First Lady of Pop Art
In 1961 the Venezuelan-American sculptor Marisol Escobar made a startling appearance at the New York artists’ group known as the Club that would set the tone for her unconventional career. The Club was where the alphas of contemporary American art met. Franz Kline, Robert Motherwell, Willem de Kooning and their ilk gathered there to take part in discussions, listen to talks, and escape their families. Abstract Expressionism was the house style and in its early days women, homosexuals and communists were all barred from membership. The Club was male, cliquey, exclusive and drenched in its own importance so when Marisol, as she was always known, arrived to participate in a