The Who’s farewell tour marks the end of an era
The band never lost sight of what first made them great, and what made rock ’n’ roll great
The band never lost sight of what first made them great, and what made rock ’n’ roll great
It is a grand, multifaceted masterpiece of badness
The Life of a Showgirl is conceptually mature and compelling
It’s a strange time, McEwen reflects, to be an artist
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
Martin Suarez’s storytelling is precise, even surgical. But it’s the content that burrows under the skin
Christopher Shaw Myers outlines his uncle’s story with lesser-known information and anecdotes
Dominion offers no answers, only the clear recognition of how power corrodes those bound to it
The general impression in 107 Days is one of listlessness, torpor, a failure to really grasp the stakes of what’s happening