Restaurants

Q. Further to your advice about how to refuse invitations, I had a friend, who sadly died young, who disliked many social events and conventions. At dinner parties he dreaded hearing the words: ‘Shall we move to somewhere more comfortable?’ He devised a universal response to unspecified invitations. It was: ‘I am taking a suitcase to Highgate that night’. He found this would prompt the host to give more details — for example: ‘Oh, what a shame because the So-and-Sos are coming and we thought we’d take a picnic on the heath.’ If he liked the sound of the event he could say: ‘I’ll be back by then.’ — P.M., Lewes, East Sussex A. Thank you for sharing this genuinely useful tip with readers. Q.

The Prada Café is both a cake shop and a historical inevitability. It sits on Mount Street, almost opposite the Connaught hotel, and between what used to be Nicky Clarke’s hairdressing salon and a luggage shop so expensive it has a queue outside. People are queuing up to explore late capitalism through the prism of luggage but, that aside, they seem quite disinterested in the world around them. Perhaps they are marvelling at their own stupidity in yearning for a £1,000 bag with no zip. The Prada Café is a nickname. Its real name is Patisserie Marchesi 1824 and it travelled from Italy to the silliest part of Mayfair to join the vogue for fashion cafés in London.

Decks is a restaurant built on the Sea of Galilee. It is Benjamin and Sara Netanyahu’s favourite restaurant (it is occupying the sea, if you like) and it is huge: two storeys of decking (hence ‘decks’) walking into the sea where Jesus of Nazareth fed his 5,000 Biblical Corbynistas. The view is of young Jewish girls jumping up and down in unison on a disco boat. From a distance it looks like one happy creature with 800 legs. I came from the north where bluffs — once military installations — are tourist attractions with cafés. I stood on the Golan Heights and peered into Syria, and then I went to the new settle-ment named for Donald Trump.

Each suburban soul yearns for the Soho of their youth. It isn’t that Soho was better in the 1990s when I invaded the Colony Room, twitching, and took a fag off Sarah Lucas. It is that I was. This was the view of a friend after I last wrote on Soho restaurants. We once ran holding hands through the sprinklers in St James’s Park laughing at Peter Mandelson, who was passing with his dog, and that is my memory of the Blair years. So Soho, which is thick with metaphor anyway — its very name is a hunting call: death for one and ecstasy for another — is a district to measure your age. The new buildings barely matter in this reasoning, even if I hate them. The stones — and the possibilities — remain. You can’t erase the energy of that much bad sex.

Imperial Treasure is a restaurant in the part of St James’s where Leopold von Hoesch, the German ambassador to George V, buried his dog Giro after Giro electrocuted himself by eating a cable. (Everyone is a food critic. Giro was merely an unlucky one.) And this seems apt. Because it’s rare to see people in St James’s these days. Dog bones and tourists and BBC crews shooting dramas in which actors are spying or arguing about politics are multiple. I wouldn’t be at all surprised to see Benedict Cumber-batch pretending to be Liz Truss pretending to be Josip Tito. But not real people. They have all gone, presumably to Zone 3. Or they have died of Brexit-related ennui and despair. Not that this is a column about alienation disguised as a restaurant review.

A serious restaurant for serious times: the Ledbury in Notting Hill. It’s a good time to do it, as the dreams of the Notting Hill set crumple to dust and Jacob Rees-Mogg rides out in his stupid hats. It has sat in its former pub on Ledbury Road since 2005. It won — and has held for seven years — two Michelin stars. It has featured in the gruesome S. Pellegrino World’s 50 Best Restaurants List, which is, among other things, a rebuke to tap water. Its most interesting moment was during the riots of 2011, when the nation conspired to make David Cameron return from his summer holidays early. Annoying David Cameron is always fun, because he takes himself very seriously.

In January, you could go to Bob Bob Ricard in Soho. I do not know why it is called Bob Bob Ricard; and I do not really care. I am currently reviewing cars for another magazine and cars’ names make restaurants’ names sound reasonable. Perhaps Bob Bob Ricard is always slightly drunk and needs to mumble its name — ‘Bob?’ — for fear of forgetting it, like the people in the VIP field at Glastonbury. I do know that it is a restaurant for affluent halfwits, of which there is an infinite supply in Soho. I wonder if it might have been Jimmy Savile’s favourite restaurant. It occupies the ground floor of a dull brown block on Upper James Street, in the ‘functional’ part of Soho. It may be Edwardian, but probably isn’t.

I admit I had a falling out with Fortnum & Mason a few years ago over its new brasserie on Jermyn Street. It replaced a restaurant that looked like a toilet-roll cover or wedding dress, and although I had never eaten there, I felt protective of it. Why was she blown away and on what wind? Why can’t London resemble, always, something unseen in a Graham Greene novel, because I want it to? It was replaced by a smooth and very expensive restaurant for rich people, which looked like every other brasserie that has opened in London since 2000. I remember it had orange banquettes. It was too Mayfair — that means too Zurich, today — and not enough St James’s.

Caffè Concerto is a chain of Italian cafés sprouting, lividly, across London and the world. There is one on Piccadilly, one on Regent Street, and one on the Haymarket. There is one in Birmingham, and one in Westfield. (The precise address is an ungaudy unit 2000a, but presumably it is hidden behind florist-ry). There is one in Qatar. There is one in Saudi Arabia. There isn’t one in Venice, although the website has a photograph of Venice. It’s too Venetian for Venice. The style is very Italian, in that it is a combination of great style and no style at all. (Not bad style. Just an absence, something forgotten or dropped.) It is a homage to the Italian custom of scrubbing your front step in a full-length fur coat.

Tish is a new grand café in Belsize Park, north London, but kosher. There are not really enough Jews to fill a kosher restaurant in London, and they tend to fall into dust, like the ten tribes, and the temple. 1701, the unwise and subtle restaurant by Bevis Marks synagogue, has gone; Bloom’s in Golders Green has gone, too. Most British Jews aren’t kosher because chicken without butter isn’t worth having, even if you do believe that bushes speak and people want to kill you. Mostly, the food will kill you. But not always. The north London restaurant most favoured by Jews is Oslo Court, which is actually a specialist in seafood, plus cream cakes. Oh Jews! What do you want — really?

Politicians are having a terrible time of late, along with the rest of us — it’s not much fun watching the remnants of the post-war consensus shatter — and so here is Albert Roux consoling them with a new, glossy restaurant on the door-step of their rotting legislature palace. Food at the Palace of Westminster is not the best, although Corbynistas think it is. They think peers bathe in champagne while laughing and that MPs don’t have to butter their own toast. Well they will learn post-Revolution. They will learn to use a butter knife and how to talk righteously to a nationalised media. It’s called Roux at Parliament Square, and it is, of course, from Albert Roux of Le Gavroche, the proudest and fustiest of Mayfair’s French restaurants.

Sketch is a restaurant and art gallery in Conduit Street, Mayfair. There is a photograph of the Queen in the lobby. It is a wonderful photograph of her because she is covered in white fur and her eyes are closed, as if she just can’t bear to look at us any more. She looks like a tired rabbit human rebuking God. Sketch, then. Its website shows a video of a rotating floral egg. It lives in the former atelier of Christian Dior in a house by James Wyatt — what is grander than that? It is a white miniature palace with three bays, which is a lot in this particular housing crisis, in which other restaurants must make do with only one bay, or even no bays.