Cornwall is looking beautiful under summer sun and outdoor pursuits beckon, but St Ives provides the perfect alternative when the beach palls or rain threatens. Besides the Tate, there are a number of commercial galleries, and chief among them is Wills Lane, which offers a stimulating variety of fine and applied art. For the summer
Spur of the Moment Royal Court, until 21 August The Beauty Queen of Leenane Young Vic, until 21 August Henry IV Part 2 Shakespeare’s Globe, until 3 October It used to be policemen, now playwrights are getting younger too. Spur of the Moment is a debut work by Anya Reiss, who hasn’t left the sixth
La Traviata Royal Opera House Jette Parker Young Artists Summer Performance Royal Opera House The Royal Opera ended its season with yet another revival of Richard Eyre’s production of La Traviata, and the Jette Parker Young Artists Summer Performance, the latter a most interesting affair, but without much of a critical presence, presumably because it
Beautiful Kate 15, Key Cities Beautiful Kate is one of those emotional-journey films that begins with a family member returning home after a long, unexplained absence and, whatever else happens, you know they are not all going to settle down to a nice cup of tea and a cheerful catch-up. Instead, old wounds will be
Some 13 years ago, a six-year-old girl called JonBenet Ramsey was murdered in Boulder, Colorado. It was the only murder in the city that year, and a particularly brutal one; she had been dragged from her bed and apparently attacked with an electric cattle prod before being strangled. Which made it all the more astounding
‘Is there anybody there?’ is the question that Anne McElvoy could have asked Diane Abbott in their now-infamous Today programme interview last Wednesday. ‘Is there anybody there?’ is the question that Anne McElvoy could have asked Diane Abbott in their now-infamous Today programme interview last Wednesday. If by chance you missed this classic radio moment,
Alice Neel: Painted Truths Whitechapel Gallery, until 17 September Paula Rego: Oratorio Marlborough Fine Art, 6 Albemarle Street, W1, until 20 August The last time I wrote about Alice Neel (1900–84), on the occasion of an exhibition mounted six years ago by the commercial gallery Victoria Miro, a reader wrote in to correct my statement
Salome Royal Opera House Die Meistersinger Welsh National Opera on tour, Birmingham Richard Strauss’s Salome is no joke for its director, however much it may be for the audience. When David McVicar mounted it at the Royal Opera in 2008, the production, together with the cluttered designs of Es Devlin, seemed to have as its
The Prisoner of Second Avenue Vaudeville, until 25 September Lingua Franca Finborough, until 7 August Neil Simon has received more nominations from Oscar and Tony than any other dramatist in history, so his comedies ought to be playing constantly in London. But revivals of his plays are rarities. Something of the Simonian essence seems to
The Rebound 15, Nationwide Here is my recipe for making your very own lame rom-com. It is a good recipe and a sound recipe but you will need to follow it to the letter — for example, never ever add fully rounded, believable characters — should you wish to make a film like The Rebound,
The Proms are back, hoorah, and along with them the nightly treat on Radio 3 of interval talks: those 20-minute sessions of directed chat, either through an interview or often just one person speaking about an idea, a memory, a transformative experience. It’s the perfect radio format: long enough to have some real content but
The other week Simon Hoggart had a go at Rev — the new comedy about an inner city vicar played by Tom Hollander (BBC2, Monday) — and I don’t blame him. The other week Simon Hoggart had a go at Rev — the new comedy about an inner city vicar played by Tom Hollander (BBC2,
Rude Britannia: British Comic Art Tate Britain, until 5 September If each age gets the art it deserves, it might also be said that each age gets the exhibitions it deserves. The robust tradition of British Comic Art has never looked so unfunny and anaemic as it does in this current overworked examination at Tate
The centuries will pass, civilisations will fall, continents will collide, and still bands will be breaking up because of ‘musical differences’. The centuries will pass, civilisations will fall, continents will collide, and still bands will be breaking up because of ‘musical differences’. The latest to go is Supergrass, cheeky mop-topped perpetrators of ‘Alright’ all those
Welcome to Thebes Olivier, in rep until 18 August La Bête Comedy, booking to 4 September My mind didn’t just boggle. My whole body did. Every sensory organ joined in the process — ears, eyes, nose, teeth, tongue. All boggled. Even my left shoulder started boggling at one point, although this turned out to be
Don Giovanni Glyndebourne, until 27 August Rigoletto Welsh National Opera, on tour Glyndebourne’s new production, by Jonathan Kent, of Don Giovanni is a wretched failure, not gross like its last one, in which the characters waded around in shit and Don Giovanni disembowelled a dead horse to eat its innards, but as irrelevant to the
Toy Story 3 U, Nationwide The third and final film in a franchise isn’t usually up to much, but not so with Toy Story 3. It may even be cinema’s first must-see sequel to a sequel. It is wondrous and a delight and because those deliriously talented people at Pixar obviously love these characters to
What a strange organisation the BBC is! Imagine the meeting at which they discussed the cancellation of Hole in the Wall, the world’s most mindless game show. What a strange organisation the BBC is! Imagine the meeting at which they discussed the cancellation of Hole in the Wall, the world’s most mindless game show. It
The hotly tipped new Men’s Hour programme on Radio 5 Live sounds so 21st century. The hotly tipped new Men’s Hour programme on Radio 5 Live sounds so 21st century. Its presenter Tim Samuels promises a potent mix of emotional candour (inspired by Tony Soprano’s sessions on the couch) combined with, and I quote, ‘the
Leaving 15, Key Cities London River 12A, Key Cities Leaving is a French film while London River is kind of French and although I don’t really know what this has got to do with anything I do know the following: they’ll both put you through the wringer. One (London River) will put you through it