Youtube

I’d like to share my favourite violent pop video with you

This week has seen the Prime Minister playing Mary Whitehouse again. On Monday he announced that, as of October, music videos on sites like YouTube and Vevo are to carry age classifications similar to those already in place for feature films. You can read the subtext on his ‘deeply concerned’ brow: 'if this is what it takes to get a majority…' In principle, it’s hard to object too much. CDs (if anyone still buys them) carry parental guidance stickers, and a lot of comic books have a ratings system. Video games and DVDs follow the same British film classification board traffic-light system as cinema releases. Unless you take particular issue with any of this, you can’t really do much but shrug. But then you clock how ineffectual the whole thing is.

No, I haven’t seen that beheading video. And it’s not right to share it

I am sure we’re all in agreement that watching videos of adults abusing children is wrong. At least outside the halls of BBC light entertainment (historically speaking) such a consensus must exist. So how has it become not just right, but seemingly virtuous, to watch and then promote pictures of big bearded men chopping off children’s heads? The proliferation of torture and beheading porn is one of the social media horrors of our day. Every minute millions of people around the world send links to videos and photographs. And as world news gets darker, even if you don’t seek them out, such images find their way to you. Of course the boastful sadists of Isis and similar groups ‘produce’ most of this content.

Elliot Rodger and the Hollywood ending

I’ve found myself strangely drawn to the videos made by the 22-year-old assassin Elliot Rodger just before he went on his killing spree in his university town of Santa Barbara, California, last week. In a series of stabbings and drive-by shootings Rodger killed seven people, including finally himself, and wounded 13 more. The son of a film director, he had spent the first few years of his life in England, moving to America at the age of four. Rodger had been preparing for his murderous spree and made a series of videos, many of which are accessible on the internet as I write. The last was recorded by himself the day before his attack. He sits parked in his car, arranged so that the sun, low in the sky, spotlights his face in an orange glow.

Watching car crash compliations with my grandson

My boy was downstairs cooking Sunday roast. Earlier, I had been clambering about on a woodpile, stepped awkwardly, and twisted my knee. So I was upstairs lying on my bed stinking of Deep Heat. Then my grandson appeared in the doorway to report that lunch would be ready in an hour. I held out my arms to him. The lad dutifully removed his shoes and came and lay next to me. I cuddled him passionately until he’d had enough of it, then I reached for the iPad and asked him what he would like to watch on YouTube. ‘Car crashes,’ he said. Apart from making Batman attack vehicles out of Lego, watching car crash compilations on the iPad is our current favourite pastime. It’s better than coke. The best of the compilations are Russian.

Can Silicon Valley ever be replicated in London?

Trying to clone Silicon Valley has been a cornerstone of this coalition’s business policy. Rohan Silva, until recently the PM's policy guru, spent several years in government and opposition creating the ‘Silicon Roundabout', an attempt to provide a new leg for the UK’s economy in East London. Depending on who you believe, the East London Tech City project has either been a roaring success or a waste of time. Despite all the encouragement from the government, the main challenge is recreating the enticement of Silicon Valley in Shoreditch — something that may be impossible.

Has music died? If not, where are the new decent pop tunes?

I am suffering, as we all do from time to time, from a shortage of decent new tunes. Of course, ‘suffering’ may be a slight exaggeration here. Very little physical pain has been involved. But research has shown that music obsessives need a constant upgrade of their personal tunebanks in order to perform at full capacity. It’s all very well going back and playing the Electric Light Orchestra’s Out of the Blue at top volume and singing along to every vocal harmony, as I might have done once or twice this past week, but a long-term solution it is not. It’s where to find these new tunes that has become the problem. I try radio station after radio station, and then I try them all again in a different order.

Men who propose in public should be shot

Never mind all this gay stuff — when is parliament going to get on with the marriage legislation we really need? I’m talking about the law banning men from proposing to their girlfriends in public. It’s been happening for years. Local radio was always the worst offender. ‘Gareth, I think you’ve got something you want to say to Julie, haven’t you?’ the vapid Simon Bates wannabe would leer. In fact I blame Simon Bates for the whole phenomenon: he legitimised this mawkish sharing of supposedly private emotion. Those of you old enough to remember his ‘Our Tune’ feature on Radio 1 will know what I mean. To the rest of you I simply say: you lucky, lucky people. Then it spread to TV, village fêtes, public occasions of all sorts.