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Fiddling with Milton

Listing page content here Good and evil slug it out in Paradise Lost. Good triumphs, just about. So, too, in the Oxford Stage Company’s version of Milton’s epic, where flashes of brilliance overcome a few choppy patches. The staging is simple and sometimes powerful but the costumes are a poor blend of mediaeval pastiche and

American beauty

Listing page content here Although I don’t buy it often, I’ve always liked the New Yorker magazine, not only for its good writing but also for the humour. The cartoons are consistently sharp and amusing and the owners have cleverly marketed them as greeting cards, as The Spectator did recently.     The magazine has somehow survived

First impressions

I greatly enjoyed The Impressionists (BBC1, Sunday) in spite of clunky lines such as ‘This is Paris, in 1862,’ and ‘Cézanne! Do you know everybody?’ There are the scenes where they are painting their actual paintings, when Rolf Harris seems to have been parachuted into an episode of ’Allo, ’Allo! There was an unconsciously funny

Orchestrating support

I am in Raleigh, North Carolina, unexpectedly invited here by my old friend Grant Llewellyn, who is in his first season as music director of the North Carolina Symphony Orchestra and enjoying both the challenge and the celebrity status it gives him in the university- and technology-rich region known as The Triangle. Llewellyn has been

Chaos theory

A model couple, Alain and Bénédicte, live a perfect life in a clean white suburban house. A model couple, Alain (Laurent Lucas) and Bénédicte (Charlotte Gainsbourg), live a perfect life in a clean white suburban house. Alain is an engineer who is developing a way of protecting the home by remote control, using a minute

Expensive silliness

On 5 August 1993 Sviatoslav Richter wrote in his notebook, after listening to a recording of Götterdämmerung (the Rome Radio recording under Furtwängler, made in 1953): ‘What can you say about this music? You can only throw yourself on your knees and offer up your thanks. For me, personally, this is the supreme masterpiece.’ An

Clash of cultures

The Royal Hunt of the Sun, Peter Shaffer’s 1964 play about the conquest of the Incas The Royal Hunt of the Sun, Peter Shaffer’s 1964 play about the conquest of the Incas, contains one of the most famous stage directions in modern drama: ‘They cross the Andes.’ On the face of it, these four words

Dream again

Pointillisme — impressionism by numbers Pointillisme — impressionism by numbers: stand back, let the dots join up all by themselves, and the image judders into focus whatever the subject or lack of. In a month of volatile mobility I can offer no more than a stipple of blobs, musical moments snatched at or accidentally impinging,

Overworked humour

Watching the episode of the Simpsons (Sky One, Sunday) written by and starring Ricky Gervais was a bit like going to see a friend in a West End play: so constant is your worry that something might go wrong that you can’t relax enough to enjoy it. But even through all the buttock-clenched well-wishing, you

Office politics

The slot at the end of The Westminster Hour on Sunday evenings (repeated Wednesdays) is rarely dull and often quite informative. The last two maintained the consistency — the first, ‘The Gentleman Usher’, had an interview with a former Black Rod, Sir Edward Jones, explaining the nature of his work; and last Sunday’s, ‘The Lloyd

Spreading the word

In the beginning was the Word, and the Word was with God, and the Word was God. Read in the name of your Lord Who created. Read and your Lord is Most Honourable, who taught to write with the pen, taught man what he knew not. Two texts from the Middle East, St John’s Gospel

Bones of contention

All over the world, scholarly folk look to Neil MacGregor — who writes opposite — to hold the line. All over the world, scholarly folk look to Neil MacGregor — who writes opposite — to hold the line. If the British Museum gave in and sent the Elgin Marbles air freight to Athens, a massive

Lighten our darkness

Lately I have adopted Word from Wormingford by Ronald Blythe as a bedside book. Composed of weekly bulletins from a Suffolk village, it combines observations on the countryside with reports on the spiritual welfare of Blythe’s parish. In its gentleness and generosity, it is the perfect antidote to the strain of London life, and cools

Lest we forget

Visitors to the once devastated but now completely reconstructed and rather charming little town of Ypres will find themselves bowing the head to 54,896 dead soldiers of the Salient, as the front-line arc became known. These men fought for our freedom but have no graves. Their names are inscribed on the inside walls of the

Portrait power

Tate Liverpool is the first venue for a memorial exhibition of the painter Marie-Louise von Motesiczky (born Vienna 1906, died London 1996). Motesiczky was from a wealthy and cultivated Jewish background. She was a friend (from 1920) and pupil of Max Beckmann in Frankfurt (1927–8). She left Austria in 1938, settling in London, where she

Worthy farewell

Franco Alfano’s Cyrano de Bergerac may not be a masterpiece, though I would claim that it is a first-rate second-rate work, to use a handy taxonomy of Richard Strauss. Franco Alfano’s Cyrano de Bergerac may not be a masterpiece, though I would claim that it is a first-rate second-rate work, to use a handy taxonomy

High fives

There is no doubt that BareBones’ The 5 Man Show will stay vividly in the memory of any dance-goer There is no doubt that BareBones’ The 5 Man Show will stay vividly in the memory of any dance-goer — and for a long time, too. This fizzy, moving, hilarious, corrosive triple bill is an ideal

Holy smoke

So it’s here at last, the big hitter: The Da Vinci Code. So it’s here at last, the big hitter: The Da Vinci Code. Ron Howard (Cinderella Man, A Beautiful Mind, Apollo 13) directing, Tom Hanks (you know the one) starring, Akiva Goldsman (Cinderella Man, A Beautiful Mind, Batman and Robin) adapting the book by