The gentrification of British crime novels
Eighty years ago this month, in February 1946, the left-wing Tribune magazine published George Orwell’s essay ‘The Decline of the English Murder’ in which the writer identified a certain class of crime as most appealing to the tabloid-reading British public – and contrasted the ‘cosiness’ of this type of early 20th-century domestic murder with the brutal sadism of killings committed in Britain during the second world war. Two years previously, in 1944, while war still raged, in another essay entitled ‘Raffles and Miss Blandish’, Orwell specifically contrasted the ‘hard-boiled’ school of crime fiction with the gentlemanly Raffles stories of E.W. Hornung, featuring a well-mannered upper-crust jewel thief. He linked the noir fiction exemplified by James Hadley Chase in his novel No Orchids for Miss Blandish with the vicious