Nfts

The MAGA social scene was defined on the eve of Donald Trump’s inauguration by the Coronation Ball – perhaps the most exuberant celebration of the new ‘Golden Age’. The principal speaker was, unsurprisingly, Steve Bannon, the architect of Trump’s first victory and the voice of the neo-reactionary core of the President’s movement. More surprising perhaps though was the Ball’s principal sponsor, Remilia Corporation, a conceptual art movement. It was as if a Reform UK rally were sponsored by the Turner Prize. After Bannon’s speech, a representative of Remilia, an artist operating behind the pseudonym L.B. Dobis, stood at the podium to speak about internet art and to outline Remilia’s plans to remake the world one meme at a time.

There is less than one hour remaining on the sale, and the current highest bid is 4 WETH / $18,000. Those interested in making a bid can click here. Last month we ran an article about digital art and non-fungible tokens (or NFTs) and since then we’ve had readers asking: what about The Spectator’s Brexit butterfly? In almost two centuries of our publication's history, this is perhaps the best-known of all our covers: 'Out, and into the world' with our endorsement of Brexit. The phrase was reprised from our 1975 cover when we were one of only two publications to back Brexit in that referendum (the other was the Morning Star) and the artwork is from Morten Morland, perhaps the greatest political artist since Gillray.