Father Ted

Worried about masculinity: from turrets and gargoyles to the state of men

In 2023, the author Jon Ronson woke one Sunday in upstate New York, where he lives, to a string of alarming messages from his son. Joel, in his mid-twenties, had gone with some friends to a party in Connecticut that they’d been told about by a guy on a dating app. ‘Castle party Saturday!’ was the message that had lured them all in. ‘3pm to whenever. Dress code: Formal. Tell your friends.’ When Joel and his pals arrived, they found what looked like a castle – turrets, gargoyles, a drawbridge – but no party. Instead there were a few bemused party-chasers like them, a bitey guard dog named Cerberus and a man in his mid-sixties, Chris Mark, the owner of the castle. ‘I’d like you all,’ Mark announced, ‘to take part in my reality show.

Lissa Evans: The Surreal Joys of Producing Father Ted

30 min listen

My guest on this week's Book Club podcast is the novelist Lissa Evans, talking about her previous life as the producer of the sitcom Father Ted – as described in her new book Picnic on Craggy Island: The Surreal Joys of Producing Father Ted. She tells me about the collaborative genius of Graham Linehan and Arthur Mathews, the unusual experience of having to cut laughter out of episodes because there was simply too much of it, and sending a sheep to make-up.

An exclusive look at Graham Linehan’s Father Ted musical

The tree-lined streets of Rotherhithe are an odd place to unveil a West End musical. But this is a suitably odd situation. Graham Linehan – lauded comedy writer turned culture warrior – is about to unveil what he calls ‘a musical that may never be seen’. For much of the past 30 years, the idea of turning Father Ted, cult sitcom of the 1990s, into a West End musical would have seemed a hot prospect – certainly to the legions of nerdy, largely male fans who still stream episodes decades later. Once upon a time, it looked destined for Shaftesbury Avenue, backed by one of the biggest names in theatre. Now it might be going nowhere.

No laughing matter: accusations of transphobia wrecked Graham Linehan’s life

Graham Linehan is an unlikely political campaigner, but in 2018 the sit-com writer embarked on a second career in what is possibly the most contentious and vitriolic arena of our time. According to Linehan, he was fighting for women and children, but his advocacy has cost him dear. Accused by his opponents of transphobia, he has found himself out of work and out of his marriage. Jobs began falling away, and a tour to Australia to teach comedy was cancelled In Tough Crowd, he tells the story of how he ‘made and lost a career in comedy’. It’s a tough read – a man who once made so many people laugh saw his career come to a ‘screeching halt’. Love him or loathe him, he is undeniably forthright and unapologetic.