Gardening

On 1 January 1806, a little over one year after his coronation, the Emperor Napoleon ordered the abolition of France’s new republican calendar and a return to the old Gregorian model. Over the past seven years republicans had grown used to ‘empire creep’, but even for those who had been forced to watch the principles of the revolution dismantled one by one and a republican general metamorphose into Emperor of the French, this last insult carried a peculiarly symbolic charge. For all its engaging dottiness — each new year, coinciding with the autumnal equinox, would begin on a different date — the short-lived republican calendar had embodied some of the most attractive and fragile dreams of the revolution.

If you had asked me a year ago how a pandemic-panicked world of stockpiles, curfews and social isolation would influence my life in the garden, I might have drawn you a picture of myself as a kind of prepper homesteader, proudly feeding my family from the veg beds, trading spuds for loo rolls in the lanes around my house. As it was, last year was all about flowers for me, and while the lettuces and tomatoes were indeed bountiful and welcome, it was the glory of the sweet peas — the first thing I smelt on recovering from Covid — and the roses and dahlias that meant most. When all the news was ghastly and life felt scarily provisional, the nurturing of seeds into beautiful life took on an almost religious symbolism. And the high priestess of that religion is Sarah Raven.

Viewed from a purely private garden perspective, this has been a ver mirabilis. The blossom has been wonderful and long-lasting, the sun has shone on the daffodils and tulips, and there has been enough moisture in the ground for impressive growth in trees, shrubs and vegetables. Thanks to lockdown and all its confinements, I have enjoyed an intensity of engagement with my garden I’ve rarely experienced since the days when I was a young, mustard-keen apprentice gardener. I feel as if I have watched every leaf unfurl, every flower open, every bird swoop across the lawn. Spring gardening, with its pleasant, mindful monotony of pricking out seedlings and pulling up speedwell, has soothed my nerves, consoled my sadness, calmed my fears, and brought a welcome sense of proportion.

There are probably no more gifted professional gardeners in England than Jim Buckland and Sarah Wain, husband and wife and joint head gardeners at West Dean in Sussex. On the verge of their retirement, after 27 years of effecting a renaissance in the gardens and grounds of this country house arts centre (bequeathed by Edward James), the couple have described their work and achievements in At West Dean: The Creation of an Exemplary Garden (White Lion, £40).

Samuel Pepys, wrote John Evelyn, was ‘universally beloved, hospitable, generous, learned in many things’ and ‘skilled in music’. John Evelyn, wrote Pepys, ‘must be allowed … for a little conceitedness; but he may well be so, being a man so much above others’. Pepys’s assessment of Evelyn was made early in their relationship, in 1665, and Evelyn’s assessment of Pepys was made on the day that his fellow diarist died, in 1703. So rest the reputations of our two great recorders of Restoration England: Pepys, the middle-class son of a tailor, was a man of the people; Evelyn, the heir of a country gentleman, was a notch or two above.

Garden design usually breaks out of its confines to become part of the general consciousness only in Chelsea Flower Show week, but this year there have been so many events to mark the tercentenary of the birth of Lancelot ‘Capability’ Brown — the most prolific and talented designer of the 18th-century landscape garden — that even the general public has noticed. Most events have occurred under the umbrella of the Capability Brown Partnership, the brainchild of a landscape historian called John Phibbs, who has spent several decades studying Brown’s 170-odd landscapes and advising some of the owners on their recovery, care and conservation.