An impressive examination of the conjoined fates of Iraq and the United States
Steve Coll’s title alludes to Homer, and his subject matter has the arc of Greek tragedy
Steve Coll’s title alludes to Homer, and his subject matter has the arc of Greek tragedy
Even if jazz has developed stylistically in ways the jazz saxophonist might not have foreseen, its founding attitudes are enduring
Paul Alexander is on a mission to correct what he sees as misrepresentations of the singer’s life and personality
The gender theorist’s first mainstream publication is unconvincing
Alexander Ward’s carefully researched new account argues Biden is POTUS in name only
The End of Race Politics expands on the arguments the writer has made for several years
Beverly Hills Spy is the story of the espionage war with Japan, and the damaging rivalry between intelligence services that prevented them from working together
As a portrait of the thrilling, rackety milieu of the seventeenth-century literary world, Francesca Peacock’s Pure Wit is truly delightful
James Patterson and Mark Seal attempt to reveal the ‘magic’ of Vegas
Following Miss Bell has a homely tone one doesn’t associate with the majestic Gertrude Bell
The trial at Falling Rocket ’s center stands for something larger than a critic’s dislike of a painting
In Lou Reed: The King of New York , Will Hermes seems unusually well attuned to his subject, while resisting any temptation to soft-pedal
Francis Spufford’s latest is a gorgeously rich and multilayered story, packed with gunfire, music and superstition
Daisy Goodwin’s Diva is unequivocal in presenting Callas as a heroine struggling to choose between art and love
Johan Norberg’s A Capitalist Manifesto has much to commend it
Roger Lewis answers what it is about Richard Burton and Elizabeth Taylor that still hooks us in
Dan Jones confidently evokes the whorehouses, the illnesses, the death and depravity
In his new book, Philip Hoare moves beyond his own hand to make something reckless, marvelous and unforgettable
Once again, America owes the singer an apology — just not for the reasons she suspects
Doug Stokes challenges the dominant cultural and political narrative which portrays Britain as endemically racist