Book review

The family plot

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Sam Leith explores the effect that certain writers’ relatives have had on their published works This book’s sort-of preface is a lecture on aunts and absent mothers in Jane Austen — an odd diversion, given that nowhere else in its pages are aunts, or female writers for that matter, given much of an outing. Colm Tóibín sets out his stall early doors: he’s a formalist. Noting the difficulty critics have had getting to grips with Mansfield Park’s great couch-potato Lady Bertram — is she a goodie or a baddie?

Seeing red

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With each passing year it becomes clearer that the cure for global warming is worse than the disease. While wind power and biofuels devastate ecosystems and economies, temperatures and sea levels rise ever more slowly, just as the greenhouse theory— minus feedbacks — predicts. As James Delingpole acutely observes, the true believers are left with a version of Pascal’s wager embodying a ‘dismally feeble grasp of cost-benefit analysis’: that, however unlikely it is, the potential cost of global warming is so high that anything is justified. Not only does this argument apply to the cure as well as the disease; it also applies to every small risk of something big happening.

More sinned against than sinning

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When I saw the title of this book, then read that it only covered the period 1600-1800 I hoped this would be a riot of comedy, something along the lines of the most wonderful sentence in the English language. This is in Havelock Ellis’s Psychology of Sex and concerns a discovery made by the doctor Realdus Columbus: in 1593, a century after his namesake discovered the New World, this great man claimed to have discovered the clitoris.   But no, there is no comedy, apart from the doings of one Frances, Lady Purbeck, who in 1635, with the son of the Earl of Suffolk, lived happily and ‘adulterously’ in what the author calls ‘the depths of Shropshire’.

A deafening silence

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One morning in 2007, the music critic Nick Coleman woke up to find that he was profoundly deaf in one ear. ‘The silence did not descend silently, however. It made a small sound. You might compare it to the sound of a kitten dropping on to a pillow.’ Within an hour this pffff had developed a pulse, and over the next few days it evolved into an unceasing clamour of clanks, zizzes and whistles. By now Coleman was in hospital and doctors were scratching their heads, as they usually do with tinnitus. I can remember the eyes of my doctor glazing over with boredom when I told him about my own tinnitus. When he heard that I wrote about music, and had been to far too many deafening gigs over the years, his disapproval hardened. A scribble on the pad, and I was on my way. Next!

How do birds fly south?

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Did you know the external ‘shell’ of the ear is the pinna? That a woman’s oestrogen level alters the way she hears the male voice, making it richer, and thus may affect her choice of mate? That Pride and Prejudice was published the year (1813) that Europeans discovered the kiwil? That Leonardo da Vinci ‘was one of the first to comment on the extra-ordinary tongue of the woodpecker’? These are some indicators of the general interest of this book, subtitled ‘What It’s Like to Be a Bird’, which demonstrates humans are much more birdlike than previously thought. The principal reason is that, like them, we rely most on vision and hearing.

Spiritual superhero

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When totting up the positives from the British Raj, people often put the railways first, followed by the Indian Civil Service or the Indian Army. The Empire was won by the sword and held by the sword. It was racially exclusive, its taxes were often predatory, and its punishments savage. But at least it left an institutional legacy that helped to make independent India a startling success against all the odds, after the bloody wound of Partition and despite the excruciating poverty of the second most populous nation on earth. But what the British bequeathed to India was not only a usable future but a usable past. This may sound paradoxical. In the millennia of India’s more or less recorded history, the years of British dominance were an eyeblink.

What makes Romney run?

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It can be odd to read a biography of a major political figure for whom, every day while one reads it, the story continues. Everything we hear in the news now about Mitt Romney seems to have been the case in 2008, when he first ran for president; or 2002, when after leading the Olympic Games in Salt Lake City he returned to Massachusetts and became governor (still the only election he has won); or even 1994, when his political career began with a race for US Senate against Ted Kennedy, to whom he delivered a few scares before losing comfortably, 41-58. Still the question of authenticity — what does Mitt believe?

Our man in Vienna

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Just in case Private Eye smells a rat, let me put my cards on the table. Not once, but twice, I have sent the galley proofs of my novels to William Boyd and, not once, but twice, he has responded with generous ‘blurbs’, which my publishers have gratefully emblazoned on the covers. Believe me, in the exalted literary company Boyd keeps, that kind of generosity of spirit is as rare as hen’s teeth (try asking Sebastian or Salman for a jacket quote and see how far it gets you). So I’m not about to give Boyd a stinking review. Waiting for Sunrise could have been a sub-Da Vinci Code catastrophe, and I would still have felt obliged to describe it as ‘a compelling and heartbreaking masterpiece from one of the great storytellers of the age’.

Bookends: Dickensian byways

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Is there room for yet another book on Dickens? Probably not, but we’ll have it anyway. The Dickens Dictionary (Icon, £9.99) is John Sutherland’s contribution to the great birthday festival — and possibly not his last, for since his retirement from academe, Sutherland has been nearly as industrious as the great man himself. This brief and lively ‘A-Z of England’s Greatest Novelist’ avoids all the obvious thoroughfares, and wanders instead along the byways and backstreets of Dickens’ s vast, sprawling achievement. This will be of no use to anyone who enjoyed the recent TV version of Great Expectations because it cut out all the subplots and extraneous detail, but for the rest of us, it’s a delight.

The making of the modern metropolis

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Why in 1737 did Dr Johnson choose to leave his home in Lichfield in the Midlands and travel to London to make a fresh start as a writer, asks Jerry White in his encyclopaedic portrait of the 18th-century capital. It’s a good question. London was dangerous, it was dirty, you could die of ague in a matter of hours, be robbed, crushed to death by the mob, thrown into jail for unpaid debts, and, no matter whether you were rich, poor or of the middling sort, suffer the scourge of bed bugs through every waking hour. To live comfortably (without domestic cares) you needed to earn enough money to employ at least three manservants and four women, reckons White, which would have set you back some 75 guineas a year.

Ecoutez bien!

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The French make it look easy: small babies sleep through the night, toddlers calmly eat four-course lunches, well-dressed mothers chat on the edge of the playground rather than running around after their children, and they hardly ever shout. Pamela Druckerman left New York for Paris and soon found herself with an English husband and several children. While her daughter was throwing food around a restaurant, French children of the same age would be enjoying the cheese course. Druckerman embarked on a painstaking study of parenting à la française. The result is amusing, helpful and charmingly self-effacing. Druckerman was disappointed when she found out that getting pregnant in Paris does not give you carte blanche to eat cheesecake and bond with strangers.

Winter wonderland | 18 February 2012

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Jack and Mabel move to Alaska to try to separate themselves from a tragedy — the loss of their only baby — that has frozen the core of their relationship. They intend to establish a homestead in the wilderness, but it is 1920 and they are middle-aged, friendless and from ‘back east’ — unprepared and ill-equipped for the backbreaking work and unspeakable loneliness of pioneer life. By the middle of their second winter the climate, isolation and sorrow of their situation seem to have got the better of them; at the opening of The Snow Child we find them at the end of their wits and their resources. During a singular moment’s lightheartedness  after a snowfall the desperate couple builds a snow child beside their house and dresses it in hat and scarf.

If only …

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In the early summer of 1910, a naval officer, bound for the Antarctic, paid a visit to the office of Thomas Marlowe, the editor of the Daily Mail. He had come in search of some badly needed funds for his expedition, but just as he was leaving he paused to ask Marlowe when he thought war with Germany would break out. ‘I can only tell you,’ came the reply, ‘that there is a well-informed belief that Germany will be ready to strike in the summer of 1914 and it is thought that she may do so.’ The officer mulled this over, doing his calculations. ‘The summer of 1914 will suit me very well,’ he said, ‘By that time I shall be entitled to command a battle cruiser of the Invincible class.

Many parts of man

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In some ways, you’ve got to hand it to Craig Raine. Two years ago, after a distinguished career as a poet and all-round man of letters, he published his first novel — and received a series of reviews that, as Woody Allen once put it, read like a Tibetan Book of the Dead. According to virtually all of them, Heartbreak was fragmented, name-dropping, pretentious, and not really a novel anyway: more a loose collection of thoughts, revealing an alarming obsession with sexual organs. But with The Divine Comedy, Raine responds with almost heroic defiance. If you felt like that about the last book, it seems to shout, try this one for size. In Heartbreak, for instance, the fragments were comparatively chunky, even featuring some recognisably extended narrative.

Loves, hates and unfulfilled desires

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Montaigne, who more or less invented the discursive essay, had a method which was highly unmethodical: ‘All arguments are alike fertile to me. I take them upon any trifle . . . Let me begin with that likes me best, for all matters are linked one to another.’ Geoff Dyer could say very much the same thing, and it follows that Zona, though nominally a book about Tarkovsky’s maddening 1979 masterpiece Stalker, goes off in any number of directions. There are other ways of describing a circle than setting out to draw all its tangents, but that is Dyer’s preference. If the style of approach hasn’t changed, then the cultural context certainly has.

Saviours of the sea

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The last time we went out for lobster in Lyme Bay we found a dogfish in the creel.  A type of shark that roamed the seas before dinosaurs existed, a dogfish won’t slice your leg off the way a Great White might, but it is very scratchy to hold onto, thanks to its denticles, the teeth that cover its entire body (Speedo, the swimsuit company, is trying to imitate its streamlining qualities). Ours was about two foot long and snappy, with a wide rictus mouth, and it rubbed us raw thrashing about before we dropped it back in the water. While its 400-million- year-old contemporaries are embedded in the Jurassic cliffs where Mary Anning found ichthyosaurs, dogfish can still be sampled in fish and chip shops as rock salmon, or huss.

Bookends: A network of kidney-nappers

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Raylan Givens, an ace detective in the Raymond Chandler mould, has encountered just about every shakedown artist and palooka in his native East Kentucky. His creator, Elmore Leonard, is a maestro of American noir; Raylan (Weidenfeld, £18.99), his latest thriller, presents a familiar impasto of choppy, street-savvy slang and hip-jive patter that verges on a kind of poetry. Typically, Raylan charts a murky underworld where criminals are in cahoots with politicians, and where murder is a consequence of this corruption. In his curl-toed cowboy boots, Federal Marshal Givens is summoned to investigate a case of trafficking in human body-parts. A man has been found moribund in a bathtub with his kidneys apparently removed by surgery.

Menace, mystery and decadence

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It is fitting that Charles Dickens’s bicentenary coincides with Lawrence Durrell’s centenary, for the two novelists have crucial resemblances: both of them are triumphant in the intensity and power of their writing, but capable of calamitous lapses of taste; both of them are riotous comedians who sometimes plunge into hopeless melodrama. It is true that Einstein’s theory of relativity, which Durrell foisted on the structure of The Alexandria Quartet (reprinted, with a new introduction by Jan Morris) has no more part in Martin Chuzzlewit than the ludicrous sexual obsessions derived from Sade and Henry Miller which sully Durrell’s plot. But Dickens in certain moods was, as Angus Wilson said of Durrell’s novels, ‘floridly vulgar’.