London

Pity the gilded restaurants of Mayfair, if you can: they are dying. Some have reopened; they ache on like men with no legs but a glut of polenta. Occasionally, a brave one will open for customers who simply do not exist and so hangs about like a character in a Vladimir Nabokov novel: interesting but superfluous. Where are the rich? In Tuscany? On MS The World, the floating block of luxe flats? In the vault? Because they are nowhere to be seen: they are like plushly appointed Borrowers. A journalist wrote his report of the reopening of the Savoy Hotel in the Strand last month. They had six guests in a hotel reconfigured — for social distancing — for 100.

London is gasping — so where to go but Soho, which is so good at despair? It is often necrotic but now, of the central London districts, it feels the most alive. Mayfair is a pretty corpse — I pity the luxury services industry, for its clients are in hiding — but Soho’s restaurants have spread themselves on to the streets and it feels as interesting as it used to, a place that has found its purpose again. It has been over--gentrified — the renovation of Raymond’s Revue Bar is horrifying, because they closed the revue bar and kept the signage — but now it feels giddy and important: a home for the insensible and the brave. Soho has known worse things, after all.

About 15 years ago I noticed a few surviving chattel houses in Barbados and wondered what they were. As it turns out, they were an ingenious solution to an age-old problem. These tiny yet exquisite buildings, with barely room for a bed, chair and stove, owe their origins to the abolition of slavery. Though a plantation owner was obliged to pay a wage to freed slaves, he retained ownership of the land. A form of pseudo-slavery emerged, where workers were charged rent more or less equal to their pay (like workers under 30 in London). The ingenious response was to build houses light enough to be portable. You could then carry them to nearby land where rent was lower.

I suspect, though this may be romanticising, that if a French lorry driver with hitherto suppressed culinary tastes won France’s national lottery, and booked a table at the local much-rosetted restaurant, he would know what to expect. A great chain of culinary being would connect him to the heights of gourmandisme. In the UK, we lack a gastronomic tradition. As a result, when it comes to assessing food, inspissated snobbery often takes the place of inspired gluttony. There are superb chefs: Gordon Ramsay, Marco Pierre White, the Roux family. But there are also instances of pretentiousness: no names, no pack drill. These characters forget that the glory of a good cook is to make ingredients sing, however humble in origin.

Snaps + Rye is a Nordic-themed restaurant and delicatessen on the Golborne Road, at the shabby and thrilling edges of Notting Hill, just north of the Westway, a road I uncomplicatedly love, probably because it takes me from Notting Hill to places I like better. Notting Hill fell to gentrification long ago — it gasps with boredom — but here London feels like a real city, though only just. ‘This home is not a shop,’ says a sign in a nearby window, with as much feeling as signage can muster. Or should muster. ‘Nothing is for sale.’ It is a bitter time for restaurants and those who love them.

Sexy Fish is an Asian fusion barn in Berkeley Square, near the car dealerships and the nightingales, if they are still alive. It used to be a bank — NatWest! — and it still feels like it cares for nothing but money, even as it deals in sticky chicken, which means a good deal more than money to chickens. I wonder whether the blazing vulgarity of such restaurants — it has a large mirrored crocodile crawling up the wall, and that is the subtle part — will survive the terror of Covid-19, or whether it will go the way of the Russian Tea Room in New York City, which is empty apart from a glass dancing bear. We are initially refused entry due to my companion’s flip-flops.

Laikipia The sweetest sound to me now is the dawn chorus of birdsong at home on the farm. I lay awake in bed and listened, as a light rain fell on the coconut thatch above me. When I walked out into the garden the three dogs burst out of the house to go off exploring. While I made coffee in the kitchen, our cats Omar and Bernini rubbed against my legs until I fed them and then in walked Long John Silver the orphaned calf, looking for a bowl of milk. I headed out to the crush where the herds were coming in to be dipped. Cattle were mooing, the sheep were bleating and the cowhands were whistling and shouting. With dew sparkling on the grass and the air alive with the hum of bees, I felt so grateful to be here. Home.