Travel

After ten hours of flying and too much bad airplane coffee, the beef carpaccio from 8 East at the Circa casino was ecstasy. Topped with potato chips, served with drops of citrus-infused wasabi crème, it would have been fabulous anytime. But nursing a cold Sapporo, stoned on exhaustion and discombobulation, I shivered in delight with every bite. Just a single piece would have been worth the flight. It was my first time in Las Vegas — my first time in the States — and I was hoping to write a meaningful story about a too-much written about place.

“Welcome to your thirties,” my friend Rich roared, throwing open the balcony door leading onto our hotel room’s private loggia. The sound of gushing water filled the room as I flopped, exhausted, onto the bed. The Ziller River rushed through the valley below, fast. Verdant hills stretched upwards to create a preposterously bucolic scene, practically begging for your best Julie Andrews impression, arms outstretched. I laid there, and took it in through the window. I pretended I didn’t mind that I was missing the party, Snowbombing Festival raging on in Mayrhofen town. The “Snolympics?” Didn’t sound like much fun. Pond skimming on skis, surely soggy and impractical.

Kitted out in black Givenchy, huge sunglasses blocking out the snow glare, Audrey Hepburn is lunching al fresco in the French Alps when a meet-cute with Cary Grant ensues. It’s the opening scene of Charade, filmed just over sixty years ago in Megève — the chichi winter resort for both Hollywood royalty and true bluebloods during the 1960s. Back then, Brigitte Bardot, Yves Montand and Jean Cocteau were often seen swooping down its pistes. Imagine a snow-dusted Saint-Tropez and you’re on the right track. This medieval market town was hardly destined to become a darling of the beau monde. Megève was something of a backwater (the name even translates to “village in the middle of the waters”) until 1920, when Baroness Noémie de Rothschild spotted its potential.

Quizzed on how to assimilate to new cultures, travel writer and celebrity chef Anthony Bourdain once said: “Drink heavily with locals whenever possible.” The “Opening a bottle with…” series is about getting pickled with people far cooler than I am, in new places. To me, booking a ski trip at the start of the year is the ultimate luxury. With my birthday falling on the first of January, when the ball drops, I feel a sense of melancholy. As hangovers descend and diets begin, I want to carry on celebrating.  In European ski resorts, they keep the festivities going well into March. Christmas lights and religious displays stay twinkling. Fresh snow combats the winter blues. Everyone’s happy to share a bottle of good wine.

At first, the sleepy little town of Mirleft looks like all the others on the 600-mile trek through the sands of the Sahara: half-gravel, half-concrete sidewalks, faded paint, brightly painted schools and the minaret of a new mosque jutting up toward the sky. But a mile past Mirleft’s dusty high street lie cliffs of California proportions — with swells to match. The cliffs arch down at a near forty-five-degree angle and into meaty waves rolling toward a point break. It’s here that a group of ten French and German surfers have joined up with Issam Surf School, heading down to Plage Sauvage, the beach below, in a 4x4.

The city of Edinburgh, Scotland’s capital, really comes into its own twice a year. Firstly is August, when its streets are thronged with revelers and amateur PR types (“four stars in the Scotsman!”) promoting their wares at the world-famous performing arts festival. And then the second comes at the end of the year, during the New Year’s Eve period of Hogmanay, which sees anyone claiming long-distant Scots ancestry taking part in the revels for a day or two, just as it seems anyone in Boston on St. Patrick’s Day suddenly remembers their long-lost Uncle Padraig or Great-Aunt Shelagh. In any case, Hogmanay in Edinburgh is a marvelous experience, freezing cold aside, and best experienced from the surroundings of somewhere comfortable.

You just can’t beat London at Christmas. Unless you’re lining up to get into the Tube station (never mind onto a train) at Oxford Circus, in the pissing rain. Then you’re better off in one of those glass igloos in Finland.  When I’m in town for the holidays, I find myself returning to a few old faithfuls, with a few old faithfuls. The Zetter Marylebone Keep this gem up your sleeve for when the crowds become a little too much. A warren of sumptuous suites and a lavish, candlelit parlor awaits at dinky Zetter Marylebone hotel, just a couple of streets back from shopping mecca Selfridges. Divide and conquer last-minute shopping with Mom, then meet here at lunchtime for a swift recovery.

Who could resist the opportunity to visit a women’s island? Four years ago, I read an article in the New York Times travel section about an Estonian island called Kihnu, which the Times dubbed an “Isle of Women.” Its subhead asked “What would life be like without men?” and I wanted to find out, making a mental note to visit this peculiar island — “run by women” — someday, and my opportunity came last summer as part of a trip with my wife, Jen, and our teenage sons to Finland and the Baltic countries. But Kihnu, we discovered, isn’t a women’s island, or anything close to it. Before our trip, I reread the Times piece plus similar ones before combing YouTube for Kihnu videos.

In Pilley’s Island, Canada, a tiny fishing town of barely 290 people along the northeast Newfoundland Great Whale Tour route, there’s a memorial to the area’s dead. It sits on a hillside, with a view of the rocky and wooded bay on the left, and a direct line of sight to the historic church on the right. These aren’t any generic old dead people honored at the memorial, though. Nor is it a memorial for local war casualties (that’s up a small trail nearby) or to fallen firefighters (that’s in the next town over). No — this is a memorial to the people who have died in other terrible ways. The top of the memorial says only “TRAGIC DEATHS,” with small plaques naming each person with possibly a date and a single letter in parentheses to denote the manner of death.

It is 7:30 a.m. and already seventy degrees in Bowness-on-Windermere. A rare, early summer heatwave. My friend Ebele and I lower ourselves into a sunken outdoor hot tub in groggy disbelief. We appear to have woken up in Utopia. Llamas and alpacas frolic yards away as we sip coffees in silence. A butterfly lands on the decking. There’s no noise but for the bubbles, until a perfect breeze ruffles the fronds of the tree that’s dappling the sunlight. The grass could not be greener, skies cerulean. This is the definition of “bucolic,” I think. William Blake’s England, plus massage jets. His pastoral poems that plagued me in university start to make more sense (plenty of lambs here, too; the local “Herdies”).

If I’d known what a whole monkfish looks like, I would never have ordered it. It was only weeks later that I saw a picture of the horrid creature: small, wicked eyes, prehistoric head, skin like rusty medieval armor and a gaping mouth overflowing with jagged teeth. Truly the stuff of nightmares. We’d popped over the border from France into San Sebastián, Spain, for a bite of dinner, selecting a spot a stone’s throw from the Baroque exuberance of Santa Maria del Coro. The daily special was monkfish, and for some reason — perhaps an excess of sun that day — the image that came to mind was, inaccurately, that of the innocent red mullet. The daily special in a fishing town is bound to be fresh, so it seemed fair to give it a try.