Books

Coppola, Lucas and Spielberg’s outsized impact on 1970s cinema

For any serious lover of cinema, the 1970s were both a golden decade and the beginning of the end of film as an art form. After the permissiveness and countercultural impact of the 1960s, a whole generation of new filmmakers emerged, many of whom remain household names. These men – and they were almost exclusively men – produced work that shook up expected norms and took the medium in new, thrilling directions. It is impossible to list all the pictures and their directors who made this difference, but there are good reasons why they remain celebrated today. And then Star Wars came along in 1977 and changed the trajectory of the industry forever.

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The inside story of how America got to the Moon

On March 16, 1966, Neil Armstrong and David Scott became the first astronauts ever to dock with another spacecraft when they linked their Gemini 8 capsule to the uncrewed Agena target ship. However, the cheers had barely died down at Mission Control Houston when Scott realized they had a problem. The conjoined spacecraft had begun a gentle leftward pitch. Armstrong and Scott watched in horror as the capsule’s gentle pitch became a tumbling motion that increased, turning the craft into a centrifuge. In desperation, Scott undocked the two ships before gravity ripped them apart. But Gemini 8 continued to spin faster. At 60 revolutions per minute, the astronauts began to slip into unconsciousness.

This Tucker Carlson biography is a chronicle of an era

Tucker Carlson may be the most divisive man in America, a human tuning fork vibrating at frequencies that delight half of the country and drive the other half demented. Few public figures inspire such simultaneous loyalty and loathing. To his admirers, he’s a truth-teller with a preternatural instinct for cultural anxiety. To his critics, he’s a fabulist with a talent for setting fires and selling the smoke. This tension – this strange mix of menace and magnetism – is what Jason Zengerle captures in Hated by All the Right People, a biography that becomes, almost inevitably, a portrait of the contemporary conservative movement itself.

George Saunders’s thoroughly Dickensian novella

George Saunders’s luminous new novella Vigil begins with a fall of a kind – lower-key, sinless and very funny: “What a lovely home I found myself plummeting toward, acquiring, as I fell, arms, hands, legs, feet, all of which, as usual, became more substantial with each passing second.” With the fallen narrator landing headfirst, ass “in the air and fresh new legs cycling energetically,” the story’s tone is set. Though explicitly modeled after Charles Dickens’s A Christmas Carol, Vigil is quintessentially Saunders in its combination of user-friendly stylistic innovation, straight-faced satire and a deep dive into Big Moral Questions.

How Fatima Bhutto’s dog saved her from a toxic relationship

Americans who are concerned with heightened levels of political violence should understand that we are fortunate compared with Pakistan, whose most visible political family, the Bhuttos, have a history that makes even that of the Kennedys look tame. One survivor, journalist Fatima Bhutto, born in 1982, encapsulates the family tragedies. Her grandfather, the charismatic prime minister Zulfiqar Ali Bhutto, was executed under trumped-up charges by the government serving the man who deposed him, army chief Zia-ul-Haq. Her uncle, Shahnawaz Bhutto, died in mysterious circumstances, possibly murdered, at the age of 26.

Our Mount Rushmore

Personally, I regard Mount Rushmore as an excrescence on the mountain and a monument to the horror that Edward Abbey called industrial tourism. Beyond that, it is an expression of a naive piety and a patriotic sentimentalism that no longer exists in America. Matthew Davis correctly views the presidential sculptures carved into the face of Mount Rushmore in the Black Hills of South Dakota by Gutzon Borglum in the 1920s and 1930s as very much a period piece, an expression of popular American patriotism in the early decades of the 20th century. His “biography” of the mountain is equally a cultural work reflective of its time. Preeminent among Davis’s concerns in writing this book was to determine, “What is a memorial for?

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Nicolas Sarkozy’s inside story from Parisian prison

Nicolas Sarkozy’s prison memoir is a slender book about a short sentence that nonetheless makes for compulsive reading. It is unintentionally comic, occasionally moving and almost always politically calculating. This, despite the weight of its author’s self-importance, moral evasions and intermittent self-awareness. Sarkozy, 71, was sentenced to five years for criminal conspiracy linked to Libyan money in his 2007 presidential campaign. He served less than three weeks in Paris’s La Santé prison before being released under judicial supervision to finish his punishment at home, pending an appeal to be heard in March. He used the time efficiently, producing more than ten pages of writing a day. The result is a compact 200-plus-page chronicle of noise, bad showers and damaged pride.

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The pedants’ revolt

The scene is the imperial palace on the Palatine Hill in Rome in the 2nd century. The philosopher Favorinus is waiting to greet the emperor Hadrian when a grammarian corners him and launches into a lecture on the grammatical qualities of the word penus, meaning “provision.” “Well and good, master, whatever your name is,” Favorinus replies wearily. “You have taught us more than enough about many things of which we were indeed ignorant and certainly did not ask to know.” A thousand years later, the Muslim polymath Ibn al-Jawzi tells of an Arabic grammarian, notorious for punctilious use of archaic language, attempting to negotiate with a carpenter. “What is the price that this pair of doors costeth?” the scholar asks.

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Crucible’s complex picture

The beginning of Crucible, the writer and Oscar-nominated director John Sayles’s eighth novel, opens with a feint. A couple of journalists are taken for a mock-perilous test drive at the presentation of Henry Ford’s latest automobile. On their return, what starts as a humorous Q&A becomes increasingly restrictive as it becomes clear there is to be one narrative only: the company’s, or rather, the founder’s. This familiar combination of showmanship and control may feel ubiquitous now, but the audacity of Ford and the outrage he provoked was to change the face of American industry.

The radical networks that hijacked the 1970s

Airplane hijacking, like the mode of transport itself, became common in the 1960s. A practice largely confined to the United States, it was invariably a means for ordinary criminals to extort ransom money or flee to Cuba. In 1968, the hijacking of an El Al flight by the left-wing Popular Front for the Liberation of Palestine revealed the political utility of the act: in exchange for the safe return of its plane and passengers, Israel released 16 Arabs from its prisons. Encouraged by this outcome, the PFLP launched a spate of similar operations. One such mission, the hijacking of a TWA flight in 1969, revealed that prisoner exchanges and ransoms weren’t the only upside of this new tactic.

Remembering Scott Adams

Dilbert taught me how to read. Stacked perilously high – between Calvin & Hobbes and The Far Side – in my childhood home’s bathroom, Scott Adams’s cartoon provided the perfect reading material for the porcelain throne. Even before I knew what most of the words meant, I’d belly laugh at page after page of banal workplace humor. This is bizarre: why, as a preschooler, was I so tickled by these jokes about human-resources departments and fax machines? Adams, who died in the night, enjoyed more than a three-decade run as honcho of the funny pages, starting in 1989.

Queen Camilla’s recommended reading list

As Christmas approaches and we wrack our brains to find something that suits everyone, there is no present quite like a book. Whether it’s an unputdownable novel, a heart-stopping crime series, a thought-provoking biography or a collection of beautiful poetry, a book provides an escape, the perfect antidote to the hurly-burly of everyday life and, above all, hours and hours of pleasure. Here are half a dozen of my favorites, previously recommended on my Queen’s Reading Room, which you might like to add to your Christmas present list… or (if preferred) keep for yourself! The Cazalet Chronicles by Elizabeth Jane Howard This is a series of books that I return to again and again, to reacquaint myself with the irresistibly charming Cazalet family.

Michelle Obama’s new book about style lacks substance

First lady is a strange role. Even when your husband is the first black president, and you’re a Princeton and Harvard-educated former corporate lawyer, America still projects its most regressive ideas about gender onto you. So I understand that Michelle Obama, like Hillary Clinton before her (skipping Laura Bush, a more classical first lady, along with, more recently, Jill Biden and Melania Trump), might have felt constrained, faced with expectations she could never satisfy. I don’t doubt that being black added enormously to that burden. Yet there is nothing more irritating than the person of Michelle Obama complaining. And she is always complaining.

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The Anthony Bourdain Reader leaves a reader hungry

Charismatic, handsome and with a great white shark’s feral cool, Anthony Bourdain was someone that everyone wanted to be. The chef, writer and TV presenter described the premise of his award-winning shows, No Reservations and Parts Unknown, as “I travel around the world, eat a lot of shit and basically do whatever the fuck I want.” They cemented his image as a gadabouting, kamikaze gourmand. Bourdain scarfed down andouillette and warthog anus, drank sun-bear bile and polished off the still-beating heart of a cobra, plonked into a shooter of Vietnamese firewater. He showed Barack Obama the correct way to slurp bún chả noodles on a steamy Hanoi side street, and he and his team watched from their hotel pool as Israeli jets strafed downtown Beirut during the 2006 invasion.

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Will the new Avatar be the last?

For someone who has directed two of the three highest-grossing films of all time – and if we include Titanic in the mix, three of the top five – James Cameron struck an unusually modest figure at this week’s premiere Avatar: Fire and Ash. When asked at the screening whether its inevitable box-office success would result in the planned fourth and fifth films being produced, the erstwhile King of the World responded “I’m not even thinking about four. Are you kidding me? I'm unemployed right now.” Admittedly, Cameron’s definition of “unemployed” is rather different to that of most people, whether they be A-list directors or the less fortunate.

The Last Westerner captures the American Southwest

 The epigraph to this novel is from Chretien de Troyes’s Lancelot, one of the French author’s Arthurian romances. It is fitting because The Last Westerner is a medieval romance, as well as an epic set in the American Southwest in the closing years of the 20th century. The dedication is to the author’s wife and to the late Edward Abbey, a personal friend. It is equally fitting because The Last Westerner is a western novel in setting and theme and will bring to mind other western novels such as Abbey’s The Brave Cowboy (1956) and Cormac McCarthy’s All the Pretty Horses (1992). Abbey’s book is subtitled, An Old Tale in a New Time. That could be the subtitle for The Last Westerner too, and as for pretty horses, Chilton Williamson, Jr.’s novel is full of them.

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Margaret Atwood’s autobiography reveals a steely self-possession

The problem with the contemporary literary life, most of its observers usually agree, is that nobody at large in it does anything much except write. A century ago, your specimen male novelist could be found fighting in wars or traveling to places from which the reportage he brought back had genuine novelty. These days, alas, our man just sits at a desk and every so often looks out of the window at the teeming world beyond. The trajectory of the 21st-century novelist is as familiar – and as unavoidable – as a portrait of Taylor Swift. You grow up, you show an aptitude for literature, you start writing books and, unless something very unusual happens, you go on writing them.

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It feels as if Michael McFaul’s audience has long since left

Since the end of the Cold War, politicians and commentators have been searching for a new paradigm through which to understand international relations. Notwithstanding Francis Fukuyama’s oft-misunderstood The End of History, we have tried various patterns to classify the world order, of which George W. Bush’s “Axis of Evil,” first used in 2002, was among the more enduring. In Autocrats vs. Democrats: China, Russia, America, and the New Global Disorder, Michael McFaul acknowledges the widespread if nebulous consensus that the challenge presented by Russia and China is a kind of second Cold War – historian Niall Ferguson has labeled America’s relations with China “Cold War II.

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Sir Anthony Hopkins, outsider actor

Yes, Sir Anthony Hopkins did have a life before The Silence of the Lambs. And after it, too. But most casual moviegoers would be hard pressed to add too many other entries to his filmography. Like his most famous screen creation, the cannibalistic serial killer Hannibal Lecter, Hopkins has always been something of a study in contrasts. As an actor, he sits in the middle of the Venn diagram where the mainstream and the fringe overlap, seemingly as happy to mug his way through the Transformers franchise as to direct and star in a project like 1996’s August, a drily worthy adaptation of Uncle Vanya that barely registered on the sordidly commercial level.

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Cameron Crowe’s cringe magic

Cameron Crowe’s long-awaited memoir The Uncool can be read intertextually as the real Almost Famous. The Uncool is also about lush California summers, grief, the unwavering support of a mother, cool big sisters, and Almost Famous: The Musical, but when you peel back the pages like it's a vintage magazine, there’s an elegiac aroma. This is a crinkled love letter to a deceased paramour; in this case, the beating heart of rock journalism. Crowe treats writers such as Lester Bangs (“my heart was almost all Lester Bangs”) and Danny Sugerman with devotional reverence that is as uncool or “problematic” in 2025 as learning about sex from your mom in a laundromat and writing about it. Crowe’s lack of cool thus becomes the book’s artistic frame.

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