Spectator Life

There are many things to be learnt from visiting an airport. A trip to Stansted Airport, for instance, will teach you that Stansted is a really dim place to locate an airport. Meanwhile, JFK in New York City will inform you that America is becoming seriously pricey for European tourists. But a recent trip to Bangkok airport taught me something more profound. There I was, supping some pleasant Singapore Laksa, and I saw this thing hove into view. It was an autonomous robot cleaner, busily keeping all the shiny floors of Suvarnabhumi airport in pristine condition.

Though I’m not the most avid fan of her oeuvre, I was cheered recently to see that Ellie Goulding wanted her new album to be less personal: ‘It was such a relief and really refreshing to not be sitting in the studio going through all the things that happened to me and affected me… it’s the least personal album, but I think it’s the best album because I got to just explore other things about myself. I just really, really enjoy writing; really enjoy being a singer.’ What a refreshing take on the creative process, which in modern times can often seem like a cross between a bulletin from the therapist’s couch and a ceaselessly-picked sore. Millennials can’t seem to get enough of spilling the tea, and that goes especially for their most successful singers.

Do you think the luxury soap-maker Aesop would have been valued at £2 billion pre-pandemic? I don’t. Sure, the botanical Aussie cosmetics brand, famously seen in the prettiest restaurants and lining the bathrooms of the fashionable, has been valuable for some time, but ‘hands, face, space’ propelled its growing stardom into a multi-billion pound lather. Today, having one of the cult bottles on the basin is as ubiquitous a status symbol as driving a 4×4 around Chipping Norton.  L’Oréal announced this month that it has signed an agreement with Natura &Co, the brand’s owners, to acquire Aesop in a deal worth $2.5 billion USD (around £2 billion).

How Walford in EastEnders got its name, why Isaac Newton visited bars in disguise and what happened when the IRA parked on a double yellow line. Our tour of London’s postcode areas has reached its penultimate stop – who fancies an E? In the run-up to the 1997 general election, John Major visited the Mirror Group offices in Canary Wharf. One of the rooms he entered, high up in 1 Canada Square, was that of Kelvin MacKenzie, erstwhile editor of the Sun but by then boss of L!ve TV. Looking out of the window, the Prime Minister commented: ‘Incredible view you’ve got from here, Kelvin.’ ‘Yes,’ replied MacKenzie. ‘On a clear day, you can almost see a Tory voter.

The American comedian Bill Maher is an intelligent man with a good sense of humour. When he's right, he tends to be very right. However, when he's wrong, he tends to be so wrong it leaves a person scratching their head in disbelief. He has a tendency to sometimes misrepresent the facts. This is true when it comes to weed. For the uninitiated, Maher loves weed. I mean, he really loves weed. He is forever talking about it (see here, here and here), arguing, repeatedly and unapologetically, that it's a largely harmless drug. As I have shown elsewhere, it’s not. It robs many people of motivation and happiness. Nothing good comes from smoking weed on a regular basis.  Maher has a reputation for being a truth teller, a voice of reason.

As spring (finally) arrives, it’s time to turn our attention back to what’s outside the back door. Helpfully, garden designer Isabel Bannerman (Highgrove, Houghton Hall, Arundel Castle) has written a memoir, Husbandry, in which she declares there is no such thing as ‘U and non-U’ in gardening. She then undermines her argument by immediately setting out her shibboleths: variegated leaves, curvy paths, statues, fountains, tidiness. Anything, in effect, that is ‘suburban’ (bedding plants) or reminiscent of municipal planting schemes (ibid. those big, blowsy King Alfred daffodils you’ll see blaring from roundabouts at this time of year).

Where is Melania? This was the question on many people's lips after the former First Lady was absent from the after-party at the Mar-a-Lago estate on Tuesday night following her husband’s quick trip to New York City. Trolls took to social media to ridicule Mrs Trump for 'not standing by her man' during his indictment; some even cracked jokes that she was moving on to pastures new with freshly single Rupert Murdoch. Wherever she was, I hope she was happy. In fact, I hope she was positively beaming while horizontal at a spa getting a deep-tissue massage with martinis flowing and charging it all to her husband’s credit card.

The alchemy wrought by a young man’s ability to gyrate and croon at the same time is notorious, turning shy mama’s boys from Presley to Rotten into love/hate machines. Something magical happens when someone – however unsightly – sings a song well, allowing him access to a quantity and quality of women undreamt of when he was just walking and talking like a normie. Two words: ‘Mick’ and ‘Hucknall’. The romantic image of the modern musician as tasty but troubled troubadour roving from town to town on his lonesome (except for his bandmates, backing singers, roadies, drug dealer and manager, of course) and taking sensual solace where he may is a powerful one, long propagated by he-sluts who would be intimate with a jack-in-the-box if it looked at them the right way.

So you’re going to be arrested imminently: how do you prepare? I’ve dwelled on this question often since my arrest at 16, the ugliest age you can be. You draw on thick eyeliner and have even thicker acne, which you think you can cover with even thicker layers of makeup and a back-combed barnet. The outcome was the world’s worst mugshot. My first pointer therefore: if you’re about to be arrested, brush your hair.  Luckily for Donald Trump, when he’s arrested and brought before a judge on Tuesday, he won’t be handcuffed. Chic, right? The Secret Service and court authorities have ‘mitigated’ that issue, apparently. His hair is also pretty good for a 76-six-year-old when it’s not being blown about in the wind.

Prince Harry’s endorsement of therapy will likely turn some of us off ever seeking it out. Insisting that therapy has changed him for the better, he is urging his family to partake so that they too can ‘speak his language’ of simultaneously loaded and empty terms – such as ‘authenticity’. ‘If I didn’t know myself, how could members of my family know the real me?’ he said. This non-sequitur subverts the conventional wisdom that sometimes others can know you better than you know yourself. Yet tiring as all the Prince’s interventions are, a peremptory dismissal of psychoanalytic practice would be a mistake. In fact, psychoanalysts would probably refuse to accept the Prince is speaking their language anyway.

You can always rely on theatreland to serve up drama off stage as well as on. Hopefully the spat between Lord Andrew Lloyd Webber and Sir David Hare over whether musicals are ‘killing’ theatre will run and run.  Writing in The Spectator last week, Hare moaned: ‘Musicals have become the leylandii of theatre, strangling everything in their path… are dramatists not writing enough good plays which can attract 800 people a night? Will well-known actors not appear in them? Or did producers mislay their balls during lockdown?

A recently published novel, Becky by Sarah May, is the latest in a long tradition of fiction based on journalism – and a good excuse to think again about the great books from that sub-genre. May’s is a curious hybrid of the life story of News UK CEO Rebekah Brooks and a repurposing of Vanity Fair. George Cochrane, reviewing it for The Spectator, called Becky ‘a good novel dwarfed by a great one’.  He was referring to the Thackeray, but he might just as easily have been talking about another classic English novel: Evelyn Waugh’s Scoop. That comic masterpiece from 1938 is the book against which all other fictional evocations of journalists and journalism are judged – and is almost invariably the first on any list of the best of such books.

From bucket hats to Britney Spears, the 1990s and 2000s are back in vogue. Who could have predicted that the cringe-inducing baggy trousers and All Saints-esque crop tops that filled teenage wardrobes 20 years ago would be resurrected with such gusto by Gen Z? But there’s one part of turn-of-the-century culture that remains firmly consigned to the past. Unlike the clothing of the era, the romcom has proved remarkably resistant to modern reinvention – no matter how hard Hollywood tries. Last month, two romantic comedy veterans – Reese Witherspoon and Ashton Kutcher – reunited in a stoic effort to woo audiences back to the genre.

During a recent family trip to South Africa, there was one book from my holiday reading pile that I simply couldn’t put down. It had everything: suspense, mystery, humour, fantasy, plot twists, heroes, villains and, ultimately, a happy ending. It also contained talking animals, unicorns and fauns. Because this wasn’t the latest bestselling crime or psychological thriller – my usual genres of choice. It was The Lion, The Witch and The Wardrobe, the children’s story by C.S. Lewis that I’d first read almost 40 years earlier. Given that I have a nine-year-old son who adores books, you might imagine that my motivation for re-reading it was to do so aloud to him. Not so.

Are you familiar with the child-focused phenomenon generally known as soft play? Often located in the windowless recesses of garden centres with an innocent-sounding name like ‘Snakes and Ladders’, these are compounds dedicated to the frenetic, ergonomic joy of children – assault courses for mites, with slides, chutes, ball baths and various dangling hazards all swathed in gaudy soft foam-wrapped plastic. On paper, soft play sounds like fun: what could be more enjoyable than watching your tiny ones zipping gleefully down slides in an ultra-safe environment, one where there’s even compulsory armbands for accompanying adults and locked doors to keep out perverts?

The last manual typewriter, after 150 years of commercial production, was manufactured in the UK in 2012. Yet like all design classics, it refuses to lie down and die. There is a roaring trade in old models on eBay, and dealers such as the Typewriter Man in the UK and Mytypewriter.com in the US sell them to hipsters and steampunks, among whom they are cult objects. The latter store, awash with Hermes, Remingtons and Underwoods, even has a list of famous writers and the machines they used – from John Ashbery to P.G. Wodehouse – so that you can buy a model to match your literary tastes.  They’re also, in various institutions, still in use.

If it feels like this column is appearing far more regularly than usual, that’s because it is. Normally a Friday-only offering, there have been four daily previews for the Cheltenham Festival and now this one to make it five columns in as many days. It’s been tough going finding winners this week but we got there in the end (Iroko tipped at 9-1 in the 5.30pm today). Today we return to a more standard weekend fare, and I have a strong fancy for the big race of the weekend. I put up two horses last week for the Boulton Group Midlands Grand National at Uttoxeter (3pm) last weekend and they have both been declared and are now trading much shorter than seven days ago.