Lloyd Evans is The Spectator's sketch-writer and theatre critic
The US jobs miracle continues. Donald Trump has just created another vacancy at the British embassy in Washington. Sir Kim Darroch’s resignation was the opening issue at PMQs and Theresa May expressed her shock and regret at the diplomat’s departure, ‘after a lifetime of service to this country,’ she added pointedly. Sir Kim isn’t the
Present Laughter introduces us to a chic, louche and highly successful theatrical globetrotter, Garry Essendine, whose riotous social life is centred on his swish London apartment. This is Noël Coward’s version of Noël Coward. In the script, from 1942, Coward alleges that his alter ego is being chased by three women. The in crowd would
PMQs is clearly broken and only Brexiteers know how to fix it. Theresa May should leave. Jeremy Corbyn should remain and put questions to Boris next week and to Jeremy Hunt the week after. A test of both candidates in match conditions would be welcomed by all. But it won’t happen. A Tory party that
Bitter Wheat, David Mamet’s latest play, features a loathsome Hollywood hotshot, Barney Fein, who offers to turn an actress into a superstar provided she lets him rape her. The show’s gruesome storyline has flashes of bitter comedy. Fein boasts that the Writers Guild of America would ‘drink a beaker of my mucus’ if he forced
Theresa May, our stand-in prime minster, was hit by a surprisingly effective ambush at PMQs. Jeremy Corbyn led on Britain’s involvement in the Yemeni conflict. Last week the Court of Appeal ruled that the government had overlooked Saudi Arabia’s responsibility for breaches of international law. Mrs May sounded desperate as she quoted a legal finding
Kill Climate Deniers is a provocative satire by Australian theatre-activist David Finnigan. The title sounds misanthropic and faintly deranged but the show is a comedy delivered with oodles of verve and fun. Finnigan is a skilful writer of dialogue, a gifted farceur and, at times, an astute analyst of power and its corrupting tendencies. Like
The title ‘Father of the House’ tends to give the bearer a chronic problem with wind. The present holder, Ken Clarke, stood up at PMQs and asked a question of Gibbonian magnitude and complexity. Among the gusts of prose was a useful point about spending. ‘It would be extremely unwise for the outgoing government to
Five hopefuls in a shallow arc of bar-stools. Last night, the BBC summoned the Tory candidates for a Brexit show trial overseen by Emily Maitlis. Michael Gove made an early impact with a burst of crazy egoism. ‘Because I started this, I will finish it.’ He forgot that countless campaigners such as Bill Cash, Dennis
Sometimes it’s hard to describe a play without appearing to defame the writer, the performer and the theatre responsible for the production. Here’s what I saw. A semi-naked woman lurks in a corner, with her back to the audience, shaking. Rap music pounds. The woman shakes and shakes. Then she shakes a bit more. And
Boris Johnson made his pitch to become PM at a spirited mini-rally in central London. He began with a swipe at the stalling economies of the Eurozone which he compared unfavourably with ‘the commercial dynamism of the British people.’ His one-nation pitch bore almost too many adman’s sound-bites. He called England, Wales, Scotland and Northern
Kenneth Lonergan, who wrote the movie Manchester by the Sea, shapes his work from loss, disillusionment, small-mindedness, hesitation and superficiality, all the forgettable detritus of life. The Starry Messenger is about Mark, a disappointed astronomer aged 52, who gives public lectures at a city planetarium. He loves his subject even though it let him down
A festival of inertia at PMQs today. A party without a leader, a Government without a purpose and a Parliament without a programme. Theresa May, in Portsmouth for the D-Day commemorations, was understudied by David Lidington who looks like a maths professor but performs like a comedian. His waggish streak is undermined by his gentlemanly
Arts Council England takes money from almost all of us and spends it on culture for almost none of us. Among its clique of favoured writers is Ella Hickson whose work has twice been staged at the subsidised Almeida. Her first effort was a historical sketch show about oil-drilling, the second looked at the problem
The opening of Jonathan Maitland’s new play about Boris purports to be based on real events. Just before the referendum, the Tory maverick invited some chums over to help him decide whether to opt for Leave or Remain. Mrs Johnson was present along with Michael and Sarah Gove and the Evening Standard’s owner, Evgeny Lebedev.
Tories who still support Theresa May are as rare as bumblebees in Antarctica. Her backbenchers were too polite to mention her imminent departure at PMQs but her opponents couldn’t resist poking fun. The PM began with her ritual announcement about ‘meeting ministerial colleagues and others’. Up stood John Woodcock. ‘She may not have long left,
Colour-blind casting is a denial of history. The Young Vic’s all-black version of Death of a Salesman asks us to believe that an ordinary African-American chap living in Brooklyn in 1928 might have owned a Chevrolet, and that a black businessman in the 1940s would consider asking a friend for ten grand to purchase a
It’s that time of year. The Sunday Times Rich-List is out. To most of us it’s a negligible frivolity. To the hard left it’s hard porn. Their trembling fingers swipe through its glossy pages. Their ravening eyes gaze with confused adoration at the wrinkled oligarchs and their marmalade-coloured wives. At PMQs today Jeremy Corbyn captured
Small Island, based on Andrea Levy’s novel about Jamaican migrants in Britain, feels like the world’s longest book review. We meet Hortense, a priggish school teacher, and her cool, handsome boyfriend who survive on a pittance in the Caribbean. Then we skip back to Hortense’s childhood in a house dominated by a bullying preacher who
PMQs began with Janet Daby calling for a mass-cull of the working-class. The Labour MP relayed the experience of an industrious constituent who already has two jobs, on zero-hour contracts, and seeks a third. ‘Ban zero hours contracts!’ she declared in outrage. Obviously she’s fed up with people working in her constituency. Much easier if they
It starts on a beautiful summer’s morning in the suburbs of America. A prosperous middle-aged dad is chatting with his neighbours in the garden of his comfortable home, but by nightfall his family has been destroyed. This is one of the most momentous convulsions in all drama. Arthur Miller’s masterful plotting, which he never again