More from Arts

Saturday

Ursula Buchan

To pastures new

If you like to pass an idle half-hour, as I do, reading random entries in Who’s Who, you will be struck by how many distinguished people include gardening among their recreations. If you like to pass an idle half-hour, as I do, reading random entries in Who’s Who, you will be struck by how many distinguished people include gardening among their recreations. Indeed, it is the second most popular pastime — after golf, bizarrely — in the book. To pick just a few: the Duchess of Buccleuch and Queensberry, Lord Justice Goldring, Susan Hampshire, Mark Damazer, Maeve Binchy, Lord (Chris) Patten and Crispin Blunt MP all own up to spending their spare time gardening.

Saturday

Kate Chisholm

Trading places

‘We are humbled,’ said Keiichi Hayashi, ‘we are humbled by the power of nature.’ The Japanese ambassador to the UK was talking on Monday morning’s Today programme on Radio 4. ‘We are humbled,’ said Keiichi Hayashi, ‘we are humbled by the power of nature.’ The Japanese ambassador to the UK was talking on Monday morning’s Today programme on Radio 4. It was a stark and moving moment. He spoke slowly, gently, thoughtfully, choosing his words carefully, the shock of what has happened in Japan echoing through his voice. In contrast, Jim Naughtie fumbled clumsily on air, unsure what to say, or how. He was in Japan, not Mr Hayashi. ‘You’ll know that I’m talking to you from Sendai.

Saturday

Ed Rex

Read on

I was nervous as I approached the man in Paddington station on Saturday night. We Brits tend to assume that being addressed by a total stranger means one of two things: either they want our money, or they’re mad (and the 48 copies of Ben Macintyre’s Agent Zigzag in my bag might have suggested the latter). I was nervous as I approached the man in Paddington station on Saturday night. We Brits tend to assume that being addressed by a total stranger means one of two things: either they want our money, or they’re mad (and the 48 copies of Ben Macintyre’s Agent Zigzag in my bag might have suggested the latter).

Giannandrea Poesio

To cut a long story short

Christopher Wheeldon’s Alice’s Adventures in Wonderland is to ballet what Pixar and DreamWorks movies are to cinema. Christopher Wheeldon’s Alice’s Adventures in Wonderland is to ballet what Pixar and DreamWorks movies are to cinema. It takes a well-known children’s story and peppers it with references for an adult audience. And, like the Shrek saga or the recent Tangled, it combines storybook conventions with the latest performing trends, such as stunning visual effects and that episodic structure most musicals thrive on. Indeed, there were many moments when I expected characters to warble. Alas, they did not, even though singing would have been an ideal complement to the razzle-dazzle of the performance.

Saturday

Giannandrea Poesio

Order in chaos

The history of Western ballet over the past 40 years can easily be divided into two chapters: the pre- and post-William Forsythe eras. In the early Eighties, the multitalented American-born dance-maker brought Postmodernism into ballet, challenging formulae and tenets that were 400 years old. His radical approach to the old art made some scream with horror. But it also injected new life into a languishing art. Nothing escaped Forsythe’s radical but well thought-out approach. Body axis, symmetries, gravity and gravitas were questioned and reworked along with the many conventions and expectations that were central to both making and watching ballet. Crucial duets disappeared behind a wall, while curtains and lights went up and down in the most unexpected ways.

Saturday

Giannandrea Poesio

Dazzling feat

Legend has it that when the Romantic ballerina Marie Taglioni gave her farewell performance in St Petersburg a group of wealthy fans bought a pair of her slippers, and cooked and ate them as a token of their admiration. Shoe-fetishism has since reached new heights, thanks to Sex — on heels — in the City. Indeed, Sarah Jessica Parker/Carrie Bradshaw’s canonisation of one of the most idealised items of clothing plays a significant part in Shoes, which makes a welcome comeback to the West End. Although it is labelled a musical, Shoes draws upon the long-forgotten tradition of the old review, namely a series of almost independent song-and-dance numbers held together by a thematic pretext.

Ursula Buchan

Family friendly

‘Can we go to Alton Towers? Please?’ Is there any request that strikes more gloom into the heart of a parent during the half-term holiday than that? The idea of spending an expensive day queuing for terrifying rides, in an environment of tacky, non-sustainable and old-fashioned consumerism, ensured that I steadfastly deprived my children of this ‘fun day out’ throughout their childhood. ‘Can we go to Alton Towers? Please?’ Is there any request that strikes more gloom into the heart of a parent during the half-term holiday than that?

Saturday

Giannandrea Poesio

Subtle approach

Those who believe that ballet today is often no more than a grotesque physical display ought to have seen American Ballet Theatre’s performance of Jardin aux Lilas last week. Those who believe that ballet today is often no more than a grotesque physical display ought to have seen American Ballet Theatre’s performance of Jardin aux Lilas last week. Antony Tudor’s economical, though demanding choreography does not allow any melodramatic explosion of technical bravura. It is a text made of subtly conceived shadings — in which stillness, basic steps and long-held poses speak louder than jumps, triple turns or supported acrobatics.

Saturday

Melissa Kite

Wedding belles

The pedants who say fly-on-the-wall documentaries are cheap, meaningless television could not be more wrong. They are the postmodernist answer to David Attenborough, the Life on Earth de nos jours. Anyone who doubts this should watch My Big Fat Gypsy Wedding on Channel 4 (Tuesdays, 9 p.m. and, if missed, on 4oD). Not since meerkats exploded on to our screens have television cameras transported us into such a rare and fascinating habitat. Those uptight commentators whingeing about the antics of the gypsies entirely miss the point. Does one watch Attenborough and afterwards complain that ‘this daft meerkat fell asleep on its feet and toppled over’? No. Personally, I felt utterly privileged to be able to witness a girl in a wedding dress inlaid with flashing light bulbs.

Andrew Lambirth

Look and learn

Bridget Riley turns 80 this year, a fact easy to forget when looking at the surging energy and contemporaneity of her pictures. She is a remarkable artist who, although imposing severe formal restraints on her work, manages continually to surprise us with the richness of her invention. Perhaps it is because of the self-limitations she endures that her imagination is compelled to delve so deeply in the narrow field she has made her own. And its very modernity is an aspect of the way her vision is directly and inspirationally linked to the art of the past. The free display in the Sunley Room at the NG, sponsored by Bloomberg, demonstrates this very effectively. The exhibition begins with Riley’s own work in company with Old Masters.

Saturday

James Walton

Numb to fiction

In the recent EastEnders cot-death controversy, both sides behaved pretty much as you’d expect. The BBC-bashers denounced the ‘offensive’ suggestion that grieving mothers routinely steal other people’s babies. In the recent EastEnders cot-death controversy, both sides behaved pretty much as you’d expect. The BBC-bashers denounced the ‘offensive’ suggestion that grieving mothers routinely steal other people’s babies. The corporation itself used words like ‘challenging’ and ‘sensitive’ — before caving in to the criticism.

Andrew Lambirth

New look

There has already been a certain amount of controversy over this exhibition: not just the predictably ruffled feathers of Royal Academicians omitted from the selection, but also the kind of ill feeling among the Academy’s organisational staff which gives a museum a bad name. There has already been a certain amount of controversy over this exhibition: not just the predictably ruffled feathers of Royal Academicians omitted from the selection, but also the kind of ill feeling among the Academy’s organisational staff which gives a museum a bad name. This is a great pity, as the exhibition is a remarkable one — out of 12 rooms, eight contain some of the best-displayed Mod Brit sculpture I’ve seen for a long time, in interesting and revealing juxtapositions.

Ursula Buchan

Our avian friends

Several new facts have rocked me back on my heels recently: Alastair Cook garnered more runs at the Gabba in Brisbane than Don Bradman; there are 100,000 miles of blood vessels in your brain; more people in this country can recognise Simon Cowell than Pope Benedict; and we spend as much annually on ‘wild bird care’ — £200 million — as we do on peat and potting composts, and rather more than on fertilisers.

Saturday

Ed Rex

Reinventing the circus

An elderly gentleman prodding me in the face with his inflatable iguana might expect to command my full attention. As I found my seat in the Albert Hall, though, the gentleman in question had to turn away disheartened, as I was too busy taking in the spectacular set of Cirque du Soleil’s Totem to be distracted by his intrusive pet. An elderly gentleman prodding me in the face with his inflatable iguana might expect to command my full attention. As I found my seat in the Albert Hall, though, the gentleman in question had to turn away disheartened, as I was too busy taking in the spectacular set of Cirque du Soleil’s Totem to be distracted by his intrusive pet.

Giannandrea Poesio

Still life

Ballet is a dying art, according to Jennifer Homans’s bestselling history of ballet, Apollo’s Angels. Ballet is a dying art, according to Jennifer Homans’s bestselling history of ballet, Apollo’s Angels. Sensationalist as it may sound, this claim is cogently argued at the end of the book, which turns dreary ballet history into an engaging narrative. Inevitably, the statement has ruffled many feathers, particularly among those ‘hyperspecialists’, ‘balletomanes’ and ‘insiders’ who, she says, speak an ‘impenetrable theory-laden prose’ and have reduced dance to a ‘recondite world’.

Saturday

Nicola Mccartney

Never the same

Simon Starling’s art often involves some form of recycling — his controversial ‘Shedboatshed’ won the 2005 Turner Prize – and his ‘new’ exhibition at Camden Arts Centre (until 20 February) is no different. Simon Starling’s art often involves some form of recycling — his controversial ‘Shedboatshed’ won the 2005 Turner Prize – and his ‘new’ exhibition at Camden Arts Centre (until 20 February) is no different.

Andrew Lambirth

More real art, please

Although I am an admirer of Dulwich Picture Gallery, and like to support its generally rewarding exhibition programme, I will not be making the pilgrimage to see its latest show, Norman Rockwell’s America. Although I am an admirer of Dulwich Picture Gallery, and like to support its generally rewarding exhibition programme, I will not be making the pilgrimage to see its latest show, Norman Rockwell’s America. This is not just because it’s quite a hike to Dulwich for me, involving a bus, a train, another bus and another train (anything in excess of three hours from door to door), but also because I don’t think the trip will be worth it.

Saturday

Scott Jordan-Harris

Prime cut

The recent restoration of Fritz Lang’s Metropolis is now available for home viewing in three plush editions, in Eureka’s Masters of Cinema DVD series. The recent restoration of Fritz Lang’s Metropolis is now available for home viewing in three plush editions, in Eureka’s Masters of Cinema DVD series. Metropolis is the foundation of all subsequent science-fiction films. It is a movie of incalculable influence that deserves to be seen by all — and the chief attractions of this version are 25 minutes of footage unseen for 80 years, and long believed lost, as well as a recording of the original score. Premiered the year The Jazz Singer’s sound changed cinema, Metropolis was a peak of both silent film and German Expressionism.

Giannandrea Poesio

Magical adventures

English National Ballet has a long history of Nutcrackers, each memorable in its own way. This one, created by ENB’s artistic director Wayne Eagling for the company’s 60th anniversary, is no exception. Contrary to today’s trends, Eagling has opted for a fairly traditional staging, steering away from the lure of modern readings, satirical reinterpretations and impenetrable psychological takes. For the seasoned viewer and newcomer alike, this Nutcracker has the same retro flavour that some illustrated books from 50 to 60 years ago possess, thanks also to Peter Farmer’s luscious sets and costumes. One of its greatest novelties is that the action takes place in this country and not in some fairy-tale German region, as is customary.

Saturday

Ed Rex

Culture notes

Hush: it’s secret When I go to a film, there are certain things I expect: the popcorn only affordable with a small loan; the endless standing up and sitting down as people push past, suddenly sure the film will look better from the row in front; these are a given. What I don’t expect is to be plunged into the film’s set, spending two hours wandering through the real-life version of the world on screen. But that’s what you get when you sign up to Secret Cinema. I booked a ticket to its latest screening, and arrived at the specified time and place without knowing what film I would actually be seeing.