Queen elizabeth ii

How to dress a queen

The problem with exhibiting costumes is well known. Should the mannequins be lifelike with human features, or faceless? What about trying a more surreal approach with Perspex or metals? This show of her late Majesty’s wardrobe opts for something more ghostly: hundreds of shoulderless, neckless, wristless, legless figures, floating magically in space, presented in cases at eye level, with others, higher, in serried ranks, like some gorgeously arrayed terracotta army. The unifying factor is that instantly recognisable royal silhouette – from the youthful wasp waist to the later fuller frame.

The art of flowers

Multi-sensory exhibitions are old hat, but in the case of In Bloom – How Plants Changed Our World at Oxford’s Ashmolean Museum, it feels just right to sit in a space given over to flowers with the sound of gurgling water in the background, mingled with the cries and chirrups of birds. At intervals there are scent stations where you can smell damask rose or green and black tea from flower-shaped chalices. From the ceiling hang swathes of green muslin. I could have stayed here all afternoon. Right in front of me were also two delicious studies of tulips to illustrate the Dutch craze of the 1630s. Frankly, if it came to a choice of two-tone tulips or Bitcoin as a way of squandering money, I know which I’d prefer.

A shortage of Nigels and other calamities: humorous stocking-fillers

This is the part of the run-up to Christmas I always look forward to most – the ‘silly’ books, loo books, even non-books produced by serious publishers who may resent the huge piles of money they make every year while delicate, thoughtful literary novels remain unbought and unread. As it happens, I have just finished a wholly unsatisfactory book of short stories – no names, no packdrill – so a few weeks of loo books have proved surprisingly refreshing, like a palate cleanser after a hideously over-thought restaurant meal. They are all recommended for grumpy old relatives, or even yourself. Ysenda Maxtone Graham’s Scream (Abacus, £14.99) comes in the familiar category of ‘Rants About Life’, and is full of gobbets of unadorned rage about features of modern living.

Why we need an Elizabeth and Philip museum

Driving up Royal Deeside last weekend, I spotted a harvest under way on that magical Hobbit-esque green/gold/purple hillscape. It all came flooding back. One year on from the death of Elizabeth II, it’s the sight of the tractors lined up next to the A93 which remains among the most enduring images. It wasn’t just that they all had their shovels dipped in tribute, like the dockers’ cranes saluting the Havengore as it carried Churchill down the Thames in 1965. It was the fact that they were all spotless. At the busiest time of the year in this lush agricultural belt of Aberdeenshire, farmers had paused their harvesting, taken their machines out of the fields and given them a very thorough hosing down before lining up for hours to salute the late Queen.

Why I love Her Majesty

I’ve often wondered whether Her Majesty the Queen glances through The Spectator from time to time. And if she does, I wonder whether her kindly eye lights on this column. And if it does, I wonder what she thinks of what she reads there. ‘Philip, there’s a man here writing about going to the Cheltenham Festival and messing his pents.’ ‘Very easily done at Cheltenham, my dear. I’ve often wondered why nobody has written about it before.’ Or, ‘Philip here’s that man again, the one who messed his pents at Cheltenham, assisting the ferret-judging at a country show. It’s frightfully interesting. The judge takes so long to judge each class, they drive a car into the tent so that he can judge them in the headlights.