More from Books

Thursday

Andy Miller

The lives of the artists — and other mysteries

Benjamin Wood’s first novel, The Bellwether Revivals, was published in 2012, picked up good reviews, was shortlisted for the Costa First Novel Award and the Commonwealth Book Prize and has become a bestseller in France — a promising start to a literary career, in other words. Wood’s new novel The Ecliptic is both an attempt to consolidate the success of his debut and also a meditation, among other things, on how to sustain such a career over decades while producing original and important art. On an island off the coast of Istanbul lies Portmantle, a remote community for painters, writers and musicians.

Kate Webb

The lonely struggle of Jude the obscure

Just over a century after Virginia Woolf declared that ‘on or about December 1910 human character changed’, the American novelist Hanya Yanagihara has announced a new shift in consciousness. Jude, the lead character in A Little Life, is known to his friends as the Postman, ‘post-sexual, post-racial, post-identity, post-past’. The obscurity of his origins (left at birth in a rubbish bin) and a childhood of horrific abuse mean he is determined to draw a veil over his past, making him the most mysterious of the four male New York friends at the heart of Yanagihara’s story. However, his condition is only an extreme — and negative — version of the ambiguity that characterises all the people around him, among whom identity is continually in flux.

Mark Ford

A Broken Appointment

I opened the envelope: it contained a ticket in my name from London St Pancras to Paris Nord, departing at 9.17 on the 12th of the 12th, a Friday; coach 3 seat 27, non-smoking; and another for returning the following day, at 13 minutes past two, in the afternoon – dans l’après- midi; and a postcard of Pierre Bonnard’s Le bol de lait, and there was just one word on the back — ‘Come’, followed by an ‘x’. Whenever I pour a dish of milk, or dwell on the loop in the ‘C’ of her flowing unfamiliar hand, I can’t help thinking — ‘Oh what a poem — what a poem Thomas Hardy might have written about this!

Thursday

Adam Nicolson

Poetic injustice

‘Why do another translation of Homer?’ Richmond Lattimore asked in the foreword to his own great translation of the Iliad first published in 1951. It was a doubt he was grateful his friends and family had refrained from expressing in the long labour of translating the Greek. But he had a response for any who dared: it was ‘a question which has no answer for those who do not know the answer already’. Homer exists to be translated, largely for what Peter Green has called ‘its uncanny universalist insight into the wellsprings of human nature’. Homer is one of the sources of truth; it demands to be known.

Matthew Walther

Saying nothing, very well

In June 2009, the good people of South Carolina lost Mark Sanford, their governor. Per his instructions, his staff told the press that he was ‘hiking the Appalachian trail’. When he turned up six days later at an airport in Atlanta, Georgia, he said that he had scratched the hike in favour of something more ‘exotic’. When it became clear that ‘exotic’ meant visiting his 43-year-old polyglot divorcée mistress in Argentina, things got bad. ‘I will be able to die knowing that I found my soulmate,’ he told the Associated Press, sobbing. Barton Swaim has written a memoir of his three years working as a speechwriter for Sanford, who is now a congressman.

John Sutherland

The cavalier Michael

Michael Moorcock has put his name to more books, pamphlets and fanzines than, probably, even Michael Moorcock can count, but nothing ‘major’ over the past ten years. He’s now 75. But not, as this eruption witnesses, extinct. A cult has formed around him — Moorcockians who can discourse knowledgeably on the second aether and the ‘weirdness’ of Elric of Melniboné. Inexhaustibly inventive, Moorcock proudly calls himself a ‘bad writer with big ideas’. He is interested in ‘New Worlds’ (the name of the science fiction journal he edited which injected 1960s postmodernism into the genre, banishing little green men and spaceships); ‘Other Worlds’ (e.g.

Roy Kelly

Dreams

Early August and not yet half past eight, but all along the dual carriageway more than half the cars have headlights showing in the air from which daylight moves away — the summer, not the hour, being late — the shapely boxes streaming and glowing under the sky that was brighter two weeks ago, and two weeks before at this time, the season turning at the speed it must as the cars race or dawdle, and dark leaks through the porous heavens, and the stars climb to visibility in blue August early dusk, the beautiful headlight beams illuminating what leaves. Children. Dreams.

Michela Wrong

Our man in Africa

This novel comes with two mysteries attached, one substantial, the other superficial. The big mystery is the author’s identity. Gender-neutral, nominally Anglo-Saxon, almost provocatively bland, ‘C.B. George’ screams ‘pseudonym’ to any reader. A call to the literary agent confirms the suspicion: the author is keeping his identity secret ‘for personal reasons’, which may or may not be connected to Zimbabwe’s political situation. The second puzzle is why said author chose The Death of Rex Nhongo as his title. The preface explains that ‘Rex Nhongo’ was the nom de guerre of Solomon Mujuru, the Zimbabwean general whose body was discovered lying in the charred debris of a farmhouse he had seized from a white farmer in 2011.

Steven Poole

Was Keats right after all?

Mediterranean crockery has a lot to answer for. It famously spoke thus to John Keats: ‘Beauty is truth, truth beauty, — that is all/Ye know on earth, and all ye need to know.’ Well, even if true, it’s obviously not all one needs to know. But then Keats was never one for irritable reaching after fact and reason. Any attempt at ‘cold philosophy’ would, as he wrote in another poem, ‘unweave a rainbow’. It would also, the poet groaned, ‘empty the haunted air, and gnomed mine’. Gnomed mine? Really? The Nobel-winning physicist Frank Wilczek, though, is determined to put the gnomes back into the mines. His eccentrically brilliant book is a ‘meditation’ on the possibility that beauty really is truth.

Rod Liddle

Bloated Biased Correct

The BBC was created out of the ether in 1922. Its first director general, Lord Reith, inhabited a cupboard some six feet in length and presided over a staff of four people, operating out of one long room. Reith confessed that he did not actually know what broadcasting was — an affliction which you might say, a little cruelly, has been shared by one or two of his successors over the years. The parsimonious approach was not to last, of course. Ten years on and the corporation was ensconced in the Stalinist art-deco edifice of Broadcasting House; today the BBC employs more than 20,000 people — some of them actually involved in making programmes — and struggles by on a budget of £5.1 billion.

Julie Burchill

A walk on the mild side

Novels set in the music business (from blockbuster to coming-of-age) are few and far between — far less than in the film industry, say. Is this because writers are scared of looking square, Daddy-O, being as a breed not the most ‘street’ of types, whereas pop stars have traditionally been quite rough, ready and proletarian? Mind you, these days so many chart musicians are privately educated bedwetters that, shamefully, this shouldn’t be a problem any longer. I look forward eagerly to the roman à clef which reveals the backstage Babylon of Mumford & Sons. It certainly couldn’t be more boring than this stinker.

Thursday

Suzi Feay

Angry, funny, timely

It’s not Paul Murray’s settings or themes — decadent aristocrats, clerical sex abuse, the financial crisis — that mark him out as original, it’s his handling: the wild plotting, the witty dialogue and the eccentricity of his characters. The follow-up to his widely admired second novel Skippy Dies swaps the adolescent funk of a Catholic boys’ boarding school for the testosterone whiff of a fictional investment bank in Dublin. The Bank of Torabundo rode out the demise of the Celtic Tiger thanks to its cautious and effective CEO, but he has now been replaced by a flamboyant financial genius whose last bank collapsed in tatters.

Sara Wheeler

Lost horizon

Sikkim was a Himalayan kingdom a third of the size of Wales squeezed between China, India, Nepal and Bhutan. I was there once in April, when the sky was cornflower blue. When Britain withdrew from India the last ‘Chogyal’, or king, battled for his country’s independence, but Mrs Ghandi won the war, and Sikkim is an Indian state now. It’s a sad story, as Andrew Duff’s subtitle suggests, but one representative of 20th-century geopolitics. This dense book — Duff’s first — places Chogyal Thondup Namgyal at the centre of the story and focuses exclusively on the period from the 1950s to the 1970s.

Melanie McDonagh

Children’s summer reading

It’s the 150th anniversary of Alice in Wonderland — cue an explosion of editions of the book, a new biography of Lewis Carroll, make-and-do books, jigsaw puzzles and general Alice overload. In a way, it’s all dandy. Alice is part of our collective consciousness, even though for modern children it’s chiefly through the medium of assorted films. The Lewis Carroll industry hasn’t, however, even tried to rehabilitate his two later Sylvie and Bruno works, now unreadable thanks to the late-Victorian fashion for babytalk. Trouble is, the cult of Wonderland has rather blinded us to the fact that Alice unexpurgated is actually quite hard for contemporary children.

Christopher Fletcher

Fancy dress parade

For his 75th birthday, Sir Roy Strong gave himself a personal trainer. For his 80th, he has commissioned a book of portraits of himself by the photographer John Swannell. The fruits of all that training — much of it undertaken on a racing tricycle around the lanes of Herefordshire — can be seen in the six-pack he sports in one of the luscious, technically excellent images. Oh, hold on a mo, it’s the costume of a Roman Emperor, Photoshopped to turn Roy into classical sculpture for his latest garden temple! This magnificently potty book takes us through 30 versions of Roy done after celebrated portraits, or in the manner of various schools. He is swoon-worthy as a Victorian Sir Galahad, masterful as Isambard Kingdom Brunel and bloody terrifying as Rasputin.

Tom Miller

The crackdown that backfired

In October 2013, a jeep ploughed through a crowd of pedestrians on the edge of Tiananmen Square, crashed and burst into flames, killing five people. The authorities identified the driver as Uighur, a member of an Islamic ethnic minority hailing from China’s northwest region of Xinjiang. Six months later, eight knife-wielding Uighurs rampaged through a packed railway station in Kunming in southwest China, killing 29 people and wounding more than 140 others — an attack described by the national media as ‘China’s 9/11’. Beijing blamed both attacks on radical Islamist organisations pursuing what it calls the ‘three evils’: terrorism, separatism and religious extremism.

Tim Martin

LA runs riot

Ryan Gattis’s novel All Involved is set in South Central Los Angeles in 1992, during the riots that began after four white police officers were acquitted of beating the black taxi-driver Rodney King. The inadvertent coup that the book’s publishers have scored by bringing it out in the wake of the Baltimore and Ferguson riots only underlines how far we haven’t come since then: some lines from this buzzing thriller might still be quotes from yesterday’s news stories, such as the impassioned complaint of one character against the police: ‘If you’re brown or black, you’re worth nothing. Killing you is like taking out the trash. That’s how they think.

Alex Clark

Is no one having fun?

Who’d be young? Not 25-year-old Tamsin, if her behaviour is anything to go by. A classical pianist who’s never quite going to hit the heights, she devotes herself to playing for the residents of an old people’s home. She’s also acquired a boyfriend, Callum, a teacher several years her senior, for whom, when Christmas comes round, she buys an electric vegetable slicer that he’s had his eye on. The couple holiday in a run-down B&B in Ilfracombe. They are not exactly living la vida loca. But Tamsin is also suffering from a kind of arrested development — still occupying her childhood bedroom in Holland Park, where she keeps a watchful eye over her mother, Roz, since Tamsin’s father, a celebrated conductor, quit the family home for another woman.

Mark Cocker

The soul takes flight

Last month, at Edinburgh School of Art, I was interested to come across a student who’d chosen Marlowe’s Dr Faustus as her end-of-year degree project. In the wonderful stage costume she’d designed for its central figure were three gloriously embroidered butterflies fluttering around his hat. Bats, yes, moths, maybe, but what exactly was the significance of butterflies to a man bound for subterranean hell? The answer is in Rainbow Dust, Peter Marren’s superbly distilled statement on our national obsession with butterflies. It turns out that western civilisation has projected a stream of ideas and meanings on to these creatures that have made them fertile artistic territory for centuries.

Michael Bywater

Caves of ice

Summertime, and the living is... variable. Depends who you ask. People come to mind, of course: one in hospital, waiting for an MRI scan; another just come out of hospital having had two little frosted ova thawed out and implanted, so with a bit of luck she’ll have a baby at last. One old chap, 90-ish, with several basal cell carcinomas on his pate from his young days as an army officer in the Palestine sun, is going for a painless zap with a cryoprobe: lesions gone and a free pathology section into the bargain. And over at Cern the Large Hadron Collider has sent a new pentaquark lately to the firmament. The mind, generally, lags. It needs a book to provoke it into fresh life, into noticing old things anew.