Europe

The head of America’s ‘Department of Government Efficiency’ (Doge) has written to all federal workers in the US asking them to explain in a brief email what they did last week. The exercise is intended to take no more than five minutes but has already lead to howls from many employees. How could anyone expect them to perform such a task? How can one explain the intricacies of supporting transgender opera among the Inuit in such short order? Happily, the new editor is not putting those of us on The Spectator’s payroll through any similar exercise. Nevertheless, something in the global vibe-shift perhaps impels me to mention a little of what I have been doing with my time.

Panic, even hysteria, has swept Europe. Its leaders realize that in their case Trump should be taken literally as well as seriously, and he seems prepared to trade the transatlantic alliance for détente with Russia. Eight decades of good times for the continent might be coming to a dramatic end. Trump demonstrated contempt for Europe during his first term; however, his top aides moderated his antagonism, carrying on policy as normal. While out of office he evidently decided never again. Today he is firmly driving American foreign policy. As ever, Trump’s tactics are often dubious, even counterproductive. However, only shock treatment is likely to cause Europe to take its own defense seriously.

There is a wind of change blowing through the West. It emanates from Washington DC, where President Donald Trump continues to dash off executive orders; more than fifty by the end of last week, the highest number in a president’s first 100 days in four decades. The liberal mainstream media is rattled. The New York Times magazine ran a piece at the weekend in which it described Trump as "the leading light of a spate of illiberal leaders and parties flourishing in democracies around the world." The paper namechecked some of them: Poland, Holland, India, France, Germany, Italy, Brazil, Hungary and Russia. What unites and motivates these "illiberal" parties is their opposition to what the NYT called "liberal creep," which they regard as a civilizational threat.

Cambridge, England Inscribed on the lid of a two-manual harpsichord in Holy Trinity Church at Hildersham in Cambridgeshire is the Latin tag Musica Donum Dei — music is a gift of God. It was a sentiment I could hardly quarrel with as I listened in the little twelfth-century church to a variety of baroque sonatas for violin, recorder, cello and harpsichord. They were expertly performed by the Azur Ensemble, which is comprised of recent graduates of the Royal College of Music. A particular standout was the French harpsichordist Apolline Khou, who has performed widely in Europe and in a solo concert for King Charles III.