Why do some sounds endure to jolt the memory and take us back to a specific moment in time, like Proust’s taste sensations, while others fade away? The chunter-chunter-chunt of a steam train, for instance, is instantly recognisable even for those too young ever to have been on a ‘real’ steam journey. When they hear
Rothko Tate Modern, until 1 February 2009 The first thing that should be noted is that this exhibition is not the retrospective that its title implies. In fact, it’s a severely limited show, concentrating on the late work only. There are therefore none of the joyful, brightly coloured paintings that sell so well around the
How to Lose Friends and Alienate People 15, Nationwide How to Lose Friends and Alienate People is based on Toby Young’s best-selling memoir of the same name and, already, I know what you are thinking. You are thinking: what, a film based on Toby’s book? Well, he kept that very quiet, the sly old devil.
La Calisto Royal Opera House Tosca Opera North, Leeds It’s not often that you find the Royal Opera going as far back as the 17th century, no doubt for the good reason that operas written then are not suitable for performance in such large houses. That hasn’t daunted the director David Alden, who, together with
Jamie’s Ministry of Food (Channel 4, Tuesday); Ian Hislop Goes off the Rails (BBC4, Thursday) ‘People have a problem with me,’ claims Jamie Oliver, but I’m not one of them. I’ve had my doubts in the past — overuse of phrases like ‘luvly jubbly’, the Sainsbury’s ads, the general extreme jealousy of his stupendous wealth,
An old friend in journalism, well aware that he was prone to conspiracy theories, especially where his own career was concerned, used to say to me, ‘Just because I’m paranoid doesn’t mean the bastards aren’t out to get me.’ So were the authorities out to get Aidan O’Brien when they convicted him and jockey Colm
Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could ever leave England for good. Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could
Robin Holloway on the unique orchestra layout that produces the Festspielhaus’s unique acoustic There was no space in my report last month, on a first visit to the Bayreuth Festival, for what was in retrospect its most exciting quart d’heure, a privileged informal investigation of the unique orchestra layout that produces the Festspielhaus’s unique acoustic.
The first Rolls-Royce I drove was a 1960s Shadow, across the Cairngorms on the glorious A939 to Tomintoul. It was a memorable drive, clear skies, snow-capped mountains, little traffic. When we returned to his Speyside house the owner suggested I try his Jaguar XJ6, which he thought a better drive than the Shadow. It was:
Cold War Modern: Design 1945–1970 V&A, until 11 January 2009 It’s difficult not to admire the ambition of the V&A in mounting exhibitions which summarise and explain the great historical movements in design. There have been notable successes in the past, particularly with their surveys of Art Nouveau and Art Deco, but the closer the
Ivanov Wyndham’s Theatre Now or Later Royal Court Rain Man Apollo Great directors have the power to alter taste. Michael Grandage’s avowed aim with this revival of Ivanov, which opens the Donmar’s year-long residency at the Wyndham’s, is to secure the play a permanent place in the repertory. But even a director as sure-footed as
Otello Welsh National Opera, Cardiff La fanciulla del West Royal Opera House Otello, for me the most perfect though not the greatest of Verdi’s operas, continues Welsh National Opera’s survey of his late works, in a new production by Paul Curran. The first night was a much tamer affair than it should have been, though
The BBC World Service’s drama department has been drastically cut back over the last few years and plays, squeezed out by news and current affairs, are difficult to find. But they’re usually worth looking out for on the website, or listed in ridiculously tiny print in the Radio Times. There’s often something a little bit
The best enterprises look to the future but honour their past, which is why it was encouraging that the Royal Horticultural Society should last week have returned to the Inner Temple gardens to hold a show, almost a century after the last time it did so. The Great Spring Show was staged there from 1888
Earth: The Climate Wars (BBC 2); Amazon (BBC 2); Tess of the d’Urbervilles (BBC 1) A Church of England official has issued an apology to the descendants of Charles Darwin for the Church’s ‘anti-evolutionary’ fervour towards his Origin of the Species. I wonder if in about 150 years’ time the BBC — presuming it still
Ancient Landscapes — Pastoral Visions: Samuel Palmer to the Ruralists Victoria Art Gallery, Bath, until 19 October Don’t be misled by the title: although in its entirety this is a wide-ranging exhibition, it was organised by Southampton Art Gallery (and thus draws heavily on that remarkable permanent collection) and was originally intended for a much
Alan Powers on Parliament Square Does nobody love Parliament Square? Days before the Mayoral election, Tristram Hunt called it a ‘terrible place: inaccessible, ugly, polluted and grotty’ in the Guardian. When the Mayor of London cancelled the scheme for pedestrianising at least two of the roads around the square within days of his election, there
Don Giovanni Royal Opera House La Rondine Peacock Theatre This latest revival, for which the opening night received a great deal of publicity, and which began with Tony Hall, the Royal Opera’s chief executive, welcoming Sun readers and bidding them to come again — but at what price? — sported as distinguished a cast as
Matthew Bourne’s Dorian Gray Sadler’s Wells I often wonder whether in a society so greedily obsessed with the commercial acquisition of good looks Dorian Gray’s disquieting handsomeness and prolonged youth would still mean anything. Liposuction, steroids, laser hair-removal and impossible fitness programmes have eroded and detracted from what once was the notion of ideal beauty,
Although I spend my time working with counterpoint, and know jazz is as capable as any other sort of music at yielding the greatest delight in it, how jazz musicians organise their ‘compositions’ remains a complete mystery to me. I could more easily write a symphony than join in with a jam session. Are they