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Figures in a landscape

As you cross the Trent, you are very much aware that you have moved from the south to the north country. The next great divide is the Tyne, with the dramatic straggle of Newcastle stretching east and west. Beyond lies mile upon mile of Northumberland, all the way to the Scottish border, arable land for grazing (punctuated with coal mines) by the coast, giving way to heathery moors and countless sheep. The centre of this often wild and always beautiful land is Alnwick, with roads stretching out, to north and south the Great North Road, east to the fishing port of Alnmouth, westward to the Roman Wall and the Cheviots. Alnwick Castle was the centre of the defence against invaders from the north, seat of the Percy family, Earls and Dukes of Northumberland.

A safe pair of hands | 7 April 2012

Michael Spicer is too honourable to be a brilliant diarist. As he himself says, ‘I eschew tittle-tattle or small talk.’ These diaries cannot be read, as Chips Channon’s or Alan Clark’s can be, because they offer a joyful cascade of indiscretions. When Clark dies in September 1999, Spicer writes of his fellow Tory MP: ‘We never really hit it off. I thought he was untrustworthy.’ Spicer’s father was a soldier, and these diaries read like the history of a regiment written by one of its most loyal officers. A few pages are devoted to Spicer’s hotheaded youth, in which he sets up Pest (‘Pressure for Economic and Social Toryism’) and calls for the resignation of Sir Alec Douglas-Home — a cry magnified by William Rees-Mogg.

Life & Letters: A PM’s summer reading

One of the weaknesses of many political biographies is that they are so often all about politics. The authors either forget that politicians are people, and sometimes interesting people, or they assume that their private life is of neither interest nor importance. So the book becomes a record of what the politician did rather than a picture of what the man, or indeed woman, was. There are exceptions. One of the best of these is Roy Jenkins’s biography of H. H. Asquith. Jenkins of course covers Asquith’s public life in detail, acutely if at times rather indulgently.

Not quite cricket

To the French, Albion’s expertise in perfidy will come as no surprise. But centuries of warfare have given them time to learn. With their experience only dating back to 1914, the Germans clearly found it difficult to grasp during the second world war that nowhere is the truth more expertly and instinctively spun than in the land of the gentleman. While a schoolchild soon masters the lie simple, and the lie financial merely requires a degree of brazenness easily developed by proximity to other people’s money, the lie belligerent demands an instinct for dis-simulation that must be bred in the bone of its practitioners to be carried off convincingly.

Where dreams take shape

The question of what artists actually get up to in their studios has always intrigued the rest of us — that mysterious alchemical process of transforming base materials into gold, or at least into something marketable in the present volatile art world. Today’s studio might as likely be a laptop as laboratory, factory, hangar or garden shed, but is nevertheless an apt prism through which to explore the notion of creativity, and this boldly ambitious volume does just that, interviewing 120 British artists in a freewheeling way about their practice and process, inspiration and ideas.

Prophetic times

The subject here is colossal, covering a substantial stretch of the later Roman empire, the last years of the Persian empire, the conversion of the Arabs, the spread of Christianity and what happened to Judaism. The time span runs, effectively, from the death of Jesus to the moment in the eighth century when the Abbasids acquired through violence the vast empire of the Umayyads, stretching from the Loire to the Hindu Kush, and founded Baghdad. The title of Tom Holland’s book is rather studiously general, but his central topic is unmistakable: the founding and establishment of Islam and its political and martial setting. If Holland didn’t want to make a point of this in his title, one couldn’t blame him.

A polished fragment

One evening nearly 40 years ago the world’s press descended on Patrick White in Sydney: they rampaged outside his house, pounded its doors, shouted through windows, camped on the lawn. The reason for this hullabaloo was that White had beaten Saul Bellow in the race for the Nobel Prize for Literature of 1973. Yet in contrast to Bellow, there is scant recognition of White’s name nowadays. His books are seldom read. There is no bodyguard of loyal emulators, as Bellow has with Martin Amis. The publication — in the year of White’s centenary — of an austerely precise slice of his literary remains provides a moment to recall and appraise him. White had patrician Australian parents who sent him for an expensive education in England.

Going ethnic

Tyler Cowen, a professor of economics at George Mason University, has been keenly interested in food for years. Besides being a blogger, scholar and the youngest chess champion in the history of New Jersey, he is also the author of an online dining guide to the Washington DC area and an opinionated foodie. This is a delightful book that will broaden horizons to people uninitiated to the economic way of thinking. Cowen’s fans will enjoy it too — although some of the arguments will be second nature to followers of his blog, MarginalRevolution.com. It answers the question of why American food got so bad over the course of the 20th century. Hint: the commercialisation of food was not to blame.

A fine and private painter

Prunella Clough was a modest and self-effacing artist who nevertheless produced some of the most consistently original and innovative British art of the second half of the 20th century. She was by no means reclusive, enjoying an extensive social and teaching life, but she deliberately kept a low profile, being famously guarded with biographical details. So much so, that a couple of young artists I knew in the mid-1980s were convinced that Clough was already dead, though she continued to paint and exhibit sporadically until her death in 1999. How refreshing this is in an age of seemingly unbounded artistic egos, when relentless self-obsession has to make up for lack of real creativity.

Searching for a saviour

The central themes of Russian history have remained constant for over a millennium.  Russia’s vast spaces and lack of any natural borders have always made her inhabitants terrified of invasion. And to protect the country against invaders, and to preserve its unity, Russia’s rulers seem always to have felt it necessary to assert their authority with great brutality. All this is at least hinted at in the very first introduction to Russian history. The Primary Chronicle, compiled in Kiev around 1113, tells us that there was no law among [the Slavs], but tribe rose against tribe…  Accordingly they …  said to the people of Rus [who were probably Scandinavians]: ‘Our whole land is great and rich, but there is no order in it.

Special providence …

When Ed Smith became a full-time professional cricketer for Kent in 1999 the county side was preparing for the new millennium by shedding anything that smacked of old-fashioned amateurism. Professionalism was to be a state of mind. Players were henceforth required to sign up to a new code of conduct. This Core Covenant consisted mainly of a succession of abstract nouns, though it also proclaimed its faith in the transformative power of setting targets by requiring a ‘pledge’ from all players that they would take at least 50 extra catches during every practice session. What was more, it took personal responsibility to a higher level by abolishing bad luck as a valid excuse for anything that went wrong.

… in the fall of a sparrow

Set in Romania in the 1950s, this is the story of two people, Augustin and Safta, who are both very different and yet very closely linked. Safta is the daughter of the big house, while Augustin is the deaf mute illegitimate son of the cook. Safta’s mother, high-minded, overly religious since the death of a baby, disappointed in her marriage, takes Augustin into the schoolroom until it becomes clear that while the boy has an impressive artistic talent he can learn nothing, and so he is returned to the stables. War comes, the house is dismantled, Safta, mourning her lost love, leaves the countryside and becomes a nurse and Augustin is left with the remaining servants and the dogs.

Pawns in the game

The authors of this book have attempted a difficult thing: to ‘write about something that could never be known’. Here is a terrific and scary story about a group of American, British and European trekkers kidnapped by jihadists in Kashmir in July 1995 and slaughtered in December. Their wives were allowed to go free, and one of the men escaped. Another was decapitated. Four were reportedly, but only reportedly, shot dead. At the book’s core, the authors remark, ‘is an event that only one person survived’. The original purpose of the kidnap was to force the Indian government to free a number of prisoners, principally Masood Azhara, a key crony of Osama bin Laden.

A gruesome sort

Everybody knows that the heart pumps blood around the body, and that a man called William Harvey somehow discovered this fact. Before Harvey, people thought that blood moved around the body in a sluggish fashion. But then Harvey — who was born 14 years after Shakespeare — noticed that, actually, blood shoots out of the heart with great force, travels through the arteries, and then makes its way back to the heart through the veins. To find this out, in an age before X-rays, sonograms or heart monitors, you would, if you think about it, have had to be a pretty gruesome sort of person. As soon as I started this book, I was gripped with a curiosity I should, I realised, have had all along. How did Harvey make his discovery?

Speeding along the highway

Back in the Sixties, if you wanted a fruitful, freakout-free LSD experience, you might have called on Mrs Aldous Huxley in Los Angeles, where she lived as a beatifically attuned Buddhist adept until her death in 2007. Aldous Huxley, her husband, had emigrated to America 70 years earlier in search of spiritual solace and the ‘benediction’ offered by psychotropic drugs. Evelyn Waugh was not alone in thinking that the States had driven Huxley dotty. Jim Morrison, the psychedelic Frank Sinatra, named his California band The Doors after Huxley’s crackpot hymn to the mescaline experience, The Doors of Perception. Tim Lott’s sixth novel, Under the Same Stars, dilates entertainingly on British attitudes to America as a supermarket for far-out fads and Huxley-like cults.

What was it all for?

What happens to a novelist who becomes the conscience of a nation? Nadine Gordimer, who is now 89 and whose writing career began in the 1940s, has represented the progressive white intelligentsia of South Africa through a large corpus of fiction and essays, exploring personal and political morality with passionate lucidity through the apartheid years and beyond. She has long been internationally admired, winning the Booker Prize with The Conservationist in 1974 and the Nobel Prize for Literature in 1991. This latest book, a study of the troubled state of her nation after apartheid, is outspoken and unflinching.

Bookends: Terribly Tudor

History publishers like a gimmick, so I assumed Suzannah Lipscomb’s A Visitor’s Companion to Tudor England (Ebury, £12.99) must be a cheeky rip-off of Ian Mortimer’s Time Traveller’s Guide series. Not so. In fact this is a rich, meticulously plotted field guide to the surviving architectural treasures of Tudor England: the houses, fortresses, palaces and battlefields that were trodden by our most famous royal dynasty, from Westminster Abbey and Windsor Castle to Kett’s Oak and Burghley House (pictured).But it is more than just historical I-Spy. Lipscomb is an eloquent tour-guide, and each of her 50 destinations allows her deftly to unfold a different chapter of Tudor history.