Cher should stick to what she knows best
Her memoir suggests that the icon doesn’t know what makes her compelling
Mitchell Jackson is a writer based in Florida.
Her memoir suggests that the icon doesn’t know what makes her compelling
Mike De Socio’s Morally Straight details how forty years of gay activism diversified the group for the better
‘How you care for a Chinese hairless is going to be different than a Husky’
The gender theorist’s first mainstream publication is unconvincing
Even post-cancellation, we still live in the pop culture universe the screenwriter created
It’s unlikely a Crawford could happen in today’s Hollywood
She was canceled before cancel culture existed
Once again, America owes the singer an apology — just not for the reasons she suspects
Cinema’s pet subversive deserves a proper reappraisal
How did the woman who taught a generation to stand up to the Ministry of Magic betray liberal orthodoxy?
Blackout laid the foundation for the EDM revolution, Lady Gaga’s self-referential debut album and the rest of the past fifteen years of pop
On the fortieth anniversary of her debut album, Madonna remains a good Catholic girl at heart
A Disneyland classic bows out
The Boca Raton Museum succeeds where the big beasts in LA and New York have failed
Unfortunately, most of Love, Pamela fails in its quest for victimhood and intellectualism
To preserve an outsider artist such as her, you have to preserve the messy reality of life
What happens when someone who was cool because they were hated is suddenly accepted?
When Hollywood gets representation right