Media

TV doesn’t ruin childhood, but phones might

When I was a nipper, a staple of children’s television was a show called Why Don’t You? The full title, as the theme song made clear, was: “Why don’t you just switch off your television set and go and do something less boring instead?" Very “meta”, as we didn’t then say. And, of course, generations of children sat on the sofa gormlessly drinking Um Bongo while we watched the show’s cast demonstrate all the wholesome arts-and-crafts activities we could have been doing instead of watching TV. This was a few years before our parents discovered the joys of eating microwave TV dinners while watching Master Chef. A previous generation feared that the rise of television would put an end to children reading. It didn’t I start with this to give a bit of context.

My night under fire at the White House Correspondents’ Dinner

Last Saturday evening, the American media class descended for its annual jamboree of back-slapping at the Washington Hilton. Protesters outside waved signs reading "Death to tyrants" and "Death to all of them." The atmosphere inside was more jovial. Donald Trump was attending the dinner for the first time since becoming President, along with most of his cabinet and senior officials. We were expecting him to give the assembled media a good roasting – and some of us were looking forward to it. Attendees had to show invitations to get into the hotel, but there were few ID checks and no screening as we went to the pre-parties thrown by the major news organizations. Only when we walked into the main dinner hall did we pass through metal detectors.

Nancy Guthrie and the gamification of crime

Nancy Guthrie had been missing for less than 48 hours when the game began. Not the investigation, which was already under way, with FBI agents crawling the Catalina Foothills and more than 30,000 tips flooding in from the public, but the thing building around her disappearance, the thing that one could generously call “journalism” in both its legacy and citizen varieties.

The Bezos-Musk rivalry and the changing power of media

Elon Musk knows something Jeff Bezos doesn’t. Each has had turns as the world’s richest man, and both are media overlords. But whereas Musk’s purchase of Twitter arguably won a presidential election and briefly put the fate of the United States federal government in Musk’s hands, Bezos’s purchase of the Washington Post has bought him nothing but grief. No election victories, no sway in Washington, just the hatred of the journalists he subsidizes to the tune of hundreds of millions of dollars. Media power in the 21st century is about platforms, not publications. Bezos shouldn’t have needed Musk to teach him this: the whole strategy behind the business that made him rich, Amazon.

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How the Washington Post became a liability for Bezos

What does Jeff Bezos’s gutting of the Washington Post say about America’s sense of itself and of its place in the world? Bezos has scrapped much of the paper’s foreign coverage, as well as the books and sports sections. Over three hundred reporters and editors have been fired – including publisher Will Lewis. The Ukraine bureau has been closed, along with Berlin and the entire Middle Eastern and Iran team. You’d think there wasn’t much going on in the world. Does that mean that American readers are no longer interested in books or foreign news? That doesn’t sound true. The numbers of literate, educated and interested readers in the US who were devoted followers of the Post’s world-class books section and prizewinning foreign coverage haven’t collapsed.

The odious attempt to compare Trump’s health to Biden’s

Trump Derangement Syndrome has become horribly over-diagnosed. Now, anyone who expresses doubts about his wondrous abilities – or just fails to repeat the White House’s preferred talking points – risks being branded a "TDS" sufferer. It’s boring. Still, there remains a large faction of elite journalists, social-media influencers and political actors who loathe Donald Trump with a pathological intensity and who feel their mission in life must be to undermine him by whatever means necessary. They have spent the last decade condemning Trump and his supporters as conspiracy loons even as they leap from one dark theory to the next – Trump is a Russian asset! A closet Nazi! An Al Capone-style mobster! A serial rapist and possibly even a pedophile!

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Trump’s Oddjob: the rise of Steven Cheung

Though reporters covering the Trump administration are very familiar with Steven Cheung, the Donald’s combative White House communications director, he’s not a recognizable face to the general public. Press secretary Karoline Leavitt plays good cop, deflecting questions; Cheung is bad cop, trolling the media on X. But Cheung had a moment in the spotlight early this month during a press conference in which Trump announced reduced prices for GLP-1 “fat drugs.” “Where’s Steve?” Trump said. “He’s taking it.” The press is very familiar with Cheung’s weight issues. When one media outlet compared him to the rather overweight Bond villain Oddjob, Cheung leaned into the racially tinged stereotype and posed for a photo while wearing a bowler hat.

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The battle for Anna Wintour’s Vogue empire

When Anna Wintour announced she was stepping down as editor-in-chief of Vogue in June, it appeared to be the end of the ice queen’s reign. Yet Wintour retained her large, chintzy corner office as well as her two other roles – as Condé Nast’s global chief content officer and Vogue’s global editorial director. If you looked closely, you might have seen a steely determination lurking behind her trademark sunglasses, the look of a generational editor intent on more power – and perhaps even revenge. The Condé Nast Union naively regarded Wintour’s move as that of a then 75-year-old drifting into quiet retirement, the old guard surrendering to youth.

Will Disney strike a deal to end its YouTube TV blackout?

A war has taken over media coverage. No, not one of actual consequence. This war, however, is imminently affecting your national pastime and your wallet. This is a civil war within media. The combatants are the Walt Disney Company with it’s channels – including ABC and ESPN, plus the SEC and ACC networks – and Google, YouTube TV’s parent company. The two entities failed to meet a carrier agreement, and all Disney channels are blacked out on YouTube TV. That means that much of the nation will not have access to most of the weekend’s football content, as has been the case since the showdown a couple weeks ago.

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Revealed: BBC doctored Trump January 6 speech

Fake news indeed! The British Daily Telegraph has reported that the BBC deceptively edited a speech by Donald Trump to make it look like the President had ordered his supporters to storm the Capitol on January 6, 2021.  The footage was aired as part of the BBC documentary Trump: A Second Chance? in October 2024. The ruse involved splicing together two statements made by Trump over an hour apart. This made it seem like Trump had said that "We’re gonna walk down to the Capitol and I’ll be with you and we fight. We fight like hell and if you don’t fight like hell, you're not gonna have a country anymore.” In fact, “walk down to the Capitol had actually been followed by “to peacefully and patriotically make your voices heard.

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How Alex Jones won

One of my favorite Walt Whitman stanzas goes like this: I’m a pioneer! I’m an explorer! I’m a human, and I’m comin’! I’m animated! I’m alive! My heart’s big! It’s got hot blood goin’ through it fast! I like to fight! I like to eat! I like to have children! I’m here! I got a life force! This is a human! This is what we look like! This is what we act like! This is what everyone was like before us! This is what I am! Just kidding. That’s Alex Jones, the voice of our time. Nobody in media has won more in the past 20 years than Jones. He’s lost a lot along the way, of course, including the largest defamation suit in American history and access to every mainstream media platform. But those were only temporary slowdowns.

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Don’t try to fight the new media

A word of wisdom for any of the old-guard reporters planning on picking a fight with the new media in the White House Briefing Room: Cara Castronuova, of Lindell TV, was once ranked second in the country at super-bantamweight and has won two bouts at Madison Square Garden. Mona Austin, of the “100% woman and Black-owned’ Slice, competed with the former boxer during a gaggle with Steve Witkoff by the Palm Room doors yesterday and refused to budge, saying “I don’t want to be on reality TV.” A brouhaha ensued. “There was lots of yelling, it was very uncomfortable,” one hack told Cockburn. Who needs UFC on the South Lawn when you can have boxing by the Palm Room doors?

Iryna Zarutska and Charlie Kirk have exposed the media’s depravity

“Clarifying.” It seems almost obscene to say that the murders of Iryna Zarutska and Charlie Kirk were “clarifying.” But the huge and still-exploding response to those savage events shows that the mournful synergy of murder can be an occasion for illumination as well as for grief. To say that something is “illuminating” is not necessarily to say that it is pleasant. The media yearned for a pro-Trump, heterosexual, white male killer of Kirk. One out of three was a disappointment A picture is worth a thousand words. Iryna Zarutska, a 23-year-old refugee from Ukraine, was murdered on a commuter train in North Carolina on August 22. The attack went mostly unreported until early September. Then video footage of the incident emerged. That changed everything.

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Howard Stern disappeared years ago

It’s hard to say out loud, but it looks like The Howard Stern Show may finally be winding down at SiriusXM. With his contract coming to an end and no clear word on renewal, even Stern himself sounds noncommittal. For the first time since the 1970s, the radio world is bracing for a future without him.But for many of us – particularly those of us in Gen X who came of age during his prime – that future started a long time ago. Because the Howard Stern we grew up on, the one we admired, feared, laughed with (and sometimes fought with) has been gone for years.I was a teenager in the Eighties and a driven, hard-working young professional in the Nineties. I didn’t just listen to Stern – I studied him: his timing, his fearlessness, his command of the mic.

Why President Trump can’t stop talking to reporters

The best time to call is the weekend. Or early in the morning. Or late at night. Definitely not when he’s on the golf course. If he’s alone, he’s more inclined to chat. If he’s in a good mood, you might get a few minutes. If he’s in a bad mood he’ll be brief, but you’re still liable to get a usable quote. That’s how White House reporters describe cold-calling Donald Trump, perhaps the most accessible president in American history. He’s not the first to smuggle a cell phone into the White House: Barack Obama insisted on keeping his BlackBerry throughout his time in office, despite the angst it caused his staff. But you couldn’t just call Obama. You can just call Trump.

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Did the Wall Street Journal just prevent a war?

Zero-hour was approaching. A joint US-Israeli attack on the mullahs’ mountain fastness at Fordow seemed imminent. The B-52s were on the tarmac, the USS Nimitz had taken to sea, Ambassador Mike Huckabee was reaching for the smelling salts.  And then? A last-minute pause. “I will make my decision whether or not to go within the next two weeks,” said the President. Delays like these have now become a standard part of Trump’s box of tricks. If a drama – like the ‘Liberation Day’ tariffs of earlier this year – can be kept going for a little longer, then all the more time to extract further concessions from the opposing party. As negotiating tactics go there are certainly worse ones. But was there another reason?

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The polls are wrong (again) on Trump

“Trump has lowest 100-day approval rating in 80 years,” screamed ABC News at the start of this week. The ABC News/Washington Post poll, conducted by Ipsos to mark Trump’s 100th day in office, was one of a handful that have shown Trump’s approval rating dipping below 40 percent for the first time. There is just one problem: the pollsters who are showing the worst numbers for Trump are the ones who got the election most wrong. Take the ABC/WaPo/Ipsos poll, that showed Trump on 39 percent approval. In their final poll of the 2024 cycle, they found a three-point lead for Kamala Harris. Ipsos’s other poll for Reuters had a two-point advantage for Harris nationally. Trump ended up winning the popular vote by one and a half points.

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The media must admit to covering up Biden’s decline

When it comes to the many forthcoming books about President Joe Biden’s decline, only one question matters: what role did the national news media play in assisting his White House in the cover-up? It’s a question that, if early snippets and sample releases are anything to go by, will remain largely ignored by the authors and their colleagues in media. A number of reporters are releasing volumes about Biden’s conspicuous cognitive decline, that many of them supposedly only became aware of on the debate stage last June. Many of these journalists actively worked to smear anyone who had noticed the former president’s state of mind, including right-leaning commentators and Republicans, as far back as 2021.

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George Clooney’s Good Night, And Good Luck is a communal experience

George Clooney isn’t afraid to politic. And last July he showed himself willing to speak truth to his own party’s power: by voicing the dramatic decline in Biden’s facilities in a New York Times op-ed, Clooney, a lifelong Democrat, helped force ole’ Joe out the race. Is it any surprise, then, that Clooney has chosen to make a splash on Broadway in a play that is explicitly political? Clooney’s resurrection of his critically acclaimed 2005 film Good Night, and Good Luck for the stage is timed for maximum impact. Good Night, and Good Luck dramatizes Edward R. Murrow’s historic takedowns of Joseph McCarthy on his beloved CBS show See It Now.

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Why does Britain think it can censor Gab?

A dramatic escalation has happened in the information war between the US and Europe. Ofcom, the British media regulator that fancies itself as a global censor, has made a move. Ofcom sent a formal demand to Gab – an American social media platform with no legal presence in Britain – threatening it with ruinous fines unless it complied with the UK’s Online Safety Act. Gab’s reply to Ofcom was not polite. It was cold, clinical and lethal. Through its lawyers, Gab told Ofcom – with legal precision and unmistakable clarity – to get lost. This isn’t some polite regulatory disagreement.

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