More from Books

Thursday

Timothy Mo

Bedford Park, by Bryan Appleyard – review

Nothing in Bryan Appleyard’s Bedford Park betrays the fact that it is his first period novel: not its deft characterisations, its virtuoso dialogue, its dry and economical wit, or its choice of a narrator and material quite outside the author’s own experience. The 19th century is closing and the 20th is opening in a London seething with foreign sedition and the antics of its own wayward men of genius. The enchanted suburb of Bedford Park, a baroque gem created in 1875 as part of an architectural counter-revolution and renewal, houses W.B. Yeats and the novel’s narrator, Calhoun Kidd.  Kidd has fled Chicago and his domineering father. However, he enters London salon- society through the notorious Frank Harris, whom he knew as a hotel hop in America.

Joanna Kavenna

A Place in the Country, by W.G. Sebald – review

Within a few years, and in four books — The Emigrants (1996), The Rings of Saturn (1998), Vertigo (1999) and Austerlitz (2001) — W. G. Sebald achieved a reputation as a major international author. He was tipped for the Nobel, seen to supply heartening proof that ‘greatness in literature is still possible’ (John Banville) and that ‘literary greatness is still possible’ (Susan Sontag). Literary greatness it seemed, at times, was Sebald, and for a while after the publication of The Rings of Saturn, it was hard to find a work of fictive non-fiction that wasn’t riddled with grainy photographs of dubious quality integrated into the text.

Tobias Grey

Tales of Two Cities, by Jonathan Conlin – review

In Jonathan Conlin’s Tales of Two Cities the little acknowledged but hugely significant histoire croisée of two rival metropoles gets a long overdue airing. For, like it or not, London and Paris would be much duller places if neither had deemed fit to discover the other. Oddly, up until now no historian has ever explored this fecund, though sometimes grudging, exchange of ideas and cultural mores. Perhaps it required an outsider such as Conlin (though resident in London, he originates from New York) to martial the necessary objectivity.

William Leith

Consolations of the Forest, by Sylvain Tesson – review

In this book, the French writer Sylvain Tesson spends six months, mostly alone, in a log cabin in Siberia. ‘Cold, silence and solitude are conditions that tomorrow will be more valuable than gold,’ he tells us. So, Tesson grabs these things while they are still relatively cheap. He is, you might say, a modern-day Whitman with the soul of a speculator. He escapes into discomfort, and finds it bracing and thought-provoking. In the end he’s quite sad to leave. But you never get the impression he wants to stay for ever. He packs vodka, cigars and ten boxes of painkillers to deal with his hangovers. He also takes along a mini-library — Tournier, Lawrence, Camus, Sade, Casanova, Mishima. Uh-oh. Required reading for the young man in crisis, you think.

Thursday

John Grimond

This Boy, by Alan Johnson- review

This Boy is no ordinary politician’s memoir, still less a politician’s ordinary memoir. It ends where others might begin: when the author is barely 18, newly married and only just starting work as a postman. The trade unionism that he later took up and the career in politics that led to several cabinet posts in two Labour governments are not even hinted at. Yet however thrilling, their story, when it is told, will be dull by comparison with this. Alan Johnson had a childhood quite unlike most politicians’, and he describes it with a simplicity and power that make it easy to see why he came to be the potential Labour leader most feared by many Conservatives.

Lewis Jones

The Frontman, by Harry Browne – review

According to a story which Harry Browne accepts is surely apocryphal, but which he includes in his book anyway, at a U2 gig in Glasgow the band’s singer silenced the audience and started to clap his hands slowly, whispering as he did so: ‘Every time I clap my hands a child in Africa dies.’ Someone in the audience shouted: ‘Well fuckin’ stop doin’ it then!’ The story is worth repeating because it reflects the way many people, even charitably disposed rock fans, feel about Bono. They think his name — born Paul David Hewson, he appropriated the stage name from a Dublin hearing-aid shop that advertised devices called ‘Bono Vox’ — is ineffably silly, and join Sinead O’Connor in preferring to call him Bozo.

Molly Guinness

Hairstyles Ancient and Present, by Charlotte Fiell – review

The key thing in 18th-century France was to get the hair extremely high. Perching on a small ladder behind his client, a Parisian hairdresser could pull off all sorts of engineering feats. Once the hair was three foot in the air, the coiffeur could add props — ribbons, shepherdesses, feathers, mythical allegories. After a French naval victory in 1778, some of the more patriotic women took to sporting a ship riding on the waves of their hair. Extravagance was frowned upon after the Revolution, but innovation continued; some ladies of fashion took to wearing their hair very short like the hair of those condemned to the guillotine. The style was called ‘à la victime’.

Lloyd Evans

Strictly Ann, by Ann Widdecombe – review

An oddball. And proud to be one. Ann Widdecombe has sailed through life with the same brisk, no-nonsense style that she brings to this highly readable memoir. She attended a school where God was taught ‘as a fact not a belief’. Her parents encouraged her to choose friends on the basis of ‘fun and kindness’ and nothing else. When she entered parliament in 1987 she suspected that her personal eccentricities would disbar her from high office while guaranteeing the loyal affection of the country at large. She embraced this fate cheerfully. Her ‘Doris Karloff’ tag was originated by the Labour MP Paul Flynn and she instantly adopted it as a personal signature.

Matthew Dennison

Mrs Bridge and Mr Bridge, by Evan S. Connell – review

A policeman encountering Mrs Bridge on the home furnishings floor of a Kansas City department store recognises her at once for what she is: ‘a bona-fide country-club matron’. Had she been asked to identify herself, Mrs Bridge would have said the same, after asserting unequivocally that she was first and foremost the wife of Mr Walter Bridge, successful Kansas City lawyer, as entirely constrained by her status as professional spouse as Chaucer’s Wife of Bath or Jan Struther’s Mrs Miniver. Like Mrs Miniver, Mrs Bridge inhabits an interwar world shaped by a promise of certainties — domestic, social, cultural and sexual — which are never wholly realised and remain frustratingly elusive.

Robin Robertson

The Straw Manikin

after Goya The hooded penitents have passed – the shackled Nazarenos holding their long candles – and the altar boys, carrying the trappings of the Passion on their pillows: the hammer and nails, the crown of thorns, the chalice and the pliers; the soldiers’ flail, the soldiers’ dice. What shall we give him? The straw man is sick. We’ll finish him off, and beat him with sticks. The pasos have drifted away: statues of full-size wooden Christs and Virgins painted till they came alive – glass eyes, glass tears, eyelashes of human hair, ivory teeth and nails – on floats borne by fifty men, invisible under curtained palanquins. Poor puppet, I think he wants to die. Poor puppet, he wants to die. The bands have dispersed.

Charlotte Moore

The Spark, by Kristine Barnett – review

Jacob Barnett is a youthful prodigy. His IQ tested off the scale. At nine he began work on an original theory in astrophysics; aged 12 he became a paid academic researcher. He can play complicated musical pieces or learn foreign languages almost instantly and without tuition. As one researcher puts it, ‘Jake’s working memory is a piece of paper the size of a football field.’ Jacob’s mother, Kristine, comes from an Amish family — ‘not horse-and-buggy Amish, but city Amish’; her faith has directed her along the path she has taken with her extraordinary son. (It would be interesting to know the religious views of the young quantum physicist, but we’re not told.

James Mcconnachie

Alexandria, by Peter Stothard – review

This subtle, mournful book is many things. It is a diary of three weeks spent, during the tense winter before the outburst of the Arab Spring, in off-season Alexandria, where nothing comes ‘except birds to the lake, most of them when they have lost their way’. It is also a series of fragments rescued from Peter Stothard’s rich life as Essex schoolboy, Oxford student, Times editor and lifelong classicist. Another part, but only a small one, is a history of Cleopatra — and the story of Stothard’s seven previous, failed attempts to write about her. Classical scholars, however, will recognise this book for what it really is.

Patrick Skene-Catling

The Spoken Word, Irish Poets and Writers – audio book

Here is further evidence that it is disillusioning, more often than not, to encounter close up any artist long admired at a distance. This generalisation applies to actors, musicians, painters and writers of all shapes and sizes, male and female. Coiffure and couture are rarely sufficiently haute; on the other hand, bohemian grooming and costumes are often rather scruffy. In advanced cases, there are dangers of rheumy eyes and bad breath. The Spoken Word, the British Library’s admirable series of compact discs of historic literary recordings of lectures, readings and discussions from the archives of the BBC, audibly reduces icons to curios on an ordinary human scale.

Owen Bennett-Jones

To Move the World, by Jeffrey Sachs – review

Jeffrey Sachs is the world’s best-connected development economist. An academic with highly developed communication skills, he has always managed to secure access to policy makers and to offer them advice. His record is controversial. Back in the 1990s he worked on Russia’s transition from a command to a capitalist economy. He advocated the approach that Yeltsin adopted — shock therapy. The result was pensioners on the streets selling off furniture, jewellery and even their clothes to raise cash for food. Whilst there were many other factors at play, it now seems obvious that China’s transition to capitalism was better handled. China didn’t take Sachs’s advice.

Oliver Rackham

The Man Who Plants Trees, by Jim Robbins – review

Remember the ‘Plant a Tree in ’73’ campaign? Forty years on, has anyone inquired into what happened to all those trees and how many are still alive? Since then, planting amenity trees has grown into an industry, and turns out to have its down sides. One is that little trees are imported in industrial quantities from other countries, as if they were cars or tins of paint, and inevitably bring with them foreign pests and diseases which destroy established trees. Globalisation of tree diseases has overtaken climate change and too many deer to become the number one threat to the world’s trees and forests. This book, by a scientific journalist, is a miscellany of what people, especially Americans, think about trees and the virtues that they ascribe to them.

Declan Ryan

Trinity Hospital

There was a gunboat on the river when you led me to your new favourite spot: a home for retired sailors; squat, white, stuccoed, with a golden bell. It could have been a lost Greek chapel, a monument to light, designed to remind the old boys of their leave on Ionic shores among tobacco and fruit trees. Just after rain, sunlight stood between us like a whitewashed wall. You were lit skin, gilt and honey, dressed in olive. No paper trail connects us. No procedure of law would tell you where to stand in your sleek black mourning dress if I die but as you turned towards me the golden bell rang to recognise that I, being of sound mind, will be delivered through orange groves to you, the white church of my days.

Andrew Taylor

Crime fiction – review

‘We no longer believe in God but hope nevertheless for miracles,’ remarks Frederic Mordaunt, one of the characters of John Harwood’s third novel, The Asylum (Cape, £14.99). He’s being over-optimistic, as Georgina Ferrers, the niece of a London bookseller, soon discovers when she wakes in a strange bed to be told that her name is in fact Lucy Ashton and that the year is 1882.  It appears that she has admitted herself as a voluntary patient at Tregannon House, a Cornish mental asylum run by the charismatic Dr Straker. Tregannon, the ancestral home of the Mordaunt family, is tainted with madness; and the young heir, Frederic, assists Dr Straker in his selfless philanthropic work.

Thursday

Marcus Berkmann

The Wit and Wisdom of Boris Johnson, edited by Harry Mount – review

It’s just a guess, but I suspect that the mere sight of this book would make David Cameron gnash his tiny, perfect dolphin teeth until his gums began to bleed. What on earth can he do about Boris Johnson? What can any of us do? There’s something inexorable — irresistible even — about his progress,  and this slender volume of drolleries represents another small step on the increasingly well-lit path to ultimate power: what may come to be known as the ‘Boris Years,’ or even the ‘Boris Hegemony’. This book thus becomes more than merely amusing and entertaining (it’s both, needless to say); it becomes potentially significant. Future generations may ask themselves, who was this Boris Johnson exactly?

Duncan Fallowell

The Garden of Eros, by John Calder – review

John Calder is Britain’s most distinguished living publisher, and at the age of 86 he’s still at it. He first set up in business in 1949 and went on to publish 18 Nobel Prize winners, as well as classics and works on music. Why doesn’t he received a knighthood? Perhaps because his distinction lies chiefly in his role as champion of the avant garde. At a time when the heights of literary achievement are said to be the kitsch historical novels of Hilary Mantel, it is salutary to be reminded of a period not long ago when literature was a vital part of the contemporary world, replete with glittering transgressive texts which explored areas previously forbidden or unknown.

Stoker Devonshire

Henry Cecil, by Brough Scott – review

This is by far the best book on racing I have ever read. It combines a truly extraordinary story — one that no novelist would have dared to submit — with brilliant writing by an author who is almost as knowledgeable about horses and the turf as his subject. Sir Henry Cecil had a privileged upbringing and a not very successful academic career; by the age of 20 he still had no idea what he wanted to do with his life and it seems that it was nurture — his stepfather was a flat-race trainer— rather than nature that led him to horses. In view of his superhuman dedication to the career which chose him one must assume that he would have succeeded in anything he decided to do. His career as a trainer does indeed mark him out as a genius.