. It is unrelenting work. No wonder Richard Benson preferred the glitzy attractions of Grub Street. But if he had not abandoned his patrimony, we would not have this quite moving memoir of change on the Yorkshire wolds, the county’s least appreciated hinterland. The undulating hills can be as bleak as Hardy’s ‘starve-acre’ Flintcombe Ash with the same flint and chalk, yet as pastoral as Talbothayes.

John De-Falbe

The shooting gallery

The Rules of Perspective is set in a provincial German art museum as it is bombed by the Americans at the end of the second world war. The pivotal scene is revealed at the outset: Corporal Neal Parry comes across four corpses seated in the ruined museum’s vaults. There are two men and two women, and they appear to have been killed by heat. A fifth corpse lies on the ground further away. It is evident that some paintings had been brought down here for protection, but all appear to have been destroyed except one. This vivid tableau exerts a powerful tension throughout the book, for the narrative is structured as a counterpoint alternating between the events relating to the Germans beforehand and the aftermath which is seen through Parry’s eyes.

Neel Mukherjee

A box of delights

There is a dizzying profusion of texts and writers in Nicole Krauss’s second novel, The History of Love. There is an inset novel bearing the same name, written by one of her principal characters, Leo Gursky, excerpts from which are strewn throughout. Gursky, an 80-year-old Jewish refugee in New York, doesn’t know whether his book was ever published. He gave his manuscript for safekeeping to his friend in the Polish village of Slonim when the sound of the Nazi juggernaut’s onward rush had become unmistakably loud, and then he and his friend were severed for ever.

Geoffrey Wheatcroft

The man who knew ‘everyone’

Not long after Alexander Chancellor had been appointed editor of The Spectator in 1975, and had then lightheartedly or pluckily taken me on to his small crew at Doughty Street, we had lunch at Bertorelli’s with David McEwen and a great friend of his: a man once met not easily forgotten. He was imposing or even overbearing; loud, handsome in a rather blatant way, charming in intermittent flashes, much given to malicious anecdote and reminiscence. This was my first encounter with Alastair Forbes, who has died at 87, and is still remembered by staff as well as readers of The Spectator with a mixture of amusement, irritation and awe. In his late fifties at the time, Ali was kicking his heels; and although I might not have met him before, almost everyone else apparently had.

Saturday

Alexander Masters

No ordinary Joe

I can’t decide whom I distrust more in True Story: the author, a humane and thoughtful man, or his subject, Joe Longo, who butchered his wife and youngest son, then drowned his other children by tying them up in a sack and dropping them into a lake like unwanted kittens. True Story is written by a penitent. Three years ago Michael Finkel, a rising star of investigative and travel journalism, was caught making up a story about poverty in Africa. It was not a very terrible crime; he only invented bits of the piece (it was still ‘writerly’ truth, even if not ‘journalistic’, he insists), but the result hit him badly.

Hugh Massingberd

All the way from Folk to Electric

Faced with a choice on election night of staying in to watch the results coming in on the box or heading out to The Anvil, Basingstoke, to catch a live show by The Manfreds — featuring my old school contemporary Michael d’Abo on vocals, as well as his apparently ageless predecessor, Paul Jones — it was, as Homer Simpson sometimes says, ‘a no-brainer’. In spite of a single, seemingly slighting reference (from Elvis Costello) to Manfred Mann in this stimulating study of Bob Dylan, I still believe the group to have been among the best interpreters of his songs and I’m sure I have read somewhere that Dylan himself has endorsed this view.

William Brett

That old Southern charm

Lee Cotton is born to a black mother in a little Delta town in the 1950s, but has white skin. He grows up amid violent confrontation between white supremacists and the civil rights movement. Aged 16, he is beaten to death by the Ku Klux Klan. At this stage in the book, 50 pages in, it is natural for the reader to assume that the narrative will centre on issues of racism. It is especially natural, considering that the author is a white British man. Why else would he choose so alien a backdrop, if he were not intent on exploring the issues peculiar to that time and place?