Realism

Naomi Mitchison is now renowned for being the author of ‘lost classics’ – famous for being forgotten. She lived to be 101 and wrote nearly as many books. She supported anti-Nazi movements in 1930s Vienna, ran a sexual health centre for women, became an octogenarian campaigner for nuclear disarmament and an ‘adviser and mother of the Bakgatla tribe in Botswana’. Despite two biographies and attempts to revive her masterpiece, The Corn King and the Spring Queen, she remains undervalued – perhaps because of her refusal to settle into one genre and her determination to venture into the territory of historical epic spiced with mythic ritual and dark magic. Travel Light was originally published in 1952 as a children’s book.

In 1948, Natalia Ginzburg, then an editor at the Italian publishing house Einaudi, received an 800-page brick of a manuscript from an acquaintance, Elsa Morante. Ginzburg read it in one sitting and declared Morante was going to be ‘the greatest writer of the century’. More recently, Elena Ferrante credited Morante with showing her ‘what literature can be’. The book that produced such praise – Italo Calvino called it ‘a serious novel, full of living human beings’ – has gone by different names in English: House of Liars or, in this new edition published by Penguin Classics and NYRB Books, Lies and Sorcery.