The greater game | The Spectator

Gavin Newsom, the everyman elitist

Young Man in a Hurry is California Governor Gavin Newsom’s attempt to explain himself to a divided country that may soon find him vying for its presidency. He alternates between candor and wile in answering the book’s central question: who is Gavin Newsom? In these pages he constructs a striking hero’s journey, illuminating an insular world of inherited wealth, hereditary political power and ideological contradiction that few Americans will have been exposed to. But he also casts himself as a struggling underdog, a folksy type whose patrician image belies a life of perseverance and a unique set of emotional and psychological deprivations.

Clare McHugh

Love Story’s counterfeit Kennedys

Last June, Jack Schlossberg, the Kennedy nepo baby currently running for the open seat in New York’s 12th Congressional District, called out the television mini-series, Love Story: John F. Kennedy Jr & Carolyn Bessette. Executive producer Ryan Murphy was, Schlossberg declared, exploiting this couple’s courtship, marriage and death, and “profiting off of it in a grotesque way.” On a key point, Jack can rest easy. Love Story, now airing on FX/Hulu, treats his uncle John F. Kennedy Jr. reverently. Elizabeth Beller, Bessette’s biographer, praises the show for “honoring the legacy of everyone involved.” If JFK Jr.

Tim Butcher

The curse of gold for the Asante nation

As a metal, gold never corrodes. As a possession, the reverse is too often true. It has the power to warp morality, destroy decency and tarnish humanity. This duality – entrancing beauty alongside corrupting potency – lies at the heart of this magnificent book that engagingly blends African history with a current relevance that reaches far beyond the continent. The history is laid out with clarity and conviction. The Asante nation (Barnaby Phillips wisely settles on this spelling over a variety of homophones including Ashante, Ashanti and Achantis) is a component part of the modern west African nation of Ghana. Much like the Zulus in South Africa, their foundational history dates back only a few hundred years and is underscored by military prowess bordering on barbarism.

Ian Thomson

The Venice Ghetto was a landmark in the history of Jewish persecution

The word "ghetto" is said to derive from the Venetian dialect term for "foundry": ghèto. In the early 16th century, on the orders of the Doge, Jews were herded en masse from the center of Venice to the Ghetto Nuovo, or New Foundry district, where metal workers had long cast cannon for the Venetian fleet. The Ghetto – the first of its kind on the Italian peninsula and anywhere in the world – became a model for segregated Jewish quarters throughout Europe. It was soon blighted by poverty, malnutrition and disease. The Ghetto Nuovo was a landmark in the history of Jewish persecution. In this fascinating history of the New Foundry and its inhabitants, Alexander Lee conjures the Adriatic seaport in all its strange glory.

Anne de Courcy

Streamlined chic or lacy froth: royal style wars of the 1930s

The semiotics of clothes, especially royal ones, can be fascinating, sending out powerful messages. Think of the jewel-studded, pearl-strewn portraits of Queen Elizabeth I or Princess Diana’s revenge-chic black dress. As a fashion queen herself (Justine Picardie was editor-in-chief of Harper’s Bazaar for more than seven years and has an acclaimed book on Chanel under her belt), no one is better placed to unpick the subtleties of royal public couture. So, judging by this book’s title, I was expecting a shrewd analysis of diplomacy dressing, with perhaps some behind-the-scenes vignettes. What happens if a royal lady unexpectedly gets a run in her tights at a crucial moment? Is there a color code if three of them are out together? How do hats stay on in a gale?

Richard Bratby

‘I didn’t expect to love Wagner’

By the end of Siegfried, the third opera in Wagner’s Der Ring des Nibelungen, the king of the gods is in freefall. In the first opera, Das Rheingold, Wotan is a confident protagonist; a world-builder. In Die Walküre, we’ve seen him discover the limits of power, and felt his heart break. Now, in Siegfried, he’s a haunted figure; the solitary Wanderer, searching the world for answers that his all-powerful wisdom can no longer supply. He confronts the young hero Siegfried, and his law-giving spear shatters on the sword of a reckless, clueless boy. "All he can say is, 'Go, then. I can’t hold you any more,'" says Christopher Maltman, who has sung the role of Wotan throughout the Royal Opera’s current Ring cycle, and brings it to completion when Siegfried opens later this month.

Hermione Eyre

Marvelous but repetitious: Gwen John – Strange Beauties reviewed

A pilgrimage to Cardiff Central, sorry, Caerdydd Canolog (according to the signage in the station, which also had my return train’s destination ‘Lundain Padd’ton’) to see the new Gwen John show. She is being lauded as Wales’s greatest artist, but she left Tenby at 18 in 1895, and never went back. After studying at the Slade she moved to Paris, fell in love with Rodin, and adopted the Catholic faith.

Deborah Ross

Fascinating: EPiC – Elvis Presley in Concert reviewed

EPiC: Elvis Presley In Concert is a concert documentary that grew out of the 65 boxes of unseen Las Vegas performances discovered by Baz Luhrmann while researching his 2022 biopic Elvis. As I have little interest in "the King" I approached with a heavy heart. But now? I’m abundantly interested. In fact, I’ve shifted from indifference to thinking that if I could see one musical artist live at their peak it would have to be him. He’s that electrifying. A warning, however: it’s a 12A. "Elvis picks up a bra thrown on to the stage during a concert performance and puts it on his head," notes the BBFC. I wish I’d had the chance to throw a bra that he’d put on his head. Hopefully, it would have been one of my nicer ones that day. They are of varying quality.

Lloyd Evans

Fans of George Eliot are in for a shock: Bird Grove at Hampstead Theater reviewed

Bird Grove by Alexi Kaye Campbell is a comedy of manners set in 1841. A portly suitor, Horace, arrives at a respectable house intending to propose to a rebellious and brilliant 22-year-old, Mary Ann. Horace’s father is dying and he must find a bride before nightfall or lose a substantial legacy. This ludicrous but very human situation starts the play. It’s instantly gripping. Mary Ann is in the drawing room being treated for headaches by a French mesmerist along with two wealthy radicals, Mr and Mrs Bray, who encourage her political activism. Her father, Robert, introduces his guests to each other and invites them to stay for tea. This fascinating glimpse of her early life shows George Eliot as a surly, arrogant, spoiled and heartless pest A hilariously awkward party ensues.

James Delingpole

Enjoyably old-fashioned: ITV’s The Lady reviewed

I lasted all of five minutes with Netflix’s tasting menu-length Being Gordon Ramsay. This surprised me, because I’ve long had a bit of a soft spot for the irascible, crevice-faced, sweary old ham. I know that all reality TV is fake but I’ve always quite enjoyed watching carrot-top pretending to lose his rag yet again in some rat-infested culinary cesspit before transforming it, in the space of a month, into a Michelin three-star. Ramsay no longer even pretends that his programs are anything more than extended plugs for his brand But the dishonesty and contrivance and brazen commercialism of this autohagiography are just too much to stomach.

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