Realism

Tuesday

Oliver Soden

Thoughtful fantasy: Travel Light, by Naomi Mitchison, reviewed

Naomi Mitchison is now renowned for being the author of ‘lost classics’ – famous for being forgotten. She lived to be 101 and wrote nearly as many books. She supported anti-Nazi movements in 1930s Vienna, ran a sexual health centre for women, became an octogenarian campaigner for nuclear disarmament and an ‘adviser and mother of the Bakgatla tribe in Botswana’. Despite two biographies and attempts to revive her masterpiece, The Corn King and the Spring Queen, she remains undervalued – perhaps because of her refusal to settle into one genre and her determination to venture into the territory of historical epic spiced with mythic ritual and dark magic. Travel Light was originally published in 1952 as a children’s book.

Thursday

Francesca Peacock

Outlandish epic: Lies and Sorcery, by Elsa Morante, reviewed

In 1948, Natalia Ginzburg, then an editor at the Italian publishing house Einaudi, received an 800-page brick of a manuscript from an acquaintance, Elsa Morante. Ginzburg read it in one sitting and declared Morante was going to be ‘the greatest writer of the century’. More recently, Elena Ferrante credited Morante with showing her ‘what literature can be’. The book that produced such praise – Italo Calvino called it ‘a serious novel, full of living human beings’ – has gone by different names in English: House of Liars or, in this new edition published by Penguin Classics and NYRB Books, Lies and Sorcery.

Friday

Francesca Peacock

The dynamic genius of Milton Avery

From our US edition

It’s hard not to feel slightly odd when standing in front of a Milton Avery painting. Take his 1943 work Hors d’Oeuvres as an example. The painting — currently on show at London’s Royal Academy’s exhibition, Milton Avery: American Colorist — is large, at nearly a meter across, and the background is what appears to be a coastal landscape, with a greenish sea and the curve of a bay appearing in the upper right-hand corner. In the foreground of the painting is a cream table and on it, a blue platter of food: the “hors d’oeuvres” of the work’s title. So far, it might be hard to understand what is so disconcerting about this painting.

Tuesday

Daniel DePetris

Russia becomes a lost cause

From our US edition

After an embarrassing two-month start to its war in Ukraine marked by pictures of abandoned armored personnel carriers, destroyed tanks and stalled armored columns outside Ukraine’s major cities, the Russian army is re-tooling and re-arming itself for a more manageable fight in the east. I use the word “manageable” not because the battle in the Donbas will be easy for Russian forces, but because the objective of expanding Russian control over the entirety of Donetsk and Luhansk is more realistic than overthrowing the Ukrainian government and occupying the entire country. Capturing, let alone holding, Kyiv, Kharkiv and Chernihiv would have entailed a massive number of personnel and a long-term commitment Russia doesn't have the resources to sustain.

U.S. President Joe Biden and Russian President Vladimir Putin (Getty Images)

Thursday

Alex Perez

Dirty realists

From our US edition

I recently finished yet another predictable novel about Brooklyn neurotics and needed a gritty palate cleanser. Raymond Carver’s Where I’m Calling From: Selected Stories seemed ideal. Carver, a master of the short-story form, has long been one of my go-to writers, but, in recent years, he has increasingly lost literary relevance. Twenty years ago, Carver’s terse, minimalistic style was all the rage. Like Hemingway and Bukowski, Carver birthed a sea of mediocre imitators onto the American literary scene. In most US short-story collections published in the Eighties or Nineties, Carver’s stylistic and thematic influence is evident from the first page.

realists

Wednesday

Leon Hadar

Did the realists underestimate Putin?

From our US edition

Liberal internationalists, neoconservatives and NeverTrumpers are having the time of their lives these days, ridiculing anyone on the political right who has ever said a good thing about Vladimir Putin. Those “Putin groupies” as a Wall Street Journal columnist described them, include former Italian prime minister Silvio Berlusconi, far-right French presidential candidate Marine Le Pen, Hungarian prime minister Viktor Orbán and, of course, Trump himself. Trump described Putin as a “genius” and said he was a better president than Barack Obama — and he isn’t the only American president to compliment the Russian leader. President George W. Bush said about Putin, “I looked the man in the eye. I found him to be very straightforward and trustworthy.

putin

Thursday

Martin Gayford

On the trail of one of the first artists to paint ordinary things

There are many marvellous things to be seen in the Musée des Beaux-Arts at Dijon. But when I paid a visit a couple of years ago (in those days you could just step on a train and do such things), it was a little picture of the Nativity that particularly caught my eye. Its date, artist and original owner are all uncertain, but its beauty and originality were clear at a glance. Here, for almost the first time in European art, the appearance of ordinary things and people were the subject of close, rapt observation. Not of course that there was anything ordinary about the Nativity itself, which was a miraculous, world-changing event — signalled in the painting by the bright golden sun rising over distant jagged hills.