Politics

Shortly after Christmas, the oldest baby boomer will turn 80. The 75 million people born between 1946 and 1964 who have dominated the American political imagination since the Eisenhower administration are starting to fade from the scene. Anyone who has felt oppressed by the baby boom – and this includes virtually every non-senior citizen in the country – will complain that it’s about frickin’ time. If the boomers are only now losing their influence, they long ago lost their marbles. What was the archetypal boomer moment of recent years? Probably Hillary Clinton’s 2016 presidential campaign. But maybe it was the indignant boycott of Spotify by Neil Young and Joni Mitchell over the Covid “misinformation” to which Joe Rogan allegedly gave vent in 2022.

Suddenly it’s Ibsen season in Washington, DC. It’s true that only Shakespeare’s plays are performed worldwide more often than Henrik Ibsen’s. But to have two of the great 19th-century Norwegian playwright’s works running at once in the nation’s capital is unusual. And the works in question – An Enemy of the People and The Wild Duck – deliver contradictory messages. Together they say something not only about the state of the arts in Washington, but also about the state of the liberal mind. Politics is very much a presence on the capital’s stages. The city’s two main Shakespeare organizations, the Shakespeare Theatre Company and the Folger Theatre, last year presented seasons heavily influenced by the presidential election.

More through historical accident than anything else, Gavin Newsom has emerged as the de facto leader of the Democratic resistance. His dubious attempt to redistrict California along partisan lines won at the ballot box last month. It was a gamble – an open and explicit attempt at gerrymandering – which voters have rewarded. He is conspicuously modeling his image on Bill Clinton’s and Slick Willie is returning the compliment by letting insiders know that he is hugely impressed by Newsom’s talents. Newsom is also audaciously recasting himself as a working-class hero. He has said he spent his childhood “hustling” and that he “raised himself.” That rather downplays his rise as a protégé of the Getty family, which employed his father as its lawyer.