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Books of the Year | 24 November 2007

William Trevor Thomas Hardy: The Time-Torn Man by Claire Tomalin (Penguin, £8.99). This is a classic biography, gracefully written, driven by a perception that never falters. The contradictions and lingering mysteries in Hardy’s life, both as a man and a novelist, are investigated fruitfully but gently, without gratuitous or prurient curiosity. Speculation is offered with well-mannered diffidence when there is doubt; with the certainty of exemplary research when there isn’t. A worthy addition to the best of Hardy’s novels, A Time-Torn Man often reads like a particularly good novel itself. Equally a treat is Eleven Houses by Christopher Fitz-Simon (Penguin Ireland, £18.

The volcano’s resonant rumble

In the cartoonist Martin Rowson’s comic strip critique-cum-spoof of The Waste Land, Ezra Pound appeared in cameo as ‘Idaho Ez’ — a sort of demented janitor shuffling through the middle of the action, muttering to himself and pushing a broom. This captures, albeit cruelly, a version of the way his reputation survives: opaque, marginal, bonkers — his primary importance in 20th-century poetry if not actually janitorial then that of a curator. The other side of his image, of course, is as a comic turn in the lives of his contemporaries, whether as the loony old anti-Semite in St Elizabeth’s or as the attention-seeking young flâneur described fancifully by Ford Madox Ford: Ezra . . .

Lives less ordinary

Peter Gay opens his survey of the culture of Modernism with a discussion of Baudelaire’s call to artists to draw their inspiration from contemporary urban realities, and closes it with some sort of ironic ne plus ultra, as Damien Hirst roars with laughter after a ‘pile of organised chaos representing the detritus of a painter’s studio’ that he presented as an installation is mistakenly swept into a bin bag by an innocent cleaner assuming it to be bona fide rubbish. In between, Professor Gay travels through 150 years of the history of the visual arts, literature and music. It must have been an exhausting journey for this distinguished Yale-based chronicler of the Enlightenment and German intellectualism, now in his mid-eighties.

Portrait of a lady

Clarissa Eden’s father was the younger brother of Winston Churchill. Her mother was the daughter of the seventh Earl of Abingdon. She was born into an upper-class society which still, as in Trollope’s novels, was organised to bring daughters into contact with eligible husbands at summer balls. A beauty, with her mother’s blue eyes, she would have triumphed as a debutante. But she soon got bored with the social rituals of the season; ‘one dance,’ she wrote, ‘was very much like another’. Always independent-minded, Clarissa struck out on her own and sought her chosen friends among artists and writers. She attended Ben Nicolson’s parties where a drunken Philip Toynbee sang communist songs.

No simple solutions

The epidemic of Aids among heterosexuals of which we were once warned by public health officials is now almost as forgotten as the global freezing of which the environmentalists in the 1970s also warned us. Only in Africa has Aids spread through the general population, reducing the already low life expectancies of several countries still further. The African exception has long puzzled doctors. Why should Africa be the exception? Various theories have been put forward, from general malnutrition to the prevalence of other sexually transmitted diseases that facilitate the entry of the virus into the body and the polio immunisation experiments conducted in the 1950s in the Congo.

Borders of the possible

The original title for this novel was Jews with Swords, which perfectly captures its spirit as well as its subject. It also, incidentally, suggests a good literary parlour game, in which classic works are simplistically renamed to reflect their content: Day Out in Dublin, for Ulysses, or Beautiful Child Abuse, for Lolita, perhaps. In any case, the original title for Gentlemen of the Road is apposite, because it at once points to a historical period of weapon-wielding (10th-century Khazaria, as it happens) and offers a clue to the exuberant manner in which the tale is told. Michael Chabon is a literary novelist, but has here ‘gone off in search of a little adventure’ with a pleasurable crack at swashbuckling genre fiction.

A choice of crime novels | 24 November 2007

Name to a Face (Bantam, £14.99) is Robert Goddard’s 19th novel. With characteristic brio, he combines the Black Death, the wreck of Sir Clowdisley Shovell’s flagship off Scilly in 1707 and the theft of an 18th-century ring with adulterous shenanigans in modern Monaco, a drowned journalist, near-identical twins and major-league EU fraud. Tim Harding, a world-weary landscape gardener, is drawn into a lethal quest to connect these disparate elements. It takes him from the Riviera to Penzance, from London to Munich, and in the process forces him to confront not only a ghost from his own past but also what he really wants from the present. The plotting in this intelligent thriller is exceptionally good.

A one off

Late in My Tango with Barbara Strozzi, Phil Ockerman, the main narrator, goes to Diamond Heart in Scotland, ‘a centre of dynamic calm in which mind and spirit gather energy for the next forward move’. He is the stand-in writer to teach a course on ‘The Search For Page One’. If Russell Hoban finds it difficult to get started on a novel then I suspect he refers back to something like this: Girl meets Boy; people may be drawn in more than one direction at once; they often have their own agendas: love is not simple. Will he/she, won’t he/she? Characters from other books wander in to say hello; images recur. Phil reminds us that we were introduced to Diamond Heart in Her Name Was Lola — ‘Bloomsbury, 2003’.

Adjustment

Adjustment So much for the ineffectual sandbags: we were put in touch with the loss adjuster, who came when the ‘black water’ had retired. They would indeed replace the white goods (for which we’d better find the lost receipts) but, with a droll glance at the furniture, he let us know that didn’t mean what was wrecked already might be redeemed nor that the house would be caulked and fitted out with gopher wood against a future flood. He must have seen a rainbow smudge of expectation in our eyes. His soles scuffed the buckled floor boards — the alluvia of silvered dust, clay, gravel, seeds and spores still promising the new, the better life.

Recent gardening books | 24 November 2007

Celebrity gardeners are what publishers are banking on this year. The Dowager Marchioness of Salisbury, known in New York as ‘the high priestess of historic garden design’, has given us her gardening autobiography. A Gardener’s Life (Frances Lincoln, £35) is illustrated by another aristocrat, Derry Moore — in private life Lord Drogheda. The book looks as beautiful as the gardens that the Marchioness makes. Her famous style of scholarly nostalgia can be seen in Ireland, France, Italy and America, as well as at Highgrove and in many English gardens, including her own newest venture, on a Chelsea roof. Cranborne remains for me the dream garden and Hatfield, perhaps her greatest achievement, appears all ‘luxe, calme et volupté’.

Urge to be first

It’s an alien species. Its habitat is scorching deserts or polar wastes, its diet Smash potato reconstituted with snow melt, and a concoction called ‘pre-stress’ drunk from a bottle that is also used to collect its own urine. Its pastimes include running marathons, writing books and climbing mountains. This is the Sir Ranulph Twistleton Wykeham Fiennes. Just reading about his exploits is exhausting. The first circumnavigation of the world via both Poles was succeeded by frequent attempts at other ‘firsts’ in both Arctic and Antarctic, mostly by dragging laden sledges over ice using nothing but man power.

Norman at the Ritz

Andrew O’Hagan wrote a very nice piece about Norman Mailer in the Daily Telegraph last week. Affectionate and admiring, it was just the sort of tribute a young writer should pay to a senior one, and it was pleasant to learn how encouraging Mailer had been to O’Hagan and indeed to other young writers. This is as it should be — a handing on of the torch. No doubt this was easier for Mailer than for less successful elderly writers who find themselves elbowed out of the way by younger generations, and quite possibly dropped by their publishers. Nevertheless it’s commendable, jealousy or envy being sins to which writers are prone. I only once saw Mailer.

Books of the Year | 17 November 2007

Deborah Devonshire The Uncommon Reader by Alan Bennett (Profile Books, £9.99) is small, short, cheap and perfect. It is a gem among the dross, without a wasted word. It conjures a picture so skilfully that whenever I see the Derbyshire County Library van in the village I see Norman and his employer inside discussing their lists of books to borrow. Several bedside copies have already been taken away by my guests. I don’t blame them. Black Diamonds by Catherine Bailey (Penguin Viking, £20) proves truth to be stranger than fiction. It tells the history of the Fitzwilliam family, with its convoluted relationships, living in royal style at Wentworth House, the biggest-by-far private house in England.

The conquering hero as show-off

How should ancient Roman history be written? Gibbon larded his account with ironic elegance. Echoing Tacitus’ epigrammatic sarcasm, he made ponderously light of the vanities and savagery of imperial rule. Yet the Latinate charm of his prose implied wry nostalgia, not only for the age of the Antonines, but also for the whole myth of Roman grandeur. In my undergraduate day, Professor F. E. Adcock continued to lisp in Tacitean epigrams, but the great modern iconoclast was Ronald Syme. A New Zealander whose The Roman Revolution cut the classy crap, Syme denounced Augustus and his family as proto-mafiosi who had taken over Rome in what François Mitterrand later called (when speaking of de Gaulle’s Fifth Republic) ‘le coup d’état permanent’.

Why does Tintin never have sex?

I had two great childhood heroes: Marc Bolan and Tintin. Marc provided me with wit just as Tintin provided me with wisdom. From an early age I realised that fame doesn’t have to ruin you. Look at Tintin. I determined to use him as my role model. Tintin was for people who found Asterix too intellectual. But there were a lot of us. To date, The Adventures of Tintin have sold over 200 million copies in some 70 languages. Michael Farr in The Adventures of Hergé tries to explain why. It is the most marvellous portrait. People fascinate me if their qualities are opposed by a wholly contradictory set of qualities. For example, we learn that Hergé never travelled.

Traced to an underground car park

Nine years ago Park Honan published a modest biography of Shakespeare which alerted the literary world to the amount of hard fact that has gradually accumulated over the centuries alongside the speculation and mythology. Honan’s book opened the floodgates. A spate of Shakespeare biographies followed which shows no sign of abating. According to Honan, this is just how it should be: ‘Our collective picture of the poet’s life is surely best when many people test it, doubt it, discuss it ...when we are not under any illusion that it is to be finished.

Balance and counterbalance

Until the 1760s British statesmen had two empires to manage. One exercised the public imagination and awoke patriotic dreams: the colonies in America and the West Indies. The public frequently wished the other away — the Holy Roman Empire. Britain had been dragged into the morass of European politics from 1714 with the accession of George I, who was ruler of Hanover and one of the Electors of the Empire. Britannia ruled the waves, the people were told; surely it was better to leave the Continent to its own concerns, follow a ‘blue water policy’ and build up a maritime empire. In this bold and convincing account Brendan Simms shows that Britain reached the height of her glory when she was actively engaged as a European player.