Verdi’s Requiem Royal Opera House Carmen Sadler’s Wells Every time there’s a performance of Verdi’s Requiem the issue of whether it is a liturgical or theatrical work gets solemnly discussed, as if it couldn’t be both. If you take the Creator to be the figure described or invoked in the Bible, then He clearly has
Most attractively packaged, these four CDs comprising the new survey of British songwriting are issued by NMC recordings to mark the 20th anniversary of its indispensable activities; poetically evocative photographs of the initial letters, drawn from pubs, floral clocks, blue heritage plaques, transport directions, shops, warehouses, fruit barrows, etc., spell out the salient words, and
Madame de Sade Wyndhams New Boy Trafalgar Studio In the 1960s Mishima wrote a play about the Marquis de Sade. What’s it like? It’s like this. A Greek tragedy consisting entirely of choral speeches performed on the radio. The naughty nobleman’s wife and her family are assembled on stage, along with a pair of sidekicks,
The Damned United 15, Nationwide The Damned United is, I suppose, a football film but if you don’t like football don’t let this put you off. (If you do, I’ll hear about it, and then you’ll be in trouble.) I liked it enormously even though football bores me stiff and I don’t know the first
Is it really a six-figure salary? Only, this time last year it wouldn’t have seemed worth it, but now it’s looking almost as attractive as a job in the public sector. I think I might have to go for it. ‘Step up to the plate,’ as I must learn to say, if I’m to stand
Cuts. We’re going to have to get used to them in the next few weeks and months as the vast maw of recession gapes wider and wider and things start disappearing into its black hole. Cuts. We’re going to have to get used to them in the next few weeks and months as the vast
Sickert in Venice Dulwich Picture Gallery, until 31 May Walter Richard Sickert (1860–1942) is a key figure in 20th-century British art, and an immensely talented and enjoyable painter into the bargain. His long life was a productive one, so there’s room for many exhibitions dealing with different aspects of his achievement. Following the excellent Camden
Isadora/Dances at a Gathering Royal Opera House Dance scholars have long banged on about Isadora Duncan’s revolutionary artistry and ground-breaking — for her time, that is — thinking, thus overlooking some less overt, yet highly significant aspects of her unique, if larger than life persona. Beyond the depths of her feminist ideas, art philosophy and
Berlin Hanover Express Hampstead Invasion! Soho When TV writers turn to the stage there’s often a suspicion of fly-tipping, of rejected ideas being dumped in the hope that others will tidy them away. Ian Kennedy Martin, creator of The Sweeney, has come up with a cracking theme. Berlin, 1942. Two Irish diplomats grapple with the
La fedeltà premiata Royal Academy of Music Jenùfa English National Opera Everyone agrees that Haydn’s operas are a disappointment, given what is now widely regarded as his supreme musical stature, but it’s hard to say just why. In the case of La fedeltà premiata (Fidelity rewarded), which the Royal Academy of Music staged brilliantly —
My son turned to me in the car the other day, and observed, ‘This is the band you’ve been waiting for, isn’t it, Dad? My son turned to me in the car the other day, and observed, ‘This is the band you’ve been waiting for, isn’t it, Dad?’ Playing on the car’s CD player, at
Lesbian Vampire Killers 15, Nationwide There really isn’t a lot to say about Lesbian Vampire Killers apart from this: don’t go anywhere near it. Just don’t see it. Do something else instead. Do anything else instead. Catch up with your ironing. In fact, if you don’t mind me saying, last time I came round and
Tonight (Saturday) on the World Service there’s a chance to hear a most unusual play, which takes us into the heart of life on the Persian Gulf. Tonight (Saturday) on the World Service there’s a chance to hear a most unusual play, which takes us into the heart of life on the Persian Gulf. Al
The most gruesome television moment of the week I caught on Saturday night, part of the Red Nose Day mutual congratulation fest. A gang of minor celebs had climbed Mount Kilimanjaro, and Davina McCall — she must be hard to live with, running into the bedroom, shaking her face in yours and screaming that the
I find it impossible to be dispassionate about the Royal Botanic Gardens, Kew. For me, it is not just an area of part-designed, part-semi-natural landscape of 300 acres in south-west London, as well as a world-renowned centre of research and learning in botany and horticulture. Kew is where I learned the science and craft of
Gerhard Richter Portraits National Portrait Gallery, until 31 May George Always: Portraits of George Melly by Maggi Hambling Walker Art Gallery, Liverpool, until 31 May Gerhard Richter (born 1932) is one of the most influential figures in the art world. This show of his portraits is slightly more enlivening than his recent coloured-panel exhibition at
Dancing at Lughnasa Old Vic Burnt by the Sun Lyttelton It’s almost physically painful to see the vandalism wrought at the Old Vic by the new stage configuration. It’s like looking at some doomed Darwinian experiment, a cloven-hoofed butterfly, a spaniel with a trunk, a winged slug. Worse still is the fussy, over-ambitious set for
I Capuleti e i Montecchi Royal Opera Education Double Bill Glyndebourne Of all the painfully premature deaths of composers, there can’t be any doubt that Schubert’s is the least endurable. Shatteringly great as his finest works are, one can envisage him striking out on new paths and taking his place beside his adored Beethoven. Mozart
Now that the Allegri Miserere season is fully launched — the text is suitable for Lent — it seems fitting to ask why every choir in the land thinks it incumbent on them to sing this piece of music, for 150 years only ever sung within the walls of the Sistine Chapel. Now that the
Eonnagata Sadler’s Wells Theatre Twelfth Floor Queen Elizabeth Hall Has dance-theatre given up the ghost? Judging by the two performances I saw last week, Eonnagata and The Twelfth Floor, it would appear so. Not surprisingly, one may add, given that, after more than two decades, the provocative, elusive, multilayered, postmodern genre has exhausted any chance