Anti-semitism

Two shibboleths are treated in Thomas Peermohamed Lambert’s audacious debut novel. The first is the University of Oxford; the second is the Israeli-Palestinian controversy. ‘It is the great issue, isn’t it? The great shibboleth.’ Edward, the protagonist, is a state-educated undergraduate whose connection to Islam is a Muslim grandfather from Zanzibar. He finds himself in a world of wealthy public school boys with ‘a social calendar, rugby fixtures and sexual assault hearings’, and girls from sister schools, ‘fully recovered from eating disorders’. This fictitious world is outdated, but Lambert’s satirical touch still hits the mark about ‘the creatures of the written word [the university] specialised in churning out, as if

Whatever happened to universities, beacons of the liberal enlightenment? Well, according to both these authors, they are in deep trouble. Cary Nelson is a distinguished literature academic who for six years was president of the American Association of University Professors, set up in 1915 by John Dewey to advance standards of excellence and academic freedom. His book Hate Speech and Academic Freedom: The Anti-Semitic Assault on Basic Principles, published last year, has now been supplemented by this powerful thesis published by the Jewish Quarterly. Even before the 7 October 2023 Hamas attacks on Israel, he argues, campus anti-Semitism was rife across the West. Following the attacks, 56 per cent of

In The Builder’s Stone, Melanie Phillips reminds us forcefully that we must never forget how 7 October 2023 changed the world. On that day Hamas terrorists from Gaza invaded southern Israel and brutally raped women and butchered or burned alive 1,100 Jewish men, women and children. They also dragged 250 Israelis, including three-year-old twins, grandparents and young women whom they had already attacked, into Gaza as hostages. They filmed it all on their body cameras, and perhaps the most terrifying thing they recorded was the glee with which they carried out these atrocities. Phillips, a British writer who lives in Jerusalem and London, has spent many decades fighting Goliaths. Like

Wagner’s Ring is an ambitious cycle of four operas relating world history from Primal Swirl to End of Days. It took 26 years to write, takes 15 hours to perform, a double-size orchestra to play and a specially built opera house to stage. Michael Downes, the director of music at St Andrews University, places the fons et origo of the epic in Wagner’s frustration as a kapellmeister, when he wrote, unsolicited, to his boss the King of Saxony, proposing a total revamp of the royal music scene. No reply was forthcoming. A second proposal was also blanked. Furious, Wagner flung himself into the Dresden uprising of 1848, financing the manufacture

In September 1940 the Dutch abstract artist Piet Mondrian arrived in New York, a refugee from war and the London Blitz. He was 68, a well known figure in modern art circles in Europe but as yet little appreciated on the other side of the Atlantic. His visas, his travel and his accommodation had been sorted out for him by well-wishers in Britain and he was welcomed in America by Harry Holtzman, an artist some 40 years his junior. On the evening of his arrival, Holtzman entertained the stiff, fastidious, well-dressed Mondrian to dinner in his apartment and introduced him, via the phonograph, to boogie-woogie. He recalled: Mondrian’s response was

‘Nothing escape’s the wolf’s fangs,’ thinks the narrator of Katerina. Through an outlandish sequence of chances and choices, somehow its author did just that. Aharon Appelfeld, a child of assimilated parents, lived in the old Jewish heartland of Bukovina. In 1940, short-lived Soviet occupation gave way to Nazi control. His mother was murdered and his father disappeared. Young Aharon escaped the Czernowitz ghetto and survived as a wild child in the forests, sheltered by a village prostitute, then as the ‘slave’ of a Ukrainian bandit gang. When the Red Army arrived he cooked for them before, via a peril-strewn route through Italy, he migrated to Mandate Palestine. In newborn Israel

The medieval trope that Jews are inherently bloodthirsty has echoed down the ages. Forms of the blood libel have been disseminated ever since the myth emerged in England in the 12th century with claims that Christian children were being ritually murdered by Jews in re-enactments of the crucifixion of Jesus. In the aftermath of 7 October, Labour’s Rochdale by-election candidate Azhar Ali accused Israel of lowering its defences so that it could justify the shedding of innocent Palestinian blood. Gigi Hadid, the American model, shared a video which alleged that Israel is harvesting the organs of Palestinians. The International Criminal Court’s pursuit of arrest warrants for the Israeli Prime Minister

Between 1789 and 1871 Paris went through five kings, two Bonapartist empires, two republics, several revolutions and a Commune. Each had been an attempt to accommodate or neutralise one of two visions of France. The oldest was traditional and conventional; it mourned the ancien régime, and preferred the safety of autocracy over the chaos of democracy and God over science. The younger was progressive and eager for change, building on the ideas of the Enlightenment and the revolutionary ideals of 1789. We are taken through slums, cafés, law courts, theatres, brothels, strikes and demonstrations For Mike Rapport, ‘the friction between change and tradition is perhaps the defining characteristic of the modern