Spectator Life

A few days ago, when everything looked black, a small group of us were consoling ourselves over a couple of good bottles. ‘In politics,’ said I, ‘things are never as bad as you fear, or as good as you hope.’ ‘I entirely agree,’ replied one friend. ‘At the moment, things are not as bad as I fear. They are worse.’ That was before Bojo lost his mojo. Has his curse now finally been lifted from the Conservative party? It would be foolish to offer a swift and complacent ‘yes’. Among the political figures Boris resembles, we must include not only Alcibiades, Silvio Berlusconi and Donald Trump. There is also Rasputin. Can we be certain that Mr Johnson has been given the full fatal dosage: icy Neva, silver bullet, poisoned cake, stake through the heart?

It seems our course is set. Food prices are rising at the fastest rate in more than 40 years, taking the average family’s yearly grocery bill over £5,200 – and there’s no relief in sight. Lord Woolton would be rubbing his hands at a situation so ripe for his ingenuity and optimism – and perhaps his namesake pie and the national loaf might find themselves resuscitated before long. But his 1945 call for ‘a simpler diet’ of bread, potatoes and vegetable oils won’t help much in 2022. According to the Office for National Statistics, ‘low-cost’ everyday staples are seeing the greatest price rises of all, with the average cost increasing by 17 per cent in the past 12 months.

‘Come along, kiddie-winkies! Come and get your treacle tart,’ the Child Catcher trills in Chitty Chitty Bang Bang, to lure children away. The youngsters are particularly taken with the idea of treacle tart, and it’s not difficult to imagine why: unapologetically sweet and sticky, it’s irresistible to small, greedy hands. It’s easy to dismiss treacle tart as a nursery food. But that, of course, is part of its charm. It’s the Platonic ideal of a childhood treat, and a byword for comfort. In Harry Potter, the love potion Amortentia smells of whatever someone loves most in the world; to Harry, it smells of broomsticks, Ginny Weasley’s hair and treacle tart, the first dessert he ever ate at Hogwarts.

The philosopher Roger Scruton died in January 2020 just a few weeks shy of his 76th birthday. He left behind a large circle of admirers and a correspondingly large shelf of books in a variety of genres – novels, opera libretti, volumes of occasional journalism, cultural and architectural criticism, and various philosophical works, popular as well as technical. He wrote and wrote about music, hunting to hounds and politics. He also wrote about the subject that brings us together: wine. Roger was a gifted teacher, always on the lookout for opportunities to educate the ignorant, enlighten the benighted and expand the horizons of those cramped by bigotry and parti pris. His missionary work extended to the pages of the New Statesman, in whose pages his wine columns appeared.

Take your time. Measure twice. Finish what you start. How will you have time to do it again if you don’t take time to do it right the first time? Work hard at work, then come home. Loosen your tie and relax. Make a highball or mix a cocktail for your wife and yourself. Share the end of the day. We are brothers and we write here of a drink and the man who taught it to us, our father. Teaching us how to make it, he also taught us something of how to live. He was a chemical engineer, and so the formula was important. The drink was the Old Fashioned (or Old Fashion; it doesn’t matter), and this is how he made it.

I have a deep-seated hatred of the hospitality QR code. It ripped through the industry as part of questionable social-distancing initiatives during the pandemic, taking the place of menus and human interaction – and has stubbornly refused to disappear, making my heart sink when I find one sellotaped to the table of a bar or restaurant. However, there’s one hospitality QR code that I found myself developing a fondness for – the one that comes with Pret a Manger’s coffee subscription. Launched in September 2020, the scheme is a financial godsend for coffee addicts.

A global pandemic, a booming stock market giving way to painful economic shock, a technological revolution… there are many parallels to be drawn between the 1920s and the 2020s. But if you look very closely, you might find there is another thread linking the two eras: the rise of the speakeasy. These clandestine drinking holes rose to prominence during America’s Prohibition era (1920-33). Following the hardships of the first world war, speakeasies provided a sense of raucous escapism – where jazz music boomed and genders and races mixed freely.The same search for escapism (and nostalgia) is what draws drinkers to them today, says Marco Matesi, bar manager of Downstairs at The Dilly, one of London’s newest speakeasies.

Labour is 30 points ahead, and in honour of this I review the Impeccable Pig in Sedgefield (Cedd’s field), a medieval market town and pit village south of Durham. It is Tony Blair’s former constituency and Camelot, but nothing lasts for ever. Blairism had pleasingly flimsy beginnings. Sedgefield had yet to choose a Labour parliamentary candidate when a young lawyer sat in a borrowed car outside the house of John Burton, head of the Trimdon Labour Club, on 11 May 1983, thinking he should drive back to London.

Game is a perfect refutation to the sort of militant vegan campaigners who go around placing floral tributes on packaged meat. So long as shoots are responsibly conducted, game is as environmentally sustainable and ethical as meat-eating gets. But this year looks set to be a tough one for parts of the industry. Chiefly because of a severe outbreak of avian flu in France, gamekeepers in the UK have struggled to source enough birds to rear (90 per cent of partridge eggs and 40 per cent of pheasant eggs are imported from or through France). By some estimates up to 70 per cent of partridge shoots and nearly a third of planned pheasant shoots may be cancelled this year.

As a city-dweller for 34 years, I am used to the hustle and bustle of other people. Cars, sirens, strangers chatting in the street: it’s the background noise of everyday life, a comforting reminder that you’re never alone. So when I moved to the Suffolk countryside in April last year, I found it a bit of a shock. Pregnant, freelance, with a husband often in London for work, I had a two-year-old for company, few friends and a big empty house overlooking fields, sky – and not much else. It's a 20-minute drive to the nearest town, and there’s nothing but a ramshackle pub in walking distance. We switched to online shopping for convenience, so I didn’t even have the weekly trip to the supermarket to fall back on.

Food waste is suddenly the subject on everyone’s lips. A combination of environmental concern and biting inflation has propelled an issue that was already rising up the public consciousness on to centre stage. Some supermarkets are dropping ‘best before’ labels on fresh produce, and this month the British Frozen Food Federation launched a campaign to highlight the virtues of freezing to save money. The issue even gained a mention in the first televised debate of the Tory leadership contest at the end of July, when Liz Truss stated: ‘I am naturally a thrifty person. I like saving money and it also helps the environment. It’s about using less, wasting less, particularly food waste which I think is a massive problem in this country.

How does the saying go? ‘Eat breakfast like a king, lunch like a prince and dinner like a pauper.’ Well, if you’re looking for the highest possible status of breakfast, then kedgeree is the dish for you. Bran flakes just don’t quite scratch the same itch. Kedgeree cannot be casual; it requires time, both for preparation and enjoying, and it makes breakfast an occasion. It came to our breakfast tables (or mahogany sideboards) in Victorian times, brought back to Britain by returning colonial officers. It was served in silver chafing dishes, set alongside steaming urns of porridge. Kedgeree is a rice-based dish, flavoured with curried spices and cooked with smoked haddock, onions and boiled eggs.

Bardo St James’s Restaurant – a name which reads like a map – is a vast new Italian restaurant in one of the pale imperial palaces off Trafalgar Square, near Pall Mall and The Phantom of the Opera, which goes on because snobbery and sado-masochism are among the many things that never die. You might think Bardo (I am not typing all that again) would fold down and fold up in a night, like Cinderella’s coach – it feels flimsy – but these restaurant palaces by Pall Mall are surprisingly robust. The last time I ate in this district it was at the Imperial Treasure, a gloomy and magnificent Chinese restaurant where a performative duck was £100. I thought it wouldn’t last – it was just us, the waiting staff and the duck – but it did.

There’s something quite delicious about a deadline. The prospect that if you don’t book now you might never get to try the dish of the moment is enough to pull in queues and queues of customers. But in most cases the attraction of a pop-up eatery is not solely hype. Some of these temporary dining rooms offer the chance to sample the oeuvres of up-and-coming chefs – often those at the cutting edge of cuisine but without the resources for a permanent gig yet. Others give seasoned chefs an opportunity to test new concepts outside the constraints of an established space. Plenty of pop-ups have popped up in London this year as rising costs and post-Covid uncertainty deter some chefs from opening permanent locations.