More from Books

All the world’s a stage

In Translations, Brian Friel’s play about English military and cultural imperialism, the frustrated teacher Manus explains how he uses ‘the wrong gesture in the wrong language’ to insult in Gaelic an English soldier. In Shakespeare in Kabul, Stephen Landrigan and Qais Akbar Omar’s account of the first production of Shakespeare in Afghanistan since before the Soviet invasion in the 1970s, an Afghan theatre group, led by the French director Corinne Jaber, attempt the ‘right’ gestures in their own language as they perform Love’s Labour’s Lost.

Women on their mettle

Edwardian Park Lane was lined with grand houses. The occupants, conspicuous consumers and domestic servants, acted out layers of deception. Gamblers ruined Victorian fortunes. Gaiety and social graces masked the insecurities of the new rich and their struggles for acceptance in London. Upstairs, married women, harnessed by corsets and discretion, embodied compliant game. Downstairs, actually in attics, rehearsals for the 1960s were in unbroken swing. Outside, Londoners endured soot and fog. This setting for Frances Osborne’s debut novel comes closer to John Galsworthy’s Forsyte Saga than the Marxist doctrine of social values found in Robert Tressell’s The Ragged-trousered Philanthropists.

Bookends: The Queen’s message

It is a sad fact that most ‘self-help’ books end up helping no one, other than the people who wrote them, who pay off all their debts and move to California. Mary Killen’s How The Queen Can You Make You Happy (Elliott & Thompson, £8.99) could be the exception. For Mary has noticed that, at the age of 86, the Queen appears to be healthy, happy and fulfilled, and wonders whether her long life of service might not be the secret. In this brief volume, she suggests, with almost regal modesty, that restraint, dignity and good grace can bring us all a vestige of inner peace. Forgiveness can help too. ‘A central tenet of Christianity is forgiveness and, if the Queen can forgive even Fergie, then we must all take our lead from her.

Paths of enlightenment

In which Robert Macfarlane goes for a walk, again. But, as admirers of his previous works will know, Robert Macfarlane never just goes for a walk. This book’s four parts, each divided into three or four sub-sections, tell the stories of 16 expeditions: their declared intention to investigate ‘walking as a reconnoitre inwards’. His theme is the way that walking can be not just the occasion for thought but, in some sense, the method by which it is done; the way in which our experience of ourselves is shaped by moving through a landscape: Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum.

In a Greene shade | 26 May 2012

One of the unanticipated benefits of British rule in India is the body of distinguished writing in the English language coming from the Indian diaspora — Naipaul, Seth, Rushdie, Mistry, Mishra and Pico Iyer. Iyer, however, is atypical in that he was born in Oxford, lived in California, and was educated at Eton and Oxford. Thus he is less an Indian than a global author. He is coy about having been to Eton, which he does not name: it is the ‘high school near London’, ‘somewhere between the grey towns of Slough and Windsor’, which was founded by a king, has the oldest classroom in the world, and has provided Britain with 19 prime ministers.

Doctor in distress

It is winter 1936. Every weekday morning a group of young people travel by train from Ferrara, their home city, to Bologna where they are studying at the university. Theirs is a six-carriage stopping train, often infuriatingly late because of delays on the line, thus contradicting the famous Fascist boast about improvement of Italian railways. But these youths enjoy their ride, its camaraderie and little rituals. Only one carriage is not third class, and here, they notice, an eminent member of their own community is sitting: Dr Athos Fadigati. To this ENT specialist’s clinic most of them have, during childhood, been taken.

An enigma wrapped in a conundrum

What to make of Banksy? Artist or vandal? Tate Modern holds no Banksys and, other than a redundant phone box that he folded in half and pretended to have reconfigured with a pickaxe, Banksy has never destroyed anything. So I ask my 15-year-old son what he knows of him: ‘He’s the guy who did the policeman with the Tesco bag, who does really cool graffiti, not lame stuff, and no one knows who he is.’ Actually, we do know who he is. His identity was discovered some years ago by the Daily Mail, an organ neither beloved nor believed by those who follow Banksy. But because the public loves a mystery I shall follow Will Ellsworth-Jones in his coy refusal to give the name away in this competent, broadly sympathetic and enjoyable book.

Enter a Wodehousian world

On 26 February 1969, Roger Mortimer wrote to his son, Charlie: ‘Your mother has had flu. Her little plan to give up spirits for Lent lasted three and a half days. Pongo has chewed up a rug and had very bad diarrhoea in the kitchen. Six Indians were killed in a car crash in Newbury.’ Even 40 years ago, the real-life buffer was a dying breed. Perhaps Roger Mortimer — Eton, Coldstream Guards, assorted POW camps during the second world war, then racing correspondent of the Sunday Times — was the last of the lot. If so, they went out with a suitably sclerotic roar. For 25 years, he wrote regular letters to his son, Charlie. Like him, Charlie also went to Eton, but left without ‘a single, humble A level’.

Straying from the Way

No sensible writer wastes good material. A couple of years ago Tim Parks published a memoir, Teach Us to Sit Still, a tale of chronic, debilitating back pain that appeared to have no physical cause. He tried everything, short of major surgery, and even toyed with that for a while. Finally, in desperation, this lifelong sceptic took up meditation, and found to his amazement that it worked. By the book’s end we realised that we had been reading not so much about a man’s ill health as about a very particular and challenging midlife crisis. Parks is a novelist and academic who has lived and worked in Italy for the best part of 30 years: a pleasant enough existence, you would have thought, but middle age gets us all in the end.

Back to the Dreyfus Affair

Not bad, this life. Now 95, Bernard Lewis, is recognised everywhere as a leading historian of the Middle East.He is the author of 32 books, translated into 29 languages, able in 15 languages, consulted by popes, kings, presidents and sheiks, on good or argumentative terms with many Western and Middle Eastern scholars and politicians, husband more than once, father, grandfather, and — true love at 80! — partner of the joint author of this book. He speaks with authority, although he is often disputed and occasionally sued, on so many different matters that his frequent name- and award-dropping somehow don’t exasperate. A non-observant English Jew, Lewis has visited most of the countries of the Middle East, even those that from time to time forbade Jews from entry.

Some legends flourish …

Confronted by the dead Athenian heroes of the Peloponnesian War, Pericles gave voice in his funeral oration to an idea that explains better than any other why we are so obsessed by our military past. The freedom intrinsic to democracy, he said, made the unconstrained decision of its citizens to risk their lives in war more honourable than the choice forced on the soldiers of a militaristic system such as the Spartans’. ‘The man who can most truly be accounted brave,’ Pericles concluded, ‘is he who knows best the meaning of what is sweet in life and of what is terrible, and then goes out determined to meet what is to come.

… while others fade

For Watergate junkies, another raking of the old coals is irresistible. For those underage younger persons who never understood what all the fuss was about, here is the chance to get with it. Just to remind: in June 1972, a bunch of nasties, some of whose day job was with the CIA but currently working for Richard Nixon the President of the USA, broke into the offices of the rival Democratic party in the Watergate building and got caught red-handed. Nixon’s White House tried to cover up this illegal entry. A junior reporter at the Washington Post, Bob Woodward, unearthed a five-star source known on the Post and round the world as ‘Deep Throat’.

Bookends: Shady people in the sun

Carla McKay’s The Folly of French Kissing (Gibson Square, £7.99) is a very funny, cynical tale about British expatriates in the Languedoc. The blurb says ‘Toujours Provence meets Miss Marple’, though the heroine, Judith Hay, is less maidenly than the nosy-parker of St Mary Mead. A middle-aged schoolmistress, she flees to the Languedoc because it is beautiful, because Montpellier has an English bookshop (called Wuthering Heights) and because the property is affordable: but also because she has a secret to put behind her. She’s been driven out of her job, teaching English at a well-known English boarding-school, because of an alleged affair with the headmistress.

A lord of thin air

It is easy, especially if one is not American, to feel ambivalent about the fictions of John Updike. The immaculate clarity of his prose style, the precision of his vocabulary, the tenderness underlying his Wasp comedies of manners, the puckish wit rising above a sorrowful temperament — none of these can be gainsaid. But the ways in which his novels seemed to raise the banality of fornication to some remote altitude of meaning, his efforts to imbue the quandaries of adultery and cuckoldry with transcendent significance, can seem relentless and overdone.

Ladies, you don’t want to go back there

In 2009 a magazine survey found that many women in their twenties wanted to stay at home baking while their husbands went out to work: ‘I’d love to be a captive wife.’ Jessica Mann’s thoughtful and emphatic book is a riposte to this, an overview of the Fifties, which she calls a polemic and a personal memoir, winding together fact and opinion with her own experience of being, first a teenager and then a young woman at that time. The result is a richly readable and persuasive piece of work. I found myself reverently ticking the notes I took (‘Yes! Yes!’) while being reminded of aspects of those days I had forgotten — or sublimated.

Forever waging wars

Death by buggery. Death by castration. Even death by being scared to death. Or so we are led to believe for the Plantagenets’ world. They had a lighter side, too: Henry II employed a professional flatulist with the trade-name of Roland the Farter. The longest reigning royal dynasty in English history (1154-1399), the Plantagenets offer the glaring contrast between their even balance of outstanding kings and outstandingly bad ones; this adds to the already exciting dynamics of a dramatic period, captured to great effect in Dan Jones’s big book on a big subject. The Plantagenets were established on the English throne by the ‘incessantly busy’ Henry II.

Cracks in the landscape

Sartre tried to prove that hell is other people by locking three strangers in a room for eternity and watching them torture each other. Similarly Will Cohu seems determined to show that hell is our own families. What is remarkable is that Cohu’s family members were not a collection of horrific monsters. On the contrary, they appear normal and often likeable people. They are almost disturbingly typical of many middle-class families with children who, like Cohu himself, were born in the 1960s. The names and places might change, but the characters and events are surprisingly familiar. The Wolf Pit opens with an evocation of the North Yorkshire moors that is almost kitsch in its flowery prose.

Photo finish

Christopher Isherwood kept diaries almost all his life. The first extant one dates from 1917, when he was 12, and like most schoolboys he used it more to measure than record his days: ‘Work in morning, walk in afternoon. In choir. More work. Nothing special.’ At Cambridge, however, inspired by the W.N.P. Barbellion’s The Journal of a Disappointed Man, he began keeping a more detailed and reflective record of his experiences. Fragmentary diaries survive from the years 1928 to 1938, but the four volumes of Isherwood’s published diaries begin with his arrival in America in January 1939 and end in 1983, three years before his death.