Interviews

There is a question which writers (and readers) of literary fiction get tired of hearing: which bits really happened? The traditional and respectable answer is that this doesn’t matter. Everything in the book will have been transformed by art, and isn’t something that comes straight from an author’s imagination more autobiographical, more telling, than things that might have happened to them, anyway? But these serious maxims don’t always quell your desire for real-life incident or gossip. Sheila Heti’s How Should A Person Be, subtitled ‘A novel from life,’ had me googling paintings by Margaux Williamson: Heti’s best friend in real life and a character in her book. How Should A

Chan Koon Chung’s previous novel, The Fat Years, was set in a gently dystopian Beijing of 2013, when a whole month is missing from the Chinese public’s awareness, and everyone is inexplicably happy. Since it first appeared in 2009, the novel has enjoyed cult success in both Chinese and English translation, even becoming, as Julia Lovell notes in her preface, a chic take-home gift from society hostesses in mainland China. It has shades of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World, although the setting of The Fat Years may not be as brutal as either of those. Certainly, to read it now is eerie, so much has

When he arrived in London, Burke had a very brief career in law. He soon dedicated his time to critical thinking, writing and politics. Burke published a number of ground breaking books, including: A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, and Reflections on the Revolution in France. In his new book, Edmund Burke, Jesse Norman dissects Burke’s outstanding intellect, and his career. He then asks how these ideas might be applied to modern politics. Jesse Norman is Conservative MP for Hereford and South Herefordshire. In 2012 he was named as the Spectator’s Parliamentarian of the Year. He is a member of the Treasury

Michael Sandel is a political philosopher and a professor at Harvard University. He is best known for his  ‘Justice’ course, which he has taught for over two decades. Sandel first came to prominence in 1982 with his book Liberalism and the Limits of Justice. The book offers a critique of liberalism, arguing that individuals’ needs are rooted with a sense of community and obligation to others, rather than the self. Last year, Sandel published What Money Can’t Buy: The Moral Limits of Markets. When one initially begins to read this book, it seems as if Sandel is simply stating the obvious. He asks questions that many of us think about

Tan Twan Eng’s first novel was long-listed for the Man Booker Prize, his second was shortlisted and then won the Man Asian Literary Prize. To say that his work over the past five years has received praise and attention would be something of an understatement. Likened to Ishiguro and Ondaatje, his work explores the point at which untold personal history collides with the bellicose history of mid-twentieth century East Asia. In The Gift of Rain the elderly Philip Hutton is living out his days as a postcolonial remnant in his childhood home of Penang, with little but his memories to keep him company. These are revisited with arrival of Michiko,

Nate Silver doesn’t suffer fools gladly — especially fools who pass themselves off as experts. In the second chapter of his book, The Signal and the Noise: The Art and Science of Prediction, he describes just how bad most political pundits are. And in person, he goes even further. ‘I think some of them are very skilled at the art of bullshit; I think some of them are just deluded; some of them aren’t very smart; some of them are immoral; some of them are well-intentioned but wrong; some of them are behaving as party hacks. And there’s not a lot of incentive for them to change that.’ Most columnists

The anarchist movement in the United States has had the support of leading libertarian intellectuals, such as Noam Chomsky; but it has lacked a figure who could transform its guiding principles into something resembling a political movement. In the autumn of 2011, David Graeber seemed to be the man who could drag anarchism into mainstream politics. Graeber, along with other leading figures in the Occupy movement, coined the term ‘we are the 99 percent’. The catchphrase caught on, and within weeks — with the assistance of social media — Occupy transformed a small group of idealists with little support into a radical network occupying 800 cities around the world. Graeber’s

Since the collapse of the Byzantine Empire, European history has been dominated by two themes: the centrality of Germany and the primacy of foreign policy. This is the argument of Brendan Simms’ new book, Europe: the struggle for supremacy 1453 to the present. Simms is a professor of the History of International Relations at Cambridge University and his decidedly European focus has allowed him to craft a detailed yet expansive account in the style of Paul Kennedy’s Rise and Fall of the Great Powers. One afternoon we sat down at Penguin’s offices on the Strand to discuss these issues, as well as their relevance to the current European Union debate.

Evgeny Morozov is an iconoclast. He believes that technology, if abused or misused, has the potential to make society less free. His latest book, To Save Everything , Click Here, builds on his acclaimed polemic The Net Delusion (about which he spoke to the Spectator last year) to challenge those who suggest that technology is the solution to all of life’s problems. Morozov describes how the technology of perfection is not necessarily compatible with democratic institutions and processes that are imperfect by definition. He reveals how ‘technological fixes’, particularly when coupled with market forces, threaten to close public debate and curtail personal choice; thereby moulding individuals into an efficient, homogenised

James Wood is arguably the most celebrated, possibly the most impugned, and definitely the most envied, literary journalist living. By his mid twenties he was the chief book reviewer for The Guardian. From there he moved to America’s The New Republic, then, as of 2007, The New Yorker. He also teaches at Harvard. There is a tendency, therefore, for critics to spend more time reviewing the superlatives other reviewers have used about him than his books themselves. His previous collections have tilted on an axis of religious belief and philosophy: he writes that our investment and belief when we read fiction is a metaphorical substitute for religious faith because it

Kevin Maher’s debut novel The Fields is set in the suburban streets of south Dublin in 1984. The story is narrated by Jim Finnegan: an innocent 13-year-old boy who lives in a carefree world that consists of hanging out in the local park and going on nightly bike rides with his geeky friend Gary. But shortly after his fourteenth birthday, Jim’s life drastically changes when he falls in love with a beautiful 18-year-old woman, Saidhbh Donoghue. After a brief honeymoon period their relationship turns sour when the young couple are forced to take a boat to Britain to arrange for Saidhbh to have an abortion. Both Jim and Saidhbh decide

The salubrious surroundings of the Waldorf Hotel seem like a very apt setting to interview a master of style and sophistication. When I arrive in the lobby, John Banville is nowhere to be seen. Peeping into the bar, I notice a grey haired man with a moustache, wearing a tuxedo, softly playing a grand piano. Taking a seat, this strikes me as the kind of place that Alex Cleave would enjoy a drink. Alex is a semi-retired actor, and the central protagonist and narrator of Ancient Light; a novel that recalls a passionate love affair that took place over fifty years ago. The object of Alex’s desire was Mrs Gray,

In his new book, Who Owns The Future?, computer scientist, Jaron Lanier, argues that as technology has become more advanced, so too has our dependency on information tools. Lanier believes that if we continue on our present path, where we think of computers as passive tools, instead of machines that real people create, our myopia will result in less understanding of both computers and human beings, which could cause the demise of democracy, mass unemployment, the erosion of the middle class, and social chaos. Lanier encourages human beings to take back control of their own economic destiny by creating a society that values the work of all industries, and not just

People call Lars Iyer a ‘cult author,’ which is odd, because almost every paper to have reviewed him from here to Los Angeles has praised him endlessly. The ‘cult’ thing is probably down to people naturally associating innovative, serious and challenging art with the marginal. This no doubt plays up to Iyer’s own theories about the climate of contemporary literature, but the reception of these books tells quite a different story. While his manifesto claims masterpieces cannot be produced in our age, and that no contemporary literature could be as important as anything by Samuel Beckett, critics call his books masterpieces and constantly compare him to Beckett. His characters lament

In his latest book The World Until Yesterday, Jared Diamond analyses the behavioral differences between human beings in tribal stateless-societies and those living in bureaucratic nation states. Diamond says that if states only came into existence 5,400 years ago, and agriculture in the last 11,000, human beings have been wandering nomads for most of history. Therefore, if modern nations are relatively new concepts, we have much to learn from traditional cultures. Drawing on his experience of 50 years of field research in New Guinea, Diamond attempts to prove his thesis with a mixture of personal anecdotes and academic research. He claims the way people in traditional societies raise their children, spend their leisure

John Ashbery is recognized as one of the most eminent American poets of the twentieth-century. He also been called America’s greatest living poet today. Ashbery published his first book of poems Some Trees in 1956; it earned him the Yale Younger Poets Prize: a competition that was judged by W.H. Auden at the time. He has picked up many literary prizes, including the Pulitzer Prize for Poetry, the National Book Critics Circle Award and the National Book Award. At 85, he shows no signs of putting down his pen. He has recently published a collection of poems entitled Quick Question. Although the majority of critics have recognized his talent, many

Google has mapped North Korea. The Washington Post has useful selection of before and after images. Compare the images for North Korea with a map of the county in which you live and you will get a sense of North Korea’s poverty. Britain is debating the merits of cutting the rail journey time between London and Brum by 10 minutes; North Korea has only the most basic road infrastructure. Small wonder, then, that the North Korean economy is so parlous that the Kims have accommodated a nascent form of capitalism in order to stave off mass starvation; an important point among many made by Victor Cha in The Impossible State, published last

In his new book Classified: Secrecy and The State In Modern Britain, Dr Christopher Moran gives an account of the British state’s long obsession with secrecy, and the various methods it used to prevent information leaking into the public domain. Using a number of hitherto declassified documents, unpublished letters, as well as various interviews with key officials and journalists, Moran’s book explores the subtle approach used by the British government in their attempt to silence members of the civil service, and journalists, from speaking out about information that was deemed classified. Moran points out the inherent hypocrisy at work, when leading political figures of the 20th century, such as Lloyd

In the programme Frost on Interviews that was recently rebroadcasted by BBC Four, the distinguished journalist, David Frost, attempted to understand what makes a compelling interview. Frost’s programme concentrated primarily on the actions of the interviewer. Various questions were asked, most notably: should one take a relaxed or heavy-handed approach with their guest? I tell this anecdote because I was half way through reading Extreme Metaphors: Selected Interviews with J.G. Ballard 1967-2008,when I stumbled upon this insightful programme. But the process Frost was speaking about was light-years away from the text I was reading. For J.G. Ballard — arguably one of the most important prose fiction writers to contribute to