Paul Devlin

Bryan Garner has recovered a lost master

Bryan Garner has performed a remarkable act of cultural recovery with his vigorously written new book, The Etcher: The Life and Art of Oskar Stoessel, a long-forgotten Austrian artist who had total mastery of his form and deep understanding of the human face. Stoessel (1879-1964) attained success in the US in the 1940s after fleeing from the Nazis in 1938 with the help of US Minister to Austria, George Messersmith, who introduced him to elite American circles. Stoessel went on to etch portraits of Franklin Delano Roosevelt and Secretary of State Cordell Hull, among many others, and exhibited at the Corcoran Gallery in Washington, DC. He found his greatest supporters and subjects in the Supreme Court – he sketched all the sitting justices in 1941 and more in subsequent years.

bryan garner

Witnessing Humanity: The Art of John Wilson is a must-see show

The Metropolitan Museum of Art’s Witnessing Humanity: The Art of John Wilson is a must-see show. Originating as an exhibition at Boston’s Museum of Fine Arts, the Met’s show is certainly the museum’s largest solo exhibition of an African-American artist’s work in recent memory, perhaps ever. It’s definitely the biggest-ever showing of Wilson’s work, but the Met is not patting itself on the back on these points. The show is a tribute to a fine artist of boundless talent, a painter of deeply felt and expertly rendered works, even if it will not rewrite any narratives of art history. Wilson (1922-2015) was an African-American artist of Guyanese descent who had a long and many-chaptered career.

Wilson