How to fix the Met
Books and Arts‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
The Met’s show is tribute to a fine artist of boundless talent
The much-missed musician is the beneficiary of a new, bespoke space inside the Victoria & Albert Museum’s East Storehouse outpost
The week has evolved into a content-driven machine
Above all, Reiner proves his vim and vigor by the very quality of the film
It’s gotta be really, really good if it wants to stay even slightly relevant
The shock and awe is done – the details are not
It might be time to take the show out to pasture
As his new documentary shows, he’s not going anywhere
Just like that, America was great again
The curators’ political peacocking has long carried no risk
The artist’s unflinching vision of a world gone awry is as powerfully direct as his late-in-life compositions of compassion and hope
In early photos, the crowds – and the band members – are eager, curious and frank
The first comprehensive repackaging of any of Drake’s albums does justice to the musician
Every detail, every sound, every object feels intentional
The play rises from social commentary to legitimate art piece, avoiding mere parody and ax-grinding
The actor follows in Bryan Cranston’s footsteps
His schtick wore thin a long time ago, and his continued presence owed as much to a lack of imagination as it did genuine talent
The movie knows we long for monogamy even as we court licentiousness
The awards were perfectly entertaining, but had absolutely nothing to say about bigger, more serious issues
Grand? Probably not. Finale? Hopefully.
King feels too much and thinks too little
The writer remains supreme in part because women don’t merely want dazzling men, we want to be dazzling ourselves.
The paintings become mysteries, enticing and deserving of attention precisely because there are so few
The enchanting and historically haunting show consists of more than 120 objects
The musical flirts with nonconformity and then, scared, retreats into its own shadow
Everything is a dolly shot of dolled-up people in a doll’s house
Her show at the Museum of Modern Art is a head-scratcher
It’s not the worth the paper it was written on