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Molière with a US accent

Matthew Warchus tells Henrietta Bredin why he is directing an American play inspired by Molière Rehearsing is an extraordinarily intensive, exploratory, deeply engaging business and director Matthew Warchus, emerging from a long day’s work on his new production of La Bête, by David Hirson, takes a while to change gear, blinking slightly dazedly as we

Lost lives

Ajami 15, Key Cities This week I’m reviewing an independent foreign film of the kind which is possibly only showing in a cinema several miles away from you, but do not complain, as the walk will do you good and also put colour in your cheeks. This film is Ajami, and while it is set

Theatrical wizardry

The Late Middle Classes Donmar, until 17 July Lilies of the Land Arts, until 17 July Plotless plays are usually the work of beginners or nutcases. Very occasionally they’re produced by seasoned theatrical wizards. Simon Gray belongs to the third type. The Late Middle Classes is an absorbing and often hilarious portrait of the buttoned-up

Lesson from Venezuela

The idea that one can take guns and syringes out of the hands of disaffected youths and replace them with musical instruments, which they then delight to play, is so utopian that most people’s reaction was to laugh it off. The idea that one can take guns and syringes out of the hands of disaffected

Changing minds

‘Do you remember listening to the radio for the very first time?’ asked David Hendy at the beginning of his thought-provoking series of late-night essays on Radio 3 (which you should still be able to catch on Listen Again). ‘Do you remember listening to the radio for the very first time?’ asked David Hendy at

Game for a laugh

In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the clingy, footie-loving, curry-scoffing, lager-glugging, belly-baring, deeply annoying best friend in Gavin and Stacey. In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the

Conversation piece

Another Country: London Painters in Dialogue with Modern Italian Art Estorick Collection, 39a Canonbury Square, London N1, until 20 June In recent years there has been something of a vogue for encouraging contemporary artists to respond to particular works by artists of the past, and to make paintings as part of that response. The prime

Mozart magic

Le nozze di Figaro Royal Opera House, in rep until 3 July The Pearl Fishers English National Opera, in rep until 8 July A Midsummer Night’s Dream English Touring Opera, in Cambridge The Marriage of Figaro, in a fine performance, makes an impression different from that of any other opera. Almost all the characters are

Secret admirer

When life becomes slightly too challenging, I’m sure I’m not alone in leaning towards comfort music. When life becomes slightly too challenging, I’m sure I’m not alone in leaning towards comfort music. You don’t want anything too jagged, or awkward, or dissonant, or glum. Nothing that makes the veins in your forehead throb. It needs

Awkward questions

Greenberg, 15 Nationwide If you have ever wondered what the point of Ben Stiller is — and who hasn’t, at some stage in their life? Who hasn’t woken at 4 a.m., asking over and over: what is the point of Ben Stiller? What, what? — here is the answer: Roger Greenberg. There is nothing much

The need to know

Simon Cowell spent the weekend bemoaning Britain’s lack of talent. Simon Cowell spent the weekend bemoaning Britain’s lack of talent. He obviously doesn’t listen to Radio 4. As Cowell should know, there are other kinds of talent, more useful in these gloomy economic times and more durable, which have no requirement to cake on tubloads

History like it used to be

Because I was taught history properly by my prep-school teacher Mr Bradshaw, my head is full of easily accessible dates which I know I’ll never forget. Because I was taught history properly by my prep-school teacher Mr Bradshaw, my head is full of easily accessible dates which I know I’ll never forget. Obviously, I know

Drawing for drawing’s sake

Fra Angelico to Leonardo: Italian Renaissance Drawings British Museum, until 25 July The latest exhibition in the Round Reading Room is an awe-inspiring collection of Italian Renaissance drawings, the kind of display likely to be seen only once in a lifetime. It is a large show of relatively small things, offering 100 examples of the

Hippie dream

By and large, I try to keep the night job out of this column. I love musicals, and even derive a gruesome gallows pleasure from the really bad ones but, since I review them for the Telegraph, it feels wrong to write about them here. And I don’t often listen to cast recordings of great

Extreme violence

The Killer Inside Me 18, Nationwide Michael Winterbottom’s latest film has already caused outrage and charges of misogyny, and while I did not like it at all, and did spend a good portion of the time hiding my head in my hands moaning, ‘Oh, sweet Jesus, please make it stop,’ I can’t say it’s a

Reality deficit

Ingredient X Royal Court, until 19 June Canary Hampstead, until 12 June In the old days the Royal Court knew that the best way to entertain local millionaires was to stage plays that wallowed in distress and squalor and featured four crack addicts in a squat stabbing each other to death with infected needles. Things

Camp Bastion takeover

It’s the details that resonate. Grass seed and weedkiller’ have been added to the shopping lists of operational managers based in Camp Bastion in Afghanistan. It’s the details that resonate. ‘Grass seed and weedkiller’ have been added to the shopping lists of operational managers based in Camp Bastion in Afghanistan. The grass seed is for