More from Books

Saturday

Olivia Glazebrook

Suffer the parents

One morning in 1979 a six-year-old American boy, Etan Patz, set off on foot to catch the bus to school — the first time he had been allowed to walk to the bus stop by himself. One morning in 1979 a six-year-old American boy, Etan Patz, set off on foot to catch the bus to school — the first time he had been allowed to walk to the bus stop by himself. He did not arrive; he vanished without a trace and was never found. In 2001, still missing, he was declared dead. Etan’s was the case that changed the way America looked for its lost children: his search was given huge — unprecedented — media coverage, and his photograph was the first of many to be used in the ‘milk carton’ campaigns of the 1980s.

Will Robinson

A firm believer in leniency

Ninety years after the ill-fated European peace settlement dictated by the victorious Allies at Versailles, it is fitting that a publisher should commission a series of 32 monographs devoted to the men and consequences of the Peace entitled ‘Makers of the Modern World’. Ninety years after the ill-fated European peace settlement dictated by the victorious Allies at Versailles, it is fitting that a publisher should commission a series of 32 monographs devoted to the men and consequences of the Peace entitled ‘Makers of the Modern World’. Collectively they will reveal the full extent of debate among the statesmen who redrew the map of Europe in 1919, setting the agenda for international relations in the age of Hitler, Stalin and Churchill.

Saturday

Michael Burleigh

The map turns red

Norman Stone forsook the chair of modern history at Oxford university for Ankara after realising that the ‘conversation at high tables would generally have made the exchanges in the bus- stop in the rain outside seem exhilarating’. Norman Stone forsook the chair of modern history at Oxford university for Ankara after realising that the ‘conversation at high tables would generally have made the exchanges in the bus- stop in the rain outside seem exhilarating’. Dur- ing an earlier incarnation at Cambridge, Stone taught a galaxy of historians. His protégés include David Blackbourn, Harald James and Richard Overy, followed by Niall Ferguson and Andrew Roberts, all bar two now working at Harvard or Princeton.

Simon Sebag Montefiore

A bolt from the blue

The memoirs of the Grand Duchess Olga are an entertaining record for anyone interested in the imperial family’s home life during the last years of Russian autocracy. The memoirs of the Grand Duchess Olga are an entertaining record for anyone interested in the imperial family’s home life during the last years of Russian autocracy. Olga was the youngest of Alexander III’s six children; her mother was the Danish princess, Maria Fyodorovna. She was born just after her father’s accession, in 1882, when the throne was already in crisis.

Joanna Kavenna

To strive, to seek, to find . . .

In 1931, a 23-year-old Englishman called Henry ‘Gino’ Watkins returned from an expedition to the white depths of the Greenlandic ice cap. In 1931, a 23-year-old Englishman called Henry ‘Gino’ Watkins returned from an expedition to the white depths of the Greenlandic ice cap. He was hailed as a precocious talent, even as a worthy successor to Fridtjof Nansen, who had recently died.  When Watkins died the following year, during another expedition to Greenland, King George remarked on the tragedy of his death, and Stanley Baldwin wrote that ‘If he had lived he might have ranked . . . among the greatest of polar explorers’. Yet Watkins had only just begun to establish himself, and his reputation swiftly faded.

Quentin Letts

No earthly good

Peter Hitchens writes a stern column most weeks in the Mail on Sunday. It expresses disdain not only for today’s politicians but also for those of us who vote for them. The weekly Hitchens can leave even his fellow right-wingers feeling demoralised. He argues that David Cameron’s Tories are no better than Gordon Brown’s clowns. Anyone who swallows campaign promises from Wesmtinster’s stinking fraudsters — a plague on all their second houses — is, in his view, a fool. Hitchens is brave and clever. He writes fluently, with the eye of a shrewd reporter. The best newspaper columnists have always been contrarians, but surely few have been so consistently against everybody with such Old Testament hotness.

Christian House

Red faces in the galleries

Art fraudsters, especially forgers, have a popular appeal akin to Robin Hood. Their cock-a-snook cunning provides a twist on those money shots on the Antiques Roadshow when some dotty great aunt from Sidmouth discovers her umbrella stand is Ming Dynasty. ‘How much?’ cries Dotty. The forger levels the field from the other side of the pitch. When some shipping magnate finds his Monet ‘Nympheas’ is more pond scum than Giverny gold the public collapses into bouts of schadenfreude. Many books and films have covered this subject, and yet The Conman has a particularly interesting tale to tell. This is a true story not only of dubious oils but also the obfuscation of the paper trail which allows a work of art to be declared genuine.

Anne Applebaum

Ghosts from the Soviet past

Above all, it is the inhuman scale of things which impresses the visitor to Moscow: the vastness of Red Square, the width of the uncrossable streets, the implacability of the traffic. The city’s history seems equally inhuman, haunted as it is by centuries of tyrants, millions of political prisoners, countless wars. Impossible to navigate and impossible to know, Moscow doesn’t exactly embrace the casual tourist. But Rachel Polonsky was not a casual tourist. A scholar of Russian literature who lived in Moscow for a decade, she knew better than to start looking for the essence of the city in Red Square. Instead, she began on a single street, inside a single flat. The street was her own: Romanov Lane.

Andrew Taylor

Low dishonest dealings

The strange, unsettled decades between the wars form the backdrop of much of D. J. Taylor’s recent work, including his novel, Ask Alice, and his social history, Bright Young Things. At the Chime of a City Clock is set in 1931, with a financial crisis rumbling in the background. The strange, unsettled decades between the wars form the backdrop of much of D. J. Taylor’s recent work, including his novel, Ask Alice, and his social history, Bright Young Things. At the Chime of a City Clock is set in 1931, with a financial crisis rumbling in the background. James Ross, a struggling writer, tries to keep his landlady at bay with the meagre income he earns as a door-to-door carpet-cleaner salesman.

Jonathan Mirsky

The ultimate price

Lesley Downer is one of the most unusual authors writing in English. Years ago, determined to become an expert on the Japanese geisha, ultra-sophisticated entertainers and hostesses who are neither prostitutes nor courtesans, she became a Kyoto geisha herself and wrote Geisha: The Secret History of a Vanishing World. Now she has written her second novel (the first being The Last Concubine), the story of Hana, a young samurai wife in the late 1860s. She lives in Edo, soon to become Tokyo, the capital of Japan. The country is being ripped apart by civil war — vividly narrated here — and, no longer isolated, is adopting enough Western ways to escape the colonialism that afflicted most of the rest of Asia. As in Downer’s previous books I noticed her careful research.

Saturday

Sam Leith

Scourge of the ancien régime

Voltaire’s was a long and amazing life. Voltaire’s was a long and amazing life. He was tragedian, satirist, mathematician, courtier, exile, jailbird, swindler, gardener, plutocrat, watchmaking entrepreneur, penal reform campaigner, celebrity, provocateur, useless loan-shark, serial feuder, coward, astronaut, niece-shagger, spy . . . Except ‘astronaut’, obviously. I made that up to check you were still paying attention. But he did shack up with his niece, the filthy old goat. It seems a shame, then, that for most of us nowadays that long and amazing life is compressed into a couple of quotes from Candide and a few apocryphal stories about his table talk. Ian Davidson’s biography is the corrective: here’s the great man in the round.

Philip Ziegler

Casualties of war and peace

John Simpson quotes Humbert Wolfe’s mischievous lampoon but makes it clear that, in spite of the somewhat disobliging title of his book, he does not accept it as fair comment. You cannot hope to bribe or twist, Thank God! The British journalist. But seeing what the man will do Unbribed, there’s no occasion to. John Simpson quotes Humbert Wolfe’s mischiev- ous lampoon but makes it clear that, in spite of the somewhat disobliging title of his book, he does not accept it as fair comment.

Hugh Cecil

Anything for a laugh

A hundred years ago, when Britannia still ruled the waves, the Royal Navy fell victim to a humiliating hoax, reports of which kept the public amused for a few wintry days in February 1910. Disguised as ‘members of the Abyssinian Royal family’, with woolly wigs, fancy-dress robes and burnt-cork complexions, a gaggle of young people managed to trick naval leaders into receiving them on an official visit aboard the state-of-the-art battleship Dreadnought, Britain’s proudest national emblem. The ridiculous party, which included Virginia Stephen (the future novelist Virginia Woolf), were conducted solemnly round the wonders of the newest naval technology, jabbering in a nonsense language and escaping just as the spirit-gum holding on their beards began to melt.

David Crane

Thoroughly hooked

On the southern edge of Kensal Green cemetery, beneath the wall that separates the graves from the Grand Union Canal, is a memorial inscription that would stop a Duns Scotus in his tracks. At the top of the heart-shaped marble there is a fading photograph of a man in his middle years, and then beneath some touching messages of love and regret, a single, enigmatic line of inscrutable theological subtlety ‘FROM ODDS ON TO ODDS AGAINST.’ It is hard to know what to make of that — ‘From certainty to doubt?’ ‘From scant rewards to a last, triumphant pay-out?’ — but for any self-respecting angler still on the other side of that wall this is the very definition of Heaven.

Jonathan Sumption

Unholy warriors

Taming the Gods is an extended essay about the secular state, something which would until recently have been regarded as a non-issue by English-speaking readers. The separation of Church and State is taken so much for granted in the West, that one can easily forget how recent and local its origins are. Religious beliefs, wrote Edward Gibbon, are ‘considered by the people as equally true; by the philosopher as equally false; and by the magistrate as equally useful’. As usual, Gibbon was fathering on the Romans the instincts of enlightened Englishmen of his own day. For the secular state was born in 18th-century England, and adopted by Revolutionary France.

Simon Baker

Anything for a quiet life

Jim, Crace’s latest novel, All That Follows, marks a deliberate change from past form. Jim, Crace’s latest novel, All That Fol lows, marks a deliberate change from past form. Gone are the musical, metaphorical sentences and the fanciful narratives, and in come realism, character and dialogue. It’s not all completely new, in that the novel is set partly in 2024, and partly in Bush’s Texas in 2006; but then again the 2024 of this novel is merely the present day with even more governmental nannying and some unlikely-sounding ‘telescreens’ (which sound like a view of the future as conceived in the 1950s).

James Walton

Home and dry

In the opening chapter of The Dead Republic, the last novel in The Final Roundup trilogy, the narrator, Henry Smart, gives us a handy summary of the story so far. With it comes a sharp reminder of just how improbable much of the plotting has been. ‘I found my wife again in Chicago,’ recalls Henry, ‘when I broke into a house with Louis Armstrong . . . I crawled into the desert to die. I died. I came back from the dead when Henry Fonda pissed on me.’ Roddy Doyle, of course, once specialised in more straightforward tales of working-class Dubliners, whether comic (The Van), tragic (The Woman Who Walked into Doors) or a bit of both (Paddy Clarke Ha Ha Ha). Then, in 1999, he suddenly struck out in a new direction.

Saturday

Allan Massie

E. M. Forster and Frank Kermode

Any follower of literary blood sports should take a look at a review in the Weekly Standard, a conservative American magazine. You can find it on a site called Arts & Letters, which my son obligingly bookmarked for me. The present edition — at least I suppose it is the present one, not that it matters, since I understand that you can use the internet to summon articles from the vasty deep of time past — features the review, by Joseph Epstein of Sir Frank Kermode’s 2007 Clark Lectures devoted to E. M. Forster. Forster’s own book, Aspects of the Novel, had its origins in the same Cambridge lectures. Epstein has armed himself with a two- barrelled shotgun, one barrel for Kermode, the other for Forster, whom he admits to having admired in his youth.

Anita Brookner

The people and the place

Where to begin? Graham Robb, like all dedicated Francophiles, begins early, when his enlightened parents made him a present of a trip to Paris and sent him off with a map and a voucher for a free gift at the Galeries Lafayette. For a week, and then two weeks, and then six months, he did what all visitors do: he walked the length of the city, he bought books, he sat in cafés and listened to the conversations of strangers. This apprenticeship made him the historian and biographer he is today, and this book is a form of homage to Paris and to those who choose to see it as their home. To adapt Simone de Beauvoir’s dictum, one is not born a Parisian, one becomes one.

Gilbert Adair

A certain look

Just as there are people who are their own worst enemies, so there are books that are their own worst reviews. Mark Griffin’s A Hundred or More Hidden Things, a new biography of the Hollywood film-maker Vincente Minnelli, is one such. No review could possibly be as damning as a verbatim reproduction of its irresistibly putrid pages. Minnelli’s achievement certainly does merit attention. In fact, for the auteurist critics of Cahiers du Cinéma, who argued that a film’s distinction derived primarily, even exclusively, from the degree to which it reflected its director’s own personal visual and thematic preoccupations, his was practically an open-and-shut case.