More from Books

The deeper secrets of Britain’s submarines

The Silent Deep is a compelling and fascinating exposé of a service that for too long has had to remain in the shadows. Peter Hennessy and James Jinks are to be congratulated on producing what must be the definitive work on the Royal Naval Submarine Service from 1945 to the present day. In his inimitable way, Hennessy has gained unprecedented access all the way from able seaman to Prime Minister and been made privy to details that until recently were shrouded in secrecy.

The best new cook books include recipes for Toad-in-the-hole, braised Pilot Whale and seal soup

Timing is everything, and few cookbooks come at an apter moment than Mamushka (Mitchell Beazley, £25) by the excellently named Ukrainian-born Olia Hercules. It is too easy to pun on her strengths, but in these flamboyant recipes and stories, Hercules lifts up not just the cooking of her country but that of others in the former Eastern Bloc out of grey culinary oblivion. ‘Mamushka’ is an invented word, used by Hercules to describe the strong women in her life; her mother, aunts and cousins, not all Ukrainian but with roots in Bessarabia, Siberia, Armenia and Uzbekistan. All were great cooks, and Hercules says she includes very few of her own recipes. This food is as special as Hercules promises — and she writes beautifully about it, too.

He knew he was right

A highlight of this year’s Dublin Theatre Festival was the Rough Magic Theatre Company’s production of The Train, a musical by Arthur Riordan and Bill Whelan. Political theatre at its wittiest and craziest, it told the story of the fledgling Irish Women’s Liberation Movement’s publicised trip in 1971 to Belfast to buy contraceptives, ostentatiously importing these banned Satanic devices back into the Republic, where the law obeyed the writ of the Catholic church. Watching it, one was reminded of the sheer extent of theocracy in Éamon de Valera’s Ireland (he remained president till 1973, having been Taoiseach for most of the period from 1932 to 1959), and the long journey from those days to this year’s equal marriage referendum.

Sic transit: the buildings we treasure most are often the ones we’ve never seen

Here are two books which have almost nothing in common: form, function, source material, methodology, all utterly different. The surprise is that I should be surprised. Loss and rediscovery is at the core of what writers mostly deal with. We all experience loss (lovers, spectacles, innocence, our very existences) and that universality allows each of us to shape it as we will. James Crawford’s approach is structurally simple, but his narrative is beguiling. He considers the life-span of 20 buildings — including the Tower of Babel (5000 BC to 323 BC), the Library of Alexandria (300 BC to AD 650), the Berlin Wall (1961 to 1989) and, provocatively, the web ‘settlement’ of Geocities, born in 1994 and deliberately and utterly obliterated by its owners in 2009.

An elegy for Concorde, the most beautiful airliner of all time, that died aged 27

The Concorde experience, a fleeting indulgence in luxurious grandiosity, began each day with circumvention of the hugger-mugger of the hoi polloi at Heathrow. In the tranquillity of the exclusive Concorde departure lounge, insulated against the vulgar cacophony of the rest of the terminal building, elite passengers, only 100 at a time, while awaiting the call to the aircraft, were able to sip gratis buck’s fizz and make gratis unlimited international telephone calls. On my three Concorde trips, one from London to New York and two to Washington, I was impressed by the rich variety and subliminal sameness of my travelling companions, the modish accoutrements of haute couture and the blasé cool of genuine or simulated cosmopolitanism.

Jonathan Coe’s raucous social satire smoulders with anger behind the fun

When Rachel, one of the unreliable narrators of Number 11, wants to ‘go back to the very beginning’, she starts with the death of Dr David Kelly, the former United Nations weapons inspector, discovered dead in woodland on Harrowdown Hill in Oxfordshire on 18 July 2003, shortly after casting doubt on the government dossier that claimed Saddam Hussein possessed weapons of mass destruction. Rachel was ten at the time, staying with her grandparents and school friend Alison in the nearby village of Beverley. For the next ten years — during which she gets into Oxford from a state school, graduates with a 2:1 in English, and becomes a private tutor for the offspring of the superrich — Rachel thinks about Kelly’s death often.

A soothing Negroni for la dolce vita

The first draft of the famous story was called ‘A Martini as Big as the Ritz’. That’s not true, but F. Scott Fitzgerald was certainly at work in the First Cocktail Age. The Algonquin circle also floated into literary history on a choppy ocean of toxically high-ABV mixed drinks. The quotes and jokes are legend: Robert Benchley says to Ginger Rogers in a 1942 Billy Wilder film ‘Why don’t you get out of that wet coat and into a dry martini?’ (The line is also attributed to Mae West.) And ours is the Second Cocktail Age. While we wait for its literary heroes, three appreciative books are here to be enjoyed in immoderation. My generation prefers wine. Sometimes I feel we actually discovered Chardonnay, but a generation younger has rediscovered the cocktail.

John Paul Stapp: the fastest man on earth, who saved millions

There’s a moment in Craig Ryan’s spectacular biography of John Paul Stapp — the maverick American Air Force doctor who, in the 1950s, became the fastest man on earth — where the reader falls inexorably in love with Ryan’s subject. It’s on page 17, when Stapp encounters what his Baptist missionary father had taught his sons to prepare for: ‘The epiphany that would illuminate the nature of their calling.’ Christmas is three days gone, and Stapp’s two-year-old cousin, momentarily alone in front of the fireplace, throws part of the Sunday newspaper over the grate. It ignites, catching the boy’s cotton pyjamas, setting them ablaze. Someone plunges the child into a tub of icy water outside, but the burns are horrific.

Life in the chain gang

In 2004, French police officers searching the home of the professional cyclist David Millar found some syringes and empty phials hidden in a hollowed-out book. Millar confessed that he had been using the substance EPO to boost his red-blood-cell count. He was banned from the sport for two years, and returned to cycling a reformed man, becoming a prominent and vocal critic of doping in the professional peloton. The rise and fall and rise of David Millar’s cycling career formed the dramatic backdrop to his first memoir, Riding Through the Dark (2011). His second book, The Racer, is a more elegiac affair. It follows Millar through the twilight of his career, recording his frustration as he loses his position as the elder statesman of British cycling.

Patti Smith grows old too gracefully

‘Jesus died for somebody’s sins/ but not mine’: the opening lines of Patti Smith’s 1975 debut album, Horses, find a young woman marking her territory with fierce conviction. Raised as a Jehovah’s Witness, she was (or was treated as) an invalid for much of her New Jersey childhood. The restrictions were physical and spiritual. But in her twenties the androgenous daughter of blue-collar workers used her punk poetry to reclaim the freedoms North American culture had stolen from her. And while she relieved Jesus of responsibility for her sins, she certainly didn’t count her compulsion to write and lust and holler among them.

Charles Williams: sadist or Rosicrucian saint?

Charles Williams was a bad writer, but a very interesting one. Most famous bad writers have to settle, like Sidney Sheldon, for the millions and the made-for-TV adaptations and the trophy wife. Williams had a following, and in the 1930s and 1940s some highly respected literary figures declared him to be a genius. But why did Williams appeal so strongly to a particular age — and what, if anything, can he offer us now? He belonged to that wonderful generation liberated by the 19th-century spread of education. He came from a family with no resources, but a terrible, pathetic yearning for literature. His father, Walter, managed to scrape into print, writing moralising short stories and sentimental poems for the cheapest magazines.

There’s nothing wrong with plugging a friend’s book

The advantage of reviewing books by a friend is that you can invite him out for a walk across the South Downs and menace him with blunt questions. Books pages editors call this sort of thing ‘backscratching’ and ‘logrolling’, as if, instead of engaging in proper criticism, you and your mate had spent the time on a sauna holiday in Sweden. But cronyism lets you discover new things about writing, literature and yourself that are inaccessible to the ordinary critic. Cornelius Medvei, whose father lives in Sussex, a few fields away from me, has published three novels. They are fables that are witty, wry and thin (in terms of pages) and nobody except Susan Hill and I reads them.

Too much gush

The cover of Edna O’Brien’s 17th novel sports a handsome quote from Philip Roth: ‘The great Edna O’Brien has written her masterpiece.’ Late Roth and late O’Brien have something in common. In The Plot Against America (2004), Roth provided an alternative history of the 20th century: what if Roosevelt had been defeated by the anti-Semitic Charles Lindbergh? O’Brien, whose stellar career began 55 years ago with her wonderful debut, The Country Girls (1960), is increasingly interested in exploring real-life events. Down by the River (1997) fictionalised the true story of a 14-year-old rape victim, while In the Forest (2002) was inspired by the Cregg Wood murders of 1994.

The Wolves of Memory

Loping through thick snow, fur matted with ice, they have lost the trace that led them long ago from a legendary tale to this blank page of survival. Their warm breath freezes at the touch of air as they huddle here with sharp, bewildered faces grown solemnly pale and howl and howl and howl.

Warning: this book only contains strong language

Dan Marshall, the author of this memoir, loves to swear. ‘It’s very difficult for me to write a sentence without using a bad word,’ he tells us. ‘That last sentence, for instance, was fucking impossible for me to write.’ Dan is young, rich and American. One day, in his twenties, he and his girlfriend, Abby, were on holiday, lying poolside at the Marriott resort in Desert Springs, California. He is in a world of material and sexual abundance. ‘My siblings and I were lucky, living with the proverbial silver spoon jammed firmly up our asses,’ he tells us. He has lots of sex. So does his gay brother Greg. His mother’s cancer was ‘under control’.

When escape to the sun — or even to Devon — goes horribly wrong

A character in Sophie Hannah’s A Game for All the Family (Hodder, £14.99, pp. 432) presents a theory: ‘Mysteries are the best kind of stories because you only get the truth at the very end, when you’re absolutely desperate.’ This makes us realise just how scarce truth is. In books, as in life. It’s an idea to keep in mind as we follow former television producer Justine on her quest to start a new, quieter life in Devon. This dream proves elusive, as her teenage daughter makes a new friend at school, a friend who the teachers insist doesn’t actually exist. Is the friend real, or just a product of a girl’s imagination?

Frank’s world

‘He never went away. All those other things that we thought were here to stay, they did go away. But he never did.’ Who was Bob Dylan talking about earlier this year? Woody Guthrie? Elvis Presley? Or maybe, halfway through the sixth decade of his own career, himself? But no. The man in question was Frank Sinatra — the inspiration behind Dylan’s latest album, Shadows in the Night. That record is a collection of covers —from the great American songbook — ‘Autumn Leaves’, ‘The Night We Called it a Day’, ‘What’ll I Do’. We call such songs standards, as if they have been set, if not in stone, then at least on the stave, forever. But that isn’t so.

Designing the swimming car, the Doodlebug and the Panzer tank was all in a day’s work for Ferdinand Porsche

The aggressive character of the famous German sports car, in a sort of sympathetic magic, often transfers itself to owner-drivers. The joke goes: ‘When you get into a Porsche, you feel you want to invade Poland.’ In this fascinating and meticulously researched book, Karl Ludvigsen investigates the genetic spiral that gave Porsche cars the character of weaponry. All German manufacturers were forced to supply the Third Reich. The BMW-sponsored London Olympics 2012 were held on a site devastated by Luftwaffe planes powered by its engines.