Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

Keir Starmer morphed into Ed Miliband at PMQs

Sir Keir Starmer will want to forget today’s PMQs. And fast. The Labour leader began with a strategic error. Instead of hounding the Prime Minister on a single issue he chose three unrelated topics: Covid, army numbers and steel production. Typical Sir Keir. Why use effective tactics when useless ones are available? To be fair, he had a trump card up his sleeve. The Tory manifesto in 2019 specifically ruled out cuts to the size of the military. And in a newspaper interview, Boris said that the number of 82,000 personnel would be maintained. But 10,000 are about to go. So the PM fibbed. The game was up. And what happened? The greased piglet wriggled free.

There’s the kernel of a good show in this copycat Hamilton: Treason the Musical reviewed

Copycat Hamiltons are everywhere. Lin-Manuel Miranda led the way by turning an unexamined corner of history into a smash-hit show. The latest antique subject to become a musical is the Gunpowder Plot of 1605. The script, by Ricky Allan and Kieran Lynn, ought to include those words in the title because they give vital data about the location, the historical period and some elements of the story. It’s a priceless asset. But they’ve tossed it aside and plumped instead for the vague, unsuggestive ‘Treason’. The best-known figure in the conspiracy, Guy Fawkes, gets a mention — as ‘Gwee-dough Forks’ — but doesn’t feature as a character. Another puzzling decision.

PMQs was an unseemly scrap

It’s bizarre to see political enemies laying claim to the purest of motives when they’re fighting like dogs to extract political advantage from the week’s hottest issue. At PMQs were treated to the unseemly spectacle of party leaders using the appalling death of Sarah Everard for personal gain. Sir Keir Starmer called it, ‘a tragedy so shocking it demands justice and change’. And he called on his opponent to ‘collectively rise to this moment.’ Boris was caught off-guard. Pre-session he’d crammed his head with stats about nurses’ pay and soaring vaccination rates. Suddenly had to talk about sexual violence. He scoured his mental archive for a useful fact or figure but his brain was bare.

Corbyn’s plan to revolutionise the mainstream media

Jeremy Corbyn is hitting the comeback trail. The former Labour leader made the keynote speech at this week’s Media Democracy Festival organised by the Media Reform Coalition. He began by citing his own journalistic credentials. ‘I produced 500 columns for the Morning Star.’ Then he turned to India where 250 million strikers are protesting against the removal of state support for farmers. The strike involves ‘one in thirty of the entire population of the world,’ enthused Corbyn, which makes it the largest industrial dispute in history. But coverage in the UK has been minimal, 'which says a lot about the priorities and the news values of much of our media outlets in this country, that they don't think it's worth reporting'.

Grotesquely plodding: Late Night Staring At High Res Pixels reviewed

The Finborough’s new show is a love story with the male partner absent. Two women, one Irish and one American, explain their feelings for a London businessman, aged 45, who seems to be connected with the fashion trade. The women, known as ‘I’ and ‘A’, have different functions. ‘I’ is a young Irish model and ‘A’ is the absent man’s co-worker. Both are besotted with him for obscure reasons. We know nothing about him except that he visits east London every Sunday to devour his parents’ roast dinner. ‘A’ attends these meals but ‘I’ is excluded so she texts him snaps of her boobs instead. The women aren’t remotely troubled by his cold, exploitative attitude.

Keir Starmer’s failed attempt at PMQs comedy

A glimpse of normality returned to PMQs today. For once the pandemic didn’t dominate. And Sir Keir tried a new tactic. He hammered Boris on a single issue. Nurse’s pay. Finally he’s realised that he should look for a nasty bruise and punch it again and again. Boris had memorised a counter-attack which bristled with impressive statistics. Starting salaries for nurses have increased by 12.8 per cent in the last three years. Students can avail of two types of bursaries worth either £3k or £5k. An extra 10,600 nurses are already on the wards. ‘And in one year alone there are another 49,000 people working in our NHS.’ Sir Keir accused the PM of bad faith. ‘Two years ago he made a promise… a minimum pay-rise of 2.1 per cent.

Ben Shapiro’s battle with Hollywood

The sacking of Gina Carano is still creating waves in Hollywood. The martial artist turned movie actress was dropped from the Star Wars spin-off, The Mandalorian, after blocking BLM supporters on Twitter and stating that being a Republican in Hollywood was like being a Jew during the Holocaust. She compounded her sins by suggesting that voter fraud had affected the result of the 2020 election. Her employers, Lucasfilm, dismissed her views as ‘abhorrent’ and accused her of, ‘denigrating people based on their cultural and religious identities.’ Carano was also dropped by her management company, United Talent Agency. (So much for ‘united.’)  Then came the backlash.

Unhappy blend of melodrama and allegory: Southwark Playhouse’s The Sorcerer’s Apprentice reviewed

The Sorcerer’s Apprentice is a musical fantasy set in a Nordic town near the Arctic circle. Johan is a magician whose healing powers have won him the respect of his neighbours. But his rebellious daughter, Eva, has been expelled from school for scrawling ‘down with the patriarchy’ on a mirror. She’s also suspected of trying to sabotage a local factory that refines energy from the Northern Lights. The wicked factory owner, Fabian, is an emotional cripple who lives with his sick mother and rejects claims that the aurora is fading because too much energy has been extracted from it. If he continues to run the factory at full tilt, he may harm the atmosphere and destroy the town.

Rishi reveals his calculating streak

Before the budget, the TV pundits like to tell us about divisions between the PM and his next-door neighbour. The story is that boom-and-bust Boris can’t wait to splurge cash on a set of mega-projects that would put a Persian emperor to shame. Build a bridge. Burrow a tunnel. Concrete over an estuary and plonk an airport on top. He wants to tarmac his way out of trouble. But the smooth and neatly combed Chancellor, Rishi Sunak, plans to create fiscal stability and to take things from there. He looked every inch the central banker as he delivered his budget today with his gleaming hair and immaculate blue suit. Next to him, Mark Carney would have looked like a tramp. Sunak offered a welcome glimpse of sunshine.

Even Adrian Lester’s sweetness, grace and nobility can’t rescue Almeida’s Hymn

The Almeida is fighting back against lockdown with a sprawling family drama about two long-lost siblings. Adrian Lester plays Gilbert Jones, a successful entrepreneur, who runs a clothing business and a stationery shop in London. At his dad’s funeral he meets his half-brother, Benny (Danny Sapani), who was brought up in care but is now married with kids. The two bros become pals. They meet for salads at coffee shops where they swap news about each other’s families. They visit the gym and do stretching exercises while discussing their diets and their problems finding spaces to park. Benny, who appears to be a fitness coach, takes charge of these low-energy workouts. He holds up a scarlet cushion and Gilbert punches it feebly.

Why is Keir Starmer so bad at PMQs?

Sir Keir is having a wobble. That’s obvious. The Labour leader holds an equestrian title, so he naturally feels at home on his high horse. Today at PMQs he loftily commanded Boris not to raise taxes in the budget. That was hilarious. A Labour leader begging a Tory Prime Minister not to implement Labour policy. If Sir Keir had produced a viola from his trousers and played ‘Waltzing Matilda’ he couldn’t have looked more ridiculous. Boris was so stunned that he could barely speak. ‘Well, I don’t know about you Mr Speaker,’ he bumbled. Then he pointed out that in 2019 Sir Keir had ‘stood on a manifesto to put up taxes by the biggest amount in the history of this country.

This fabulous play is like a Chekhov classic: The One Day in the Year reviewed

The One Day In the Year is an Australian drama about the annual commemoration of the Gallipoli campaign in 1915. It was written in 1958 but it could have been dashed off last week. What makes it thrillingly topical is that the personality of Churchill and the truth about Britain’s colonial past are central to the story. The main character, Alf, is a veteran of the second world war who works as a lift operator. He detests the new Australia and he calls the younger generation a ‘stink lot of imitation Yanks’. For him, Churchill is the greatest Englishman in history. But his rebellious son, Hughie, describes Britain’s wartime prime minister as ‘a big bloated bloodsucker’.

Bryan Fogel on turning Jamal Khashoggi’s murder into a film

Bryan Fogel seems to have done it all. It’s hard to think of a showbiz figure with a more varied career. He began as a stand-up and moved to play-writing and then to directing movies. In 2013, he reinvented himself as the producer of hard-hitting documentaries that focus on international scandals and cover-ups. He talks to me via Zoom from Los Angeles about his latest movie, The Dissident. ‘I was seeking what my next film was going to be – something that spoke to human rights and freedom of expression. It checked all those boxes’. The subject is the death of Jamal Khashoggi, the dissident journalist who was murdered in the Saudi embassy in Istanbul in 2018. ‘He’d left his country to be able to speak freely.

Perfect to fall asleep to: Good Grief reviewed

Good Grief is a new drama starring Sian Clifford who shot to fame as the older sister in Fleabag. The script by Lorien Haynes is described by the producers as ‘sharp, funny, brutal, irreverent and quintessentially British’. The action begins after a funeral where a handsome young Asian guy named Adam, chats to a fellow mourner, Cat, who looks about ten years older than him. Cat has set up Adam with a blind date that he didn’t enjoy. ‘I was peeling her off me,’ he says, ungallantly. But Adam’s sexuality is rather a puzzle. His wife, Liv, has died and he boasts to Cat about Liv’s endless romantic conquests. At parties Liv would spend ages telling Adam which men she’d recently seduced.

Starmer changes his PMQs tactics

Sir Keir has changed his tactics. At long last. Today marks a year since the first Covid measures were introduced to parliament and the Labour leader has finally realised that the pandemic doesn’t work for him. Even the most brilliant ambush will be dismissed as opportunistic and unpatriotic. So he dropped the superbug altogether. And he trimmed down his usual bloated rhetoric and raced through his questions by 12.11 p.m. So we got five minutes less of the usual Starmer stodge. Boris was a bit wrong-footed by this nimbler and less loquacious opponent. But Sir Keir’s chosen topics — extending the furlough and keeping business rates low — stood no chance of embarrassing the PM. Wait for the budget, shrugged Boris.

The pointlessness of PMQs

It’s a different game at PMQs. With fewer than 40 members present, the debates feel more like a committee meeting than a full-throated parliamentary session. It’s bad for democracy if the highlight of the parliamentary week looks so static and uninspiring. When the weather cheers up they should move to a secure location outdoors, (like the gardens of Buckingham Palace), where more members could attend and the sessions would be livelier. Meanwhile, MPs are chafing under the restrictions. They’ve started to mess about like schoolkids in detention. They play games. They needle each other. They stretch the rules, and they dare the Speaker to shut them up or tick them off. Today they debated border closures.

Netflix should turn this into a series: Southwark Playhouse’s Fabulist Fox Sister reviewed

The Fabulist Fox Sister is a one-man show about the three American women who are credited with inventing the trade of spiritualism. It all happened by accident. A younger sister discovered that by cracking her toe joints on the floorboards she could generate noises that scared her parents. Kate Fox, the eldest, claimed the sounds were made by a lonely ghost who wanted to communicate with the living. She invited the neighbours around to contact their deceased relatives. The ploy worked and the sisters took their fake routines to New York where they became a huge success. Even the threat of exposure by the press didn’t dent the public’s belief in their powers.

How Facebook became a freedom-gobbling corporate monster

Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and Jordan Paul Clarke, remember the far-off days when Facebook was just a harmless supplement to ordinary social interactions. How did it turn into a freedom-gobbling corporate monster? We meet the Zuckerbergs, Mark and Priscilla, as they usher a TV crew into their mansion like a pair of politburo bigwigs showing tourists around a glue factory in North Korea. The down-to-earth billionaires offer bland answers to scripted questions. ‘How do you raise children when you can give them anything?’ Mark reveals that the mini-Zuckerbergs are treated like normal kids.

Keir Starmer’s unseemly performance at PMQs

It was a day of awful numbers. And even more gruesome cliches. The Labour leader started it. ‘Yesterday we passed the tragic milestone of 100,000 deaths,’ said Sir Keir Starmer. Then he informed us that, ‘this is not just a statistic.’ He explained that each dead person has connections to other individuals who remain alive. He gave three examples. ‘A mum, a dad, a sister.’ Then he gave four more. ‘A brother, a friend, a colleague, a neighbour.’ Next he premiered a well-crafted denunciation of government failings that relied on the repetition of ‘slow’ at the start of each phrase. ‘Slow, slow, slow’, he boomed, like the tolling of a death-knell o’er a frosty graveyard.

Actors will be in trouble if the Bridge Theatre’s latest experiment catches on

Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A set of model boxes containing stick figures and colourful landscapes slides past the seated viewer while a voiceover reads the narrative. No thesps are required, which may be a relief to producers and directors but the acting profession will be in trouble if this experiment catches on. The story, adapted from Hinterland by Caroline Brothers, follows two Afghan teenagers, Kabir and Aryan, who decide to walk to Europe in search of a better life. All they have is $2,000 in cash and a spare pair of trainers each. Along the way, they keep up their spirits by chanting the somewhat roundabout route they plan to take once they’ve left the Asian landmass.