Zach Cregger’s Weapons is a new kind of cinema
Turns out adults are still interested in more than the usual banal superhero slop
Turns out adults are still interested in more than the usual banal superhero slop
The wrong kind of bipartisan consensus
What to watch this month
You Like It Darker inevitably harks back to Carrie, King’s debut novel, published fifty years ago this spring
CGI is no substitute for glue, tape and ketchup
A Guest in the House is a beautifully plotted study of the madness of isolation, steeped in the tropes of fairy tale and horror
A vampire sitcom that doesn’t suck
Father Amorth’s fascinating career deserves a better cinematic outing than this one
It packs an emotional wallop, though its religious motifs leave something to be desired
This one deserved better than the January chopping block
The latest ‘killer doll’ defies genre tropes with a complex moral
The third in the trilogy trades a high body count for a sophisticated reckoning with evil
America’s most haunted place makes for great storytelling
No more joyless Michael Myers slogs!
‘Audiences worldwide want to be challenged, not dumbed down and patronized,’ says Tom Six
The founding father of 20th-century American conservatism was also a connoisseur of the supernatural and a bestselling novelist