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Scare tactics

Drag Me To Hell 15, Nationwide Although there is much I don’t understand about people generally — why do some take so long at the cashpoint, for example? What are they doing? — one of the main things I don’t understand is why anyone enjoys horror films. The last time I actually saw one at the cinema it must have been when I was 13 and bunked into the Golders Green Odeon to see The Exorcist and, even now, I’m still pretty sure the devil is coming to possess me. He’s taken his time, I admit, but who knows what else he has had on his plate? The fact is, I’m easily spooked, and so absurdly squeamish that, when I nicked my finger while chopping a tomato the other day, I passed right out on the kitchen floor.

Poetic evocation

Sleep Furiously U, Key Cities Fireflies in the Garden 15, Key Cities Sleep Furiously is a film (obviously) which, by rights, should make you Sleep Soundly (very) as there is no narrative, almost no dialogue to speak of, and no regular characters beyond the driver of a mobile library who at least takes hair-pin bends at 80mph with his eyes closed. Only joking; I don’t think he ever gets out of first gear. Maybe, on his birthday, he does shift up to second, but I don’t think we’ll ever know for sure.

Chabrier’s treasure

Irresistible, the allure of a snatched weekend in Paris to catch a rare, adored opera, Chabrier’s Le roi malgré lui. Irresistible, the allure of a snatched weekend in Paris to catch a rare, adored opera, Chabrier’s Le roi malgré lui. This glorious cornucopia of intoxicating invention has ‘enjoyed’ a history of bad luck: the delirious imbecility of the plot — ‘a negative tour de force, to invent such a confusing story with so few characters’ — has occasioned two comprehensive overhauls (most recent the brave rewrite mounted by Opera North in the mid-1990s).

Hare on the move

‘Consider the depth of despair,’ suggested the playwright David Hare in his half-hour reflection, Wall, on Monday evening (Radio Four). ‘Consider the depth of despair,’ suggested the playwright David Hare in his half-hour reflection, Wall, on Monday evening (Radio Four). It is extraordinary how Israel’s construction of a 486-mile barrier along its eastern border, at a cost of £2 billion, has been so rarely discussed, let alone acknowledged, by the wider world. Twenty years after the celebrations that greeted the tumbling down of the Berlin Wall, there’s another blot on the earth’s landscape, built so deep, so wide, so high that it can be clearly seen from space and has all the appearance of a permanent memorial to irresolution.

Mixed messages

So it could be that ITV is saved not by a cigar-chomping, hot-shot show-biz executive but by a spinster from a Scottish village. The appearance of Susan Boyle in the first semi-final of Britain’s Got Talent (ITV, all week) was greeted with adoration — and audience figures — that would have been apt if Maria Callas had returned from the dead. Miss Boyle looked rapturously happy, and it was impossible not to feel delighted for her. She has had an unsung life of some difficulty; now, thanks to the internet, she is famed and celebrated around the world. Jay Leno, the American late-night talk-show host, sang dressed as her. There are politicians who would sacrifice their second homes allowance for such lavish, affectionate mockery. But I have reservations.

Half measures

Falstaff Glyndebourne There was an interesting, startled article in the Independent a couple of weeks ago in which the writer recorded that, contrary to the expectations of everyone in ‘the media’, as the credit crisis squeezes harder, its victims, instead of turning to ever more feather-brained sources of enjoyment and consolation, are bewilderingly trying an escape into seriousness, with ‘heavy’ plays and operas, long taxing books, etc., being what they are headed for, rather than the jolly irrelevant frolics that they might have been expected to favour.

Grecian jewel

I am sitting in the town square of Hermoupolis, capital of the Greek island of Syros, when I am approached with great courtesy by a gentleman carrying a bundle of papers, on the top of which I can make out the words Notenbüchlein für Anna Magdalena Bach. I am sitting in the town square of Hermoupolis, capital of the Greek island of Syros, when I am approached with great courtesy by a gentleman carrying a bundle of papers, on the top of which I can make out the words Notenbüchlein für Anna Magdalena Bach. It is the island’s Head of Cultural Affairs, Nikos Almpanopoulos, due for his weekly piano lesson after the drink we have arranged to have together.

Shut your eyes and enjoy

Peter Grimes English National Opera L’elisir d’amore Royal Opera House Norma English Touring Opera, in Cambridge ENO’s advertisement for its new production of Peter Grimes under David Alden, and the front of the programme, is of a surly, even aggressive youth with ropes coiled behind him. I wondered whether Alden had decided, in characteristic fashion, that the Apprentice, a silent role, was the malevolent centre of the work, manipulating Grimes and the townspeople into regarding him as a victim. No such luck. The Apprentice we get is considerably older than usual, as tall as anyone on the stage, and certainly sullen, displaying his bruise to Ellen with defiant hostility.

Swedish idyll

Everlasting Moments 15, Key Cities Awaydays 18, Nationwide Oh, what heaven, what joy, and if you don’t bother to see Everlasting Moments, then you are a bigger fool than I thought you were. (If it were possible.) It’s a Swedish period drama, set around 1900, and is full of simple yet rich, old-fashioned pleasures and not a single action sequence bar a hat blowing off at one point. Still, I don’t think it was CGI.

Two’s company

Duet for One Vaudeville Ordinary Dreams Trafalgar Studio Therapy is celebrity by another name. An artificially created audience bears witness to your anguish and joy and enables you to resolve the terrible contradiction that underpins every human being’s world-view. Each of us, in his gut, feels like the star of his life. But in his head he knows he’s just one of billions of forgettable cameos. Celebrity and therapy resolve this conundrum. Therapy lets you believe your little world, and its problems are as significant as the rest of humanity. Celebrity forces the same belief.

Real lives

On Go4it, Radio Four’s shortly to be axed Sunday-evening programme for children, we heard from children in Swaziland who have created their own radio station, Ses’khone Radio. On Go4it, Radio Four’s shortly to be axed Sunday-evening programme for children, we heard from children in Swaziland who have created their own radio station, Ses’khone Radio. Their topic for the week was human rights, which for them meant having the opportunity ‘to speak our minds to adults’. Many of them are living as adults anyway, cooking for themselves and surviving independently because their parents and extended family have all been decimated by Aids (half the population of Swaziland is now under 21).

Personal treasures

The Intimate Portrait: Drawings, Miniatures and Pastels from Ramsay to Lawrence British Museum, until 31 May In Room 90 at the BM is one of the free exhibitions the Department of Prints and Drawings do so well. This one has been organised in collaboration with the National Galleries of Scotland and was first seen at the Scottish National Portrait Gallery at the end of last year. It focuses on informal portraits made between the 1730s and the 1830s, the period often thought of as the heyday of British portraiture. There are no grand public statements: the emphasis is on private images.

Beyond words | 20 May 2009

Giselle; Triple Bill The Royal Ballet In my view, the debuts of Marianela Nuñez and Lauren Cuthbertson in Giselle have been the highlights of London’s current ballet season. I wish I had the writing abilities of Théophile Gautier, the man who first turned dance criticism into a respectable profession, to be able to convey the excitement I found at each performance. Alas, only a great romantic writer like Gautier could come up with one-word definitions that encapsulate the distinctive qualities of great artists — in his words, Marie Taglioni’s ethereal dancing was ‘Christian’, while Fanny Elssler’s more sensuous and earth-bound style was ‘pagan’.

Discreet charm

I’ve got this brilliant idea for a Sunday night TV series. I’ve got this brilliant idea for a Sunday night TV series. It’s called Inspector Fluffy and His Agreeable Pipe. Every week, Inspector Fluffy (Stephen Fry) will travel to a picturesque corner of Britain in his battered Morris Traveller, giving tearaway gypsy children clips round the ear, discovering that it was a magpie that really took the silverware, judging marrow competitions in vicarage gardens. While cogitating on the latest mystery, he will suck on his agreeable pipe, with lots of stupendous Apprentice-style aerial shots showing the English countryside in all its gasp-inducing majesty.

Music in motion

My colleague Alex James (how cool to be able to describe the bassist of Blur as a colleague) briefly mentioned the online music streaming service Spotify a few weeks ago, largely as a means to confessing his tragic addiction to the music of Ray Conniff. Actually, I gave old Ray a listen as a result and, if you like light music, as I do, he’s a good bet, though I think Ted Heath’s even better. Being a rich-as-Croesus rock star, Alex (get me, Christian names now) subscribes to the £9.99 a month service that allows you to listen without interruption by adverts.

Wagner treat | 16 May 2009

Götterdämmerung Bridgewater Hall, Manchester Don Carlos Opera North Manchester has a long and exalted history of service to Wagner, with Hans Richter, first conductor of the Ring, the chief conductor of the Hallé from 1899-1911, and Barbirolli a great Wagnerian, though there are lamentably few records of him in this repertoire. Mark Elder has for some time been showing that he is a fully worthy successor to them, and last weekend he conducted a concert performance of Götterdämmerung over two evenings which was in many respects a triumph, and was certainly received as such. The Hallé itself was the star of the show, playing unfamiliar music with passion, enormous variety of tone and colour, and almost always with precision.

Still laughing

There are wonderful lines in Fawlty Towers, many from rants by Basil. To the man who dares to ask for breakfast in bed: ‘You could sleep with your mouth open so I could drop in lightly buttered pieces of kipper...’, or to the woman who doesn’t like the view: ‘What did you expect from a hotel in Torquay? Krakatoa exploding? Herds of wildebeest...?’ But for some reason the one that makes me laugh most is Geoffrey Palmer’s as he sits famished during a chaotic breakfast. Jowls quivering, with that mixture of pomposity and despair that marks inhabitants and guests of the hotel, he declares, ‘I’m a doctor, and I want my sausages!’ I don’t know why it’s so funny. You had to be there.

Back to basics | 16 May 2009

It’s spring, the gardening public has woken up and the plinky-plonky music calls us back for another series of BBC 2’s Gardeners’ World. It’s spring, the gardening public has woken up and the plinky-plonky music calls us back for another series of BBC 2’s Gardeners’ World. We in England have no choice; it is all there is on gardening on terrestrial TV at the moment. This year, there is a new format and new venue, ‘Greenacre’, but is it worth staying in for an hour on a Friday night? Things certainly didn’t start very well.