‘Is there anybody there?’ is the question that Anne McElvoy could have asked Diane Abbott in their now-infamous Today programme interview last Wednesday. ‘Is there anybody there?’ is the question that Anne McElvoy could have asked Diane Abbott in their now-infamous Today programme interview last Wednesday. If by chance you missed this classic radio moment,
Alice Neel: Painted Truths Whitechapel Gallery, until 17 September Paula Rego: Oratorio Marlborough Fine Art, 6 Albemarle Street, W1, until 20 August The last time I wrote about Alice Neel (1900–84), on the occasion of an exhibition mounted six years ago by the commercial gallery Victoria Miro, a reader wrote in to correct my statement
Salome Royal Opera House Die Meistersinger Welsh National Opera on tour, Birmingham Richard Strauss’s Salome is no joke for its director, however much it may be for the audience. When David McVicar mounted it at the Royal Opera in 2008, the production, together with the cluttered designs of Es Devlin, seemed to have as its
The Prisoner of Second Avenue Vaudeville, until 25 September Lingua Franca Finborough, until 7 August Neil Simon has received more nominations from Oscar and Tony than any other dramatist in history, so his comedies ought to be playing constantly in London. But revivals of his plays are rarities. Something of the Simonian essence seems to
The Rebound 15, Nationwide Here is my recipe for making your very own lame rom-com. It is a good recipe and a sound recipe but you will need to follow it to the letter — for example, never ever add fully rounded, believable characters — should you wish to make a film like The Rebound,
The Proms are back, hoorah, and along with them the nightly treat on Radio 3 of interval talks: those 20-minute sessions of directed chat, either through an interview or often just one person speaking about an idea, a memory, a transformative experience. It’s the perfect radio format: long enough to have some real content but
The other week Simon Hoggart had a go at Rev — the new comedy about an inner city vicar played by Tom Hollander (BBC2, Monday) — and I don’t blame him. The other week Simon Hoggart had a go at Rev — the new comedy about an inner city vicar played by Tom Hollander (BBC2,
Rude Britannia: British Comic Art Tate Britain, until 5 September If each age gets the art it deserves, it might also be said that each age gets the exhibitions it deserves. The robust tradition of British Comic Art has never looked so unfunny and anaemic as it does in this current overworked examination at Tate
The centuries will pass, civilisations will fall, continents will collide, and still bands will be breaking up because of ‘musical differences’. The centuries will pass, civilisations will fall, continents will collide, and still bands will be breaking up because of ‘musical differences’. The latest to go is Supergrass, cheeky mop-topped perpetrators of ‘Alright’ all those
Welcome to Thebes Olivier, in rep until 18 August La Bête Comedy, booking to 4 September My mind didn’t just boggle. My whole body did. Every sensory organ joined in the process — ears, eyes, nose, teeth, tongue. All boggled. Even my left shoulder started boggling at one point, although this turned out to be
Don Giovanni Glyndebourne, until 27 August Rigoletto Welsh National Opera, on tour Glyndebourne’s new production, by Jonathan Kent, of Don Giovanni is a wretched failure, not gross like its last one, in which the characters waded around in shit and Don Giovanni disembowelled a dead horse to eat its innards, but as irrelevant to the
Toy Story 3 U, Nationwide The third and final film in a franchise isn’t usually up to much, but not so with Toy Story 3. It may even be cinema’s first must-see sequel to a sequel. It is wondrous and a delight and because those deliriously talented people at Pixar obviously love these characters to
What a strange organisation the BBC is! Imagine the meeting at which they discussed the cancellation of Hole in the Wall, the world’s most mindless game show. What a strange organisation the BBC is! Imagine the meeting at which they discussed the cancellation of Hole in the Wall, the world’s most mindless game show. It
The hotly tipped new Men’s Hour programme on Radio 5 Live sounds so 21st century. The hotly tipped new Men’s Hour programme on Radio 5 Live sounds so 21st century. Its presenter Tim Samuels promises a potent mix of emotional candour (inspired by Tony Soprano’s sessions on the couch) combined with, and I quote, ‘the
Leaving 15, Key Cities London River 12A, Key Cities Leaving is a French film while London River is kind of French and although I don’t really know what this has got to do with anything I do know the following: they’ll both put you through the wringer. One (London River) will put you through it
We should be worried. The announcement that BBC 6 Music is going to be saved from the cost-cutter’s axe may sound like a victory for Everyman, as opposed to the mindlessness of the Jobsworths in Finance. We should be worried. The announcement that BBC 6 Music is going to be saved from the cost-cutter’s axe
Familiar Visions: Eric & James Ravilious, Father & Son Towner, Eastbourne, until 5 September Ravilious Woodcuts Charleston Farmhouse, until 30 August Everyone, but everyone, has heard of Charleston, the East Sussex farmhouse with the beautiful walled garden transformed by the decorative geniuses of Vanessa Bell and Duncan Grant into a bijou Bloomsbury-on-the-Downs. But few people
Beauty & Power: Renaissance and Baroque Bronzes Wallace Collection, Manchester Square, W1, until 25 July Caravaggio’s Friends & Foes Whitfield Fine Art, 23 Dering Street, W1, until 23 July William Crozier: Early Work Pyms Gallery, 9 Mount Street, W1, until 20 July The temporary exhibition galleries of the Wallace Collection are in the basement, next
The Tempest Old Vic, until 21 August Sucker Punch Royal Court, until 31 July Last week when I trotted over to the Old Vic to see The Tempest I had no idea I was about to experience one of the strangest performances of my life. About 20 minutes into the show a heavily built man
Simon Boccanegra Royal Opera House, in rep until 15 July Manon Royal Opera House, in rep until 10 July The Royal Opera’s latest revival of Verdi’s Simon Boccanegra is notable above all for Plácido Domingo’s assumption of the title role, that is, his British debut as a baritone. It is also notable for his rapid