More from Books

Saturday

Sandy Balfour

Watching the human comedy unfold

I remember once swimming in the Batha river in central Chad. Despite recent rains the river was sluggish, warm and muddy, so much so that it was not immediately clear what was the point. I was uncertain of which way to go. I could not see my feet. I was covered in mud. And yet I emerged strangely relaxed. Easing your way into Cees Nooteboom’s remarkable new collection of travel pieces, you may have the same experience. Ignore, for the moment, the fact that you cannot see your feet and that you are not sure why it is interesting to read an account of a journey to Mali in 1971. Go with the flow and when you emerge you will feel enervated and strangely relaxed. Somewhere deep in the bowels of Nomad’s Hotel Nooteboom gives the definitive account of what he is about.

Harriet Sergeant

Much possessed by death

On the 25 November, 1970 after a failed coup d’état, the Japanese writer Yukio Mishima stuck a knife into his belly, then had his head cut off with his own sword. Twenty years later I enjoyed a brief flirtation with a member of Mishima’s private militia, the Tate no Kai or Shield Society. Matsumura, like Mishima, proved a series of contradictions. A right-wing nationalist who owned a coffee shop in the centre of Tokyo, he had spent the 1960s cracking left-wing students over the head with a drain- pipe. His best friend, Morita, Mishima’s second-in-command, had beheaded the writer before killing himself. But Matsumura also spoke fluent English, enjoyed arguing with me and baked an excellent cheesecake.

Vicki Woods

Putting bezazz into Bazaar

Carmel Snow, routinely called ‘the legendary Mrs Snow’ by news- papers in her lifetime, edited the most perfect fashion magazine in the history of glossies, American Harper’s Bazaar, for 25 years from 1933 to 1957. It’s probably a fashion statement in itself (‘Sooooo yesterday’) that her legend has almost entirely faded from public memory. Having spent long years toiling as a professional mag-hag myself, I knew the mythopoeic bits already. It was Snow, at Christian Dior’s first Paris show in 1947, who told son cher Tian that ‘your dresses have such a new look’, thereby ensuring a) his name and thunderous fortune, and b) the triumphant return of postwar Paris as the centre of the world’s fashion industry.

Sam Leith

Doing nothing in particular very well

‘We are here on earth to fart around,’ that wise man Kurt Vonne- gut once wrote. ‘And don’t let anybody tell you different.’ Denys Finch Hatton — who was born into the English aristocracy in 1887, and died in a plane crash in Africa not long after his 44th birthday — was one of the great farters-around of all time. That we know of him now is largely down to his long and tortured love affair with the ill-starred Danish coffee-farmer Karen Blixen, who under the pen name of Isak Dinesen described their relationship in Out of Africa. The image most of us have of him, then, is of a tanned and sunny Robert Redford heading non- chalantly to his doom in a Gypsy Moth. Denys differed from Robert Redford in one important particular.

Saturday

Salley Vickers

The discreet shape of tears

Mothers and memoirs are fashionable at the moment. We’ve had Edward St Aubyn’s novel Mother’s Milk and few respectable books’ pages appear without a brand-new set of tragic, comic or tragi- comic reminiscences, leaving us grateful, if apologetic, for our own drearily staid lives. Yet it is a fact that a really good memoir usually owes less to life than to the author’s shaping imagination. Indeed, the best are often largely fantasy (Trollope’s captivating autobiography is a case in point). Rarely does a completely authentic recollection make compelling reading. Too often, as Henry James’s great short story on this theme reminds us, compared to art the ‘real thing’ disappoints and ultimately fails to enchant.

Jonathan Sumption

A glorious road to ruin

We know very little about the ‘good’ kings of medieval England. Weakness makes better copy. Gossip and laughter leave more traces than dumb admiration. Contemporaries, fascinated and appalled by their complex and unstable personalities, have left us vivid accounts of Edward II and Richard II, whose reigns both ended in deposition and murder. By comparison, Edward III is an icon. He lived his life in the manner that medieval men expected of a king. He looked the part. He won his battles. He made the right sort of people rich. In the chronicles of his time, his character is completely concealed behind a mask of conventional praise. Picking up a book titled The Perfect King, one might expect to find the same sort of treatment. Ian Mortimer does not disappoint.

Simon Courtauld

A far from plodding pedestrian

How much more do we need to know about Sir Wilfred Thesiger? Alexander Maitland, his literary executor and friend for the last 40 years of his life, collaborated with Thesiger on six books of his travels, and we have Thesiger’s first two classics, Arabian Sands and The Marsh Arabs, not to mention two other mainly photographic books. Then there is his autobiography and an excellent biography by Michael Asher published in 1994. One of the merits of Asher’s book was that he retraced, by camel and donkey, several of Thesiger’s journeys. It was also informed by anecdotes, some of which Maitland has overlooked or chosen to omit.

Clive Aslet

Ups and downs of Bankside

Walk over Lord Foster’s wobbly bridge from St Paul’s and you will see, squashed between Tate Modern and the reconstructed Globe Theatre, a three-storey house that, according to an inscription, is where Sir Christopher Wren stayed while building the cathedral. Alas, the legend, acceptable in the 1940s when the words were put up, no longer holds water. The house was not built until 1710, long after Wren had a use for it. But the story that Gillian Tindall weaves in this book is no less fascinating for an absence of grand characters — in many ways it is the better for it. The house becomes a window through which the reader can view eight centuries of the busy, everyday riverside life which shaped this now voguish quarter of London.

Anthony Daniels

Reports from discomfort zones

South African doctors have a very good reputation. The excellence of their medical training is matched by the breadth of their clinical experience. For example, a young South African doctor in surgical training in Britain often has more practical experience of bullet wounds than the boss who is teaching him; or such, at any rate, would have been the case until quite recently, when inner-city surgeons started to treat the victims of drug and gang wars. Jonathan Kaplan is a South African surgeon who has eschewed the conventional career that was clearly within his reach for that of a volunteer surgeon to the war zones of the world. He puts his life in danger to save the injured and maimed, who are often very poor into the bargain (the poor are easier to hit than the rich).

Olivia Glazebrook

Finnish but not yet free

Finland, 1902. The Russian empire controls the country — has done for nearly 100 years — but a resistance to Tsarist rule is gaining strength and volume. In Helsinki, revolutionary discussion is turning into action; in the country, Swedish Finns are comfortable as the ruling class. The House of Orphans is the name given to an orphanage which lies in a town surrounded by forest, to the north-west of Helsinki. It is here that 14-year-old Eeva was taken from Helsinki after the death of her father. Two years later she is sent to work for the local doctor as his housekeeper. To Dr Eklund’s surprise and fascination Eeva is much more than she appears: ‘They’d taken her away and tried to make her into an orphan, but it hadn’t worked. She was still Eeva.

Frank Johnson

The wobbly Anglo-French tandem

In the spring of 1916, the young French officer Charles de Gaulle was captured at Verdun. The French demanded from the British a diversionary offensive to prevent the entire French army from collapsing. Most British troops were not yet trained for such an effort. Nonetheless, they opened an offensive on the Somme. There, the young British officer, Harold Macmillan, was almost fatally wounded. Twenty-seven years later, the Anglo-Americans intrigued against that same de Gaulle in North Africa, and he intrigued back against the same. Churchill sent that same Macmillan from London to help resolve the dispute. De Gaulle survived as Free French leader, partly as a result of Macmillan’s diplomatic skills.

Saturday

Ben Wilson

Brothers and sisters in revolt

After a family quarrel in 1717, George I ordered his son and heir’s imprisonment in the Tower. His ministers had to explain that in England not even a king could dispense with habeas corpus. The King considered bundling the future George II on to a man-of-war bound for the West Indian plantations, but reluctantly conceded to English niceties. Obedience to the law and public opinion did not suit a man who had dedicated his first 54 years to the interests of Hanover before inheriting the British throne in 1714. In his small and happy German kingdom, George had personal power and was treated with honour by his deferential subjects; the British, by contrast, revelled in the tittle-tattle of royal scandal and subjected monarchs to strict conditions.

Jonathan Keates

Marcel the Magnificent

Proust is rapidly becoming the Mozart of the novel, one of those artistic figures before whom, from time to time, we delight to abase ourselves in various not always dignified postures of idolatrous adoration. One acquaintance of mine, for example, currently devotes his leisure hours to marking up A la recherche du temps perdu in different-coloured inks to indicate successive references to food, carriages, clothing etc. A lady in America is busy compiling a Proustian peerage, scanning the small print of silver-fork gazetteers and almanacs for stray duchesses, barons and counts, with the idea of giving us the whole coroneted galaxy in a sumptuous album, complete with escutcheons and portraits.

Joanna Kavenna

Paddling through Canada

There are a lot of travel writers these days setting off ‘in the footsteps of’ someone else, gathering clues and arguing with ghosts. This is partly pragmatism: there are so few untouched trails around that you might as well make a virtue of necessity, lend your narrative some historical backbone and a point of comparison. It means that as you stare across at an interlaced network of concrete motorways and slab-like apartment blocks, you can contrast the contemporary carnage with the three wooden huts your predecessor observed, or discern the vestiges of the past among the urban clutter. Yet at times the genre can flag: the footsteps simply aren’t compelling, the structure is creaky, the premise ultimately dubious.

Andrew Taylor

Ancient trails and quests

Val McDermid is probably best known for her series of sharply contemporary thrillers featuring a criminal profiler. But some of her standalone novels, in particular the superb A Place of Execution and The Distant Echo, have narrative sections that hark back to a generation earlier; and their plots turn upon the long shadows thrown forward by past crimes. The Grave Tattoo takes this process even further back in time. At the heart of the story is the intriguing historical link between the families of William Wordsworth and Fletcher Christian. The two men were schoolfellows, taught by Fletcher’s elder brother. There is a persistent legend that the chief mutineer of the Bounty faked his own death in the South Seas and returned to live and die in the Lake District.

Ruth Guilding

Stones of contention

The acrimonious debate over the Elgin Marbles, housed in the British Museum since 1816, provides the catalyst for this new book. Ever since Lord Byron libelled Lord Elgin in verse as, ‘the last, the worst, dull spoiler,’ plundering the temple where ‘Pallas lingered,’ homegrown restitutionists have quoted Childe Harold to support the arguments for their return to Greece. John Keats never saw the Parthenon, but his feelings on first encountering its sculptures in London were just as intense. He sat before them in a reverie, staring for hours as they opened the classical world to him. His sonnets written afterwards remind us that these Grecian marbles belong to our national culture too now, as embedded as Cranmer’s Prayer Book or the King James’ Bible.

Alexander Chancellor

Sweet and sour flavour of the Big Apple

The first thing that came into my mind after reading Gone to New York was a song — ‘Why, oh why, oh why, oh/ Why did I ever leave Ohio? Why did I wander to find what lies yonder/ When life was so cosy at home?’ This splendid, nostalgic song from the 1953 Leonard Bernstein musical Wonderful Town, recently revived on Broadway, has assumed some real-life significance at last. For one can’t help wondering why Ian Frazier, who spent an idyllic youth in the little Midwestern town of Hudson, Ohio, chose to abandon it for ever to become a writer in New York, a city whose night- marish aspects he assiduously chronicles in this book.

Graham Stewart

The weasels in the wordpile

The etymologists of the Oxford English Dictionary should be alerted that Steven Poole has coined a new word. First used as the title for his book, published in 2006, ‘unspeak’ is a noun for a ‘mode of speech that persuades by stealth’. How, it might be asked, does this differ from ‘spin’? Poole contends that politicians do not talk in platitudes as a means of obfuscation, as is commonly alleged, but rather sway debate by consciously deploying language in a careful and manipulative way. In recognising that newspapers and television bulletins have scant space, they have worked out that they need to reduce their arguments to soundbite size. This means deploying devious words. At its mildest, this is really about improving public relations.

Saturday

Tom Fort

Mother Earth in a bad mood

The other day someone — actually it was my MP, the member for Henley-on-Thames and former editor of this magazine — asked me if I ‘believed’ in global warming. The question was put in such a way as to suggest it was a matter of faith rather than commonsense. I replied that only half-wits and conspiracy nuts refused to accept that it was real and largely our doing. The question is no longer whether or not it is happening, but where it will take us and how quickly. If James Lovelock’s analysis of the condition of our planet is sound, the answer is: into the flames of Armaged- don, fast. He suspects we are already past the point of no return; that even if we abandoned our tribal differences and foolish ways now, it would probably be too late.

Charlotte Moore

Up against it down under

William Thornhill, convict, is spending his first night in a mud hut in the penal colony of New South Wales. He’s in Sydney, but this is 1806, and Sydney is little more than a huddle of such huts. Beside him, his wife Sal and their children sleep. Beyond is darkness, the ‘vast fact of the forest’. Above are the unreadable stars of the southern hemisphere, ‘as meaningless as spilt rice’. And then, standing in the entrance, is a naked black man holding a spear. How should Thornhill react? He’s neither a hero nor a villain. In London, he was a member of the underclass; he stole because he couldn’t earn enough to feed his family. Having escaped the gallows, he’s now imprisoned by ‘ten thousand miles of water’.