Food

Claridge’s grew nine storeys in the last decade: it’s a metaphor. The ornamental 1897 castle on Brook Street has expanded to fit the available space. Though it grew by half, it never closed, and workmen dug out the basement by hand. In one room, Claridge’s was a building site: in another, a dream world. We are trekking through metaphors now. We are up to our necks. The children eating the Nutella, banana and whipped cream crêpes look deranged Hotels are like buses: they have infinite possibilities. That is what they are for. To not be home. Like Alec Guinness, who lived in the Connaught with his share of the profits of Star Wars, which shamed him (the Connaught is the anti-Tatooine), I would like to live in a hotel.

Erev is an Israeli restaurant in Notting Hill, though Israeli restaurants do not call themselves Israeli nowadays. They have rebranded to Eastern Mediterranean and I don’t blame them. These are bad days for Zionists. I tried to buy an almond croissant at the progressive coffee shop in Newlyn last week while wearing an Israeli flag as a cape. My excuse was: it was election day, and Gaza was on the ballot. I didn’t get the almond croissant. They didn’t have any. Erev, though, is the subject of real protests from real people who think that eating is, under certain circumstances, a genocidal act. They stand outside and shout at diners. If you think genocide and restaurants have nothing to do with each other, meet 2026.

She was doing a postgrad course in a town by the sea, and a strange thing happened to us one afternoon. On the quayside we saw lobsters being sold from a trestle table. Only one of them remained and I squinted at it, close up. The sharp oval claws, like holsters, had been bound in elastic bands to stop them nipping customers. It seemed a small-minded precaution. These imposing pincers were cumbersome and useless on dry land. But in the sea, with the water’s buoyancy to give them mobility, they would be swift and lethal weapons. Yet the lobster-catcher had neutralised them with a pair of turquoise bands. What for? The beast was already defeated, plucked from its natural habitat by a giant human being, and yet the victor was fearful of the tiniest nip from his prisoner’s claws.

Simpson’s in the Strand is a dream palace, and its fortunes are as tidal as the river. It is on the site of John of Gaunt’s Savoy Palace, destroyed in the Peasants’ Revolt. It began as a cigar divan and chess club, was subsumed into the Savoy Hotel, built with the profits from The Mikado, and was beloved by Churchill and Wodehouse, who described it as an Elysium where you were ‘at liberty to eat till you were helpless, if you felt so disposed’. It then decayed. I’ve come here for 30 years and, grand as it was, Simpson’s smelt of beef and the 1922 committee by the end. No restaurant can live on that indefinitely, and it closed in 2020. I did not enjoy my last meal here, but I took part of its myth: when it sold off its crockery in 2023 I bought what I think is a milk jug.

It is the early hours of the morning and an email drops into my inbox. Lacking any kind of willpower, I open it. Now I’m wide awake. Because this isn’t the usual PR slop that starts my days. It’s a tip-off. A big one. A reader has discovered something about a company and they are urging me – me! – to investigate. Adrenaline surges. This must be what it felt like to be Woodward. Or Bernstein. Only my informant is pointing me in a slightly different direction. Their intel is on Gentleman’s Relish: the incredibly niche spread is disappearing from our shelves. It has been available in the House of Lords dining rooms – but for how much longer? Online supermarkets and delis are showing it as out of stock. What is going on?

Brasserie Angelica is the – is the word signature? – restaurant inside the Newman, Fitzrovia, a new hotel that has landed in the capital like a spaceship containing aliens who are into menswear. I don’t mind buildings that look like they don’t belong. Fitzrovia is charming because it feels like remnants left by other places. We have too much Edwardiana already: in the Aldwych– formerly the best surviving medieval part of London after the Great Fire – I feel like I am stomping through cakes of stone. The Newman is a wail in glass and brick on a quiet lane near Gower Street. There are pale awnings, brass fittings and uplighting: Manhattan in its last boom. It is attached to a Victorian house renovated to the standards of a grouter with OCD.