Food

Rethinking Chinese food with Fuchsia Dunlop

50 min listen

All cultures care about their cuisine, but the Chinese must have one of the most food-obsessed cultures in the world. It may be because we have the best food... Those listeners of Chinese Whispers who’ve been to China will know exactly what I’m talking about. For those of you who haven’t, you may have come across the classic Chinese takeaway with dishes like sweet and sour pork, or you may like Cantonese dim sum, and some of you may be big fans of Sichuanese cooking. But China has so much more to offer than what has made across into the West’s Chinese restaurants. Thankfully, that’s changing and quite fast. Part of the education campaign to bring more of the diversity and richness of Chinese cuisine to the West is the work of people like Fuchsia Dunlop.

Tribeca’s fine dining l’abeille strives for comfort while pushing boundaries

From our US edition

When New York City restaurants closed their doors in March 2020, Rahul Saito and his husband Howard Chang took a radical step. They brought the dining-out experience home, hiring Mitsunobu Nagae, then the chef de cuisine at the Michelin-starred Shun, to prepare weekly dinners in their Manhattan apartment.   The food was unfussy, yet profound. “There was a gazpacho, very simple, a cherry gazpacho,” recalls Chang, thirty-two. “It felt like something you could make at home, but the taste and depth was something I’d never experienced. That’s when I was like: This guy really has something.”   Inspired, Chang and Saito, who both have backgrounds in finance, approached Nagae, thirty-six, to suggest they open a restaurant together.

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‘They do better spaghetti bolognese in Hampstead for a tenner’: The Lobby at The Peninsula, reviewed

The Peninsula is a new hotel at Hyde Park Corner. It is part of the trend for absurd expense: rooms start at £1,400 a night and express the kind of preening mono-chrome blandness that will be the London of the future. It is a building of great ugliness – I would type the names of planners who allowed it, but on these pages it is incitement to violence. It sits on its six-lane round-about between the Lanesborough hotel and a long peeling red-brick late Victorian terrace that once appeared in a Stephen Poliakoff film about how things always fall apart. This food knows nothing of beauty, delicacy or comfort: it’s a grift It isn’t really a hotel, I think, staring: it doesn’t have that much identity.

In praise of corn, a Thanksgiving essential

From our US edition

The Indians, as we innocently called them in the days of my youth, put their name to it: “Indian Corn.” Somehow, “Native American” or “First Peoples Corn” just doesn’t do it, so here let us observe this now-verboten usage. Technically, Indian Corn (known as calico or dent corn too, for its coloration and dents in the kernels) is one variety of maize, first cultivated, they say, in Mexico thousands of years ago. Columbus, who called the natives “Indians” because he was looking for India, brought back seeds to Europe in the 1490s; they did not take. The Plymouth colonists in the 1620s, from whose early travails the American feast of Thanksgiving emerged, grew Indian corn courtesy of the local Wampanoag tribe. It no doubt helped them survive when the English peas ran out.

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A one-pan, one-pot Thanksgiving

From our US edition

Our first Thanksgiving together, my now-husband, then-medical-resident-boyfriend worked a shift during the family feast. I made it up to him with Melissa Clark’s one-pan, one-pot Thanksgiving for two. The recipe went off flawlessly and made the constraints of my tiny apartment kitchen feel more like a game-show challenge than a life-or-death struggle. Clark’s 2022 cookbook Dinner in One makes the same promise about 100 different meals. The game-show, can-it-be-done? energy made the Thanksgiving method fun, but could feel tedious on a Tuesday night. Is “one-pot” a theme or a gimmick? Does this constraint serve the cook and the recipe, or is it arbitrary, artificial and unnecessarily limiting?

A culinary tour of southern France and northern Spain

From our US edition

If I’d known what a whole monkfish looks like, I would never have ordered it. It was only weeks later that I saw a picture of the horrid creature: small, wicked eyes, prehistoric head, skin like rusty medieval armor and a gaping mouth overflowing with jagged teeth. Truly the stuff of nightmares. We’d popped over the border from France into San Sebastián, Spain, for a bite of dinner, selecting a spot a stone’s throw from the Baroque exuberance of Santa Maria del Coro. The daily special was monkfish, and for some reason — perhaps an excess of sun that day — the image that came to mind was, inaccurately, that of the innocent red mullet. The daily special in a fishing town is bound to be fresh, so it seemed fair to give it a try.

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‘Well-priced and skilful’: Masala Zone, reviewed

There are cursed restaurants and cursed women, and this makes them no less interesting. One is Maxim’s in Paris, which knows it – it gaily sells ties in a charnel house decorated for the Masque of the Red Death – and another is the Criterion at Piccadilly Circus, which doesn’t. One day it might meet its destiny, which is to be an Angus Steakhouse (this might lift the curse, the Angus Steakhouse has its own magic) but it isn’t there yet. Restaurant after restaurant favours hope over experience here: Marco Pierre White (Mark White) passed through, spilling acronyms about. I suppose it serves it right for being in the neo-Byzantine style. Don’t restaurant developers watch horror films?

With Ewan Venters

37 min listen

Ewan Venters is the former chief executive of Fortnum & Mason and is now the CEO of Artfarm and Hauser & Wirth. Ewan is launching Artfarm’s first London venture combining food, drink and art which will also mark the revival of the historic Mayfair landmark, The Audley. Presented by Olivia Potts.Produced by Linden Kemkaran.

Back-room boys: Family Meal, by Bryan Washington, reviewed

There are meals galore in Bryan Washington’s latest novel: those that Cam and his lover Kai cook for one another; those that Cam’s childhood friend TJ cooks for his Thai boyfriend’s cousins; those that TJ’s Vietnamese father Jin cooked for his neighbours every weekend; and those that the now bulimic Cam vomits up after Kai’s murder. There is also sex galore. Each of the novel’s three narrators – Cam, Kai and TJ – engages in ‘random hook-ups’, with Cam in particular using them to dull his pain. Working in a Houston gay bar, he takes customers to a back-room every few hours.

Fine food in a fine restaurant: Origin City reviewed

Origin City is a good name for this restaurant, whether it knows it or not. It is at West Smithfield, the only surviving wholesale market in the City of London (I do not count Borough, which is a snack shack impersonating a greengrocers and is only spiritually in the City). Covent Garden sells face cream – Eliza Doolittle didn’t need it – and Billingsgate awoke one morning to find itself on the Isle of Dogs. Somehow the cows hung on in West Smithfield. We owe them a lot but I would say that, I am a restaurant critic. Somehow the cows hung on in West Smithfield. We owe them a lot This is the most interesting part of the City of London: St Bartholomew the Great, of God and Four Weddings and a Funeral – the one where Charles was punched, fairly – and Cloth Fair.

With Diana Henry

41 min listen

Diana Henry is a critically acclaimed, multi-award winning cook, food writer and author of 12 books including the classic cookbook 'Roast Figs, Sugar Snow', which has just been updated and re-released twenty years after it was first published. Diana also writes for newspapers and magazines, and presents food programmes on TV and radio. On this podcast Diana shares childhood memories of her mother's baking, how 'Little House on the Prairie' influenced her writing and when, on a French exchange trip, she learned how to make the perfect vinaigrette. Presented by Olivia Potts. Produced by Linden Kemkaran.

As gaudy as Versailles: The Duchess of Cornwall in Poundbury reviewed

Poundbury is the King’s idealised town in Dorchester, built on his land to his specifications: the town that sprung out of his head. (‘My dream,’ says Harry Enfield in The Windsors, ‘was always to build a mixed-used residential suburb on the outskirts of Dorchester.’) It is so fascinating that I dream, briefly, of moving in for the completeness of the vision – who doesn’t want to live inside art? – and the portrait of the British class system in housing. Here it is, at last, laid out like a textbook: journey’s end. We order via app and pay in advance: there is a shortage of what tabloids call flunkeys It is becalmed on a Sunday evening, and sun saturated: there is almost no one about. Perhaps the residents are indoors, enjoying the lushness of their fittings.

The joy of baking your own bread

From our US edition

Flour furnishes most everyone’s kitchen. If you’re a baker or breadmaker, you will probably have several five-pound bags of it in the pantry alongside the yeast. If you don’t bake or don’t bake much, you will probably have at least a cup or two of it in the canister on the kitchen counter for thickening the gravy, frying the chicken or making the roux. Most likely, most of it will have come from wheat. Wheat has been with mankind for 10,000 years or so and was first domesticated somewhere in the Fertile Crescent, or, as our old geographies used to say, Mesopotamia, which also, it was hinted, was the neighborhood of the Garden of Eden. Wheat’s genetic diversity made it adaptable to a variety of climes and continents.

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Why I’m addicted to Australian MasterChef

Why is Australian MasterChef so much better than the English version? You’d think, with a population less than a third of ours, the smaller talent pool would make the Antipodean edition look like thin gruel. But a bit like with the cricket and the rugby, size clearly isn’t everything. UK MasterChef now resembles one of those joyless austerity dishes you cobble together from crusty leftovers you found languishing in the fridge. But the Aussie one has had my entire family addicted and yearning for more for the past fortnight. I suppose it’s partly down to the way Australia sees itself.

Bruton is suddenly the place to be – and I have a theory why: At the Chapel reviewed

At the Chapel, Bruton, is a restaurant and hotel in a former chapel in Bruton. This was once an ordinary town in Somerset, with a note in the Domesday Book, a ruined priory and a famous dovecote on a hill. Bruton is known for a flood in 1917 – it was the second-largest one-day rainfall measured in the UK – but another calamity was coming. In 2014 the art gallery Hauser & Wirth, with branches in London, Zurich and New York, decided it needed a premises in Bruton, and a restaurant called the Roth Bar and Grill. There is also an Instagram-friendly farmhouse to rent on this site. When I toured it, the price was £666 a night, including the art and, I hope, a food gift basket and, I suspect, an ancient native Briton graveyard.

Flour power: a single ingredient can be life-changing

From our US edition

Growing up in a “mixed” American household, of Indian, Puerto Rican and Italian descent, was deeply confusing during my formative years. I came of age in a mostly white suburb just outside New York City. In addition to my foreign-sounding name, I looked nothing like any of my classmates or the kids around the neighborhood. My olive skin, bushy eyebrows and curly hair were more reminiscent of children you’d find in the more ethnically diverse neighborhoods of Queens or the Bronx. My family spent most of our weekends visiting family and doing our grocery shopping in such areas. The array of ingredients that my Puerto Rican and Italian-American mother, Loretta, was searching for didn’t exist in our local Pathmark.

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Fish and chips: the fast food that made me

The last meal my parents had before I graced the world with my presence was fish and chips, so I like to think it forms part of my origin story. Growing up on the coast, fish and chips featured in all its forms: bags of chips clutched on windy beach walks; takeaway fish suppers brought home by Dad, steam escaping from cardboard boxes; and the ultimate luxury, a sit-in experience at Colmans, the South Shields king of fish and chip restaurants, accompanied by a slice of bread and butter and a cup of tea. I was built on fish and chips; salt and vinegar course through my blood. Battered fried fish was brought over to London by Jewish immigrants coming from Spain and Portugal, via the Netherlands, as long ago as the 16th century.

A Margherita in Tolkien’s Middle-earth: Pizza in the Courtyard at Sarehole Mill reviewed

Sarehole Mill is four miles south of the centre of Birmingham. If this were a fairy tale, and it should be, it would follow that Birmingham swallowed Sarehole a century ago, like a dragon and its prey. I like Birmingham: I like its optimism, its violence and its multiplex, which can match any American Midwest mall in competitive dystopia and idiocy. Birmingham has energy, and that swallowed Sarehole, but unfortunately for Birmingham, there was a writer who cared: John Ronald Reuel Tolkien.Sarehole was his childhood palace, and now, more reluctantly I would imagine, his memorial pizzeria.

‘Thinks of the diner, not the chef’: Claridge’s Restaurant, reviewed

The BBC made a very odd documentary about the renovation of Claridge’s: The Mayfair Hotel Megabuild. They filmed, agog, as the hotel grew eight new storeys – three above, and five below – between 2014 and 2021 while staying open: guests slept and ate, unaware of ‘Narnia doors’ to the building site. (That Narnia is where guests aren’t indicates what Claridge’s employees cannot put into words without spontaneously combusting.) Labourers dug the basement by hand and impersonated the Artful Dodger when management toured. The BBC described the new penthouse at length without mentioning that it is gross, with a grand piano in a glass box on a terrace like a Richard Clayderman-themed nightmare. A roof was assembled off-site and stuck on as for a doll’s house.

Pavlova: the crumble of summer

Whenever I tell someone that I’m making a pavlova the response is the same: sheer joy. Even the most fervent pudding-denier struggles to resist a slice of pav. It makes sense – fragile, crisp meringue with a tender, mallowy centre, soft waves of cream and some kind of fruit is such a brilliant combination. You can turn whatever you have to hand into a glorious, celebratory pav You don’t often see pavlovas on restaurant menus. There’s a good reason for that. A little like a trifle, part of the joy of a pavlova is that it arrives at the table looking unruffled: fruit perched perkily on clouds of cream atop a mountain of meringue. Then, as soon as the spoon hits it, it’s a mess.