Book review

Heroic long-suffering

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English patriotism was still a force in 1914. On the first day of the war, my mother’s three brothers, and my father and his two brothers, all joined up together, in the Artists’ Rifles. On the first day of the second world war, which I remember well, there were some similarities, but they were superficial. Again, my elder brother joined immediately. But the mood was resignation, not enthusiasm. There was no rejoicing, no talk of a new and better world: just a despairing attempt to preserve what was left of an unsatisfactory old one. The truth is, the Great War knocked the stuffing out of the British. They have never been the same since, collectively. Of the 722,000 killed, the vast majority were volunteers, overwhelmingly young: the eager elite.

When more is less

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If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. Throughout Ozick’s career, James has hovered over her fiction and featured heavily in her essays. Now, in Foreign Bodies, she goes for, among other things, a full-scale recasting of The Ambassadors.

The English El Greco

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Talk about ‘enemies of promise’. Talk about ‘enemies of promise’. In the March 1942 number of Horizon magazine there appeared what could be a heartfelt illustration of the whinger’s conceit propagated by Horizon’s editor, Cyril Connolly, to the effect that life stifles artistic ambitions. Plate 2, ‘Dreamer in Landscape’ by John Craxton, is a pen-and-wash drawing of horny plants breathing down the neck of a dozing boy. How very Craxton. Not yet 20 and already well-versed in overgrown styling and poetic self-pity. For decades Craxton lived with the fact that early promise guarantees nothing.

A haze of artifice

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Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow poets. This means, in fact, he writes for his fellow poets.’ Certainly Auden’s The Age of Anxiety, which was first published in 1947, is seldom understood except by other poets.

Morality tales

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Francis King celebrates Margaret Drabble’s distinguished career and vividly recalls their first meeting I first met a youthful Margaret Drabble when, already myself an established author, I was working at Weidenfeld and Nicolson as a literary adviser. The editorial director was an Australian woman called Barley Allison, sister of an MP, who constantly boasted of having ‘grabbed’ (her word) yet another new author for her distinguished list. Her latest ‘grab’ was a sometimes pensively grave and sometimes energetically argumentative woman, an admired actress when up at Cambridge, with the totally unsuitable surname Drabble. ‘You must meet her,’ Allison told me. ‘Quite remarkable.

Clashing by night

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Cables from Kabul is Sir Sherard Cowper-Coles’s valedictory account of his years as ambassador to Kabul (2007-9) and as this country’s Special Representative for Afghanistan and Pakistan (2009-10). Cables from Kabul is Sir Sherard Cowper-Coles’s valedictory account of his years as ambassador to Kabul (2007-9) and as this country’s Special Representative for Afghanistan and Pakistan (2009-10). A long telegram reporting on the ramp ceremony for a fallen soldier, Corporal Damian Stephen Lawrence of the 2nd Battalion, the Yorkshire Regiment, opens the book. It is a beautiful piece, describing the service — ‘in the best traditions of lapidary Anglicanism. Plenty of dignity but not too much religion’ — and the military ritual of the event.

A heart made to be broken

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Very useful in modern conversation, Oscar Wilde. Not for the quotable quips — everyone knows those already. His real value comes when you’re trying to guess someone’s sexuality. ‘He can’t be gay,’ someone will say of whoever is under the microscope, ‘he’s married with two kids.’ You hit them with the reply: ‘So was Oscar Wilde.’ It’s hardly surprising that so many people are unaware of Mrs W’s existence, or that those who do tend to forget about her, given her husband’s status as poster boy for the Two Fingers to Convention party. You’d be forgiven for thinking that Oscar was a Victorian Alan Carr, standing in the middle of Piccadilly belting out ‘Sing If You’re Glad To Be Gay’.

Those who die like cattle

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An ex-farmer whose brother has died fighting in Iraq is the man at the centre of Graham Swift’s new book, a state-of-the-nation novel on a small canvas. An ex-farmer whose brother has died fighting in Iraq is the man at the centre of Graham Swift’s new book, a state-of-the-nation novel on a small canvas. Jack runs a caravan park on the Isle of Wight, having sold his centuries-old Devon farm to a banker in need of a bolt-hole. His parents are dead, and more than a decade has passed since he’s last been in touch with Tom, nine years his junior. Now Tom’s gone too, blown up by an IED, and Jack’s preparing to return to Devon for the funeral; it’s the first time he’ll have been back since selling up.

A nation of meddlers

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If you thought that bust of Lenin you had on your desk as a teenager was the ultimate in radical chic, think on. Infatuated with the French Revolution, Lord Stanhope proclaimed his solidarity at a banquet at White’s Club. Announcing that he was thenceforth to be known as Citizen Stanhope, he ordered the coronets to be removed from the iron gates of his estate, Chevening. Despite its title, David Pryce-Jones’s new book isn’t just, or even especially, about traitors. It’s a high-speed survey of prominent British citizens who have taken up foreign causes.

Neither Greek nor German

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Prince Philip’s childhood was such that he had every right to be emotionally repressed and psychologically disturbed. Prince Philip’s childhood was such that he had every right to be emotionally repressed and psychologically disturbed. Born sixth in line to the Greek throne, at the age of 18 months he was hounded from what, in name at least, was his homeland. His father came within an ace of being executed for high treason. When he was only eight his mother suffered a devastating nervous breakdown; in 1930 she was drugged into placidity, bundled into a car and consigned to a sanatorium-cum-prison. His father shrugged off his responsibilities towards his children, of whom Philip was by far the youngest, and installed himself with his mistress in the south of France.

Relics of old Castile

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Christopher Howse describes Spain as ‘the strangest place with which Westerners can easily identify’. Christopher Howse describes Spain as ‘the strangest place with which Westerners can easily identify’. He has certainly written one of the strangest books on the country in recent years. His approach is gloriously and provocatively unfashionable. Whereas other authors on Spain today might dwell on its innovative new chefs, the modernity of Barcelona and Bilbao, the tawdry Costa del Sol, and such persistent Andalucían-based stereotypes as duende, bullfighting and Moorish sensuality, Howse has concentrated on an aspect of the country that was once no less integral to its image — its austere and spiritual side.

The price of victory

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In the patriotic mythology of British arms 1759 may be the one true annus mirabilis, the ‘year of victories’, the year of Minden, Quebec and Quiberon Bay, but has there ever been a year comparable to 1918? In that year 20,000 British soldiers surrendered on a single day, 31 March, and yet within six months Britain and her allies had recaptured all the territory lost since 1914, destroyed Austrian and Bulgarian resistance in Italy and Macedonia, encircled a Turkish army in Palestine, mastered the submarine menace at sea, and fought the German army to the brink of disintegration and the German empire to the point of revolt.

Bookends: Bloodbath

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It may have been first published in 1973, but reading it again in Persephone Books’ elegant re-print, Adam Fergusson’s The Sack of Bath (£12) remains a real shocker. The fury of his polemic against the powers in Bath that seemed hell-bent on destroying everything except a few grand Georgian set- pieces in that beautiful city still has a terrible relevance today. It may have been first published in 1973, but reading it again in Persephone Books’ elegant re-print, Adam Fergusson’s The Sack of Bath (£12) remains a real shocker. The fury of his polemic against the powers in Bath that seemed hell-bent on destroying everything except a few grand Georgian set- pieces in that beautiful city still has a terrible relevance today.

Hall of mirrors

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After the Nazi occupation of Paris was over, Sartre famously said — somewhat hypocritically, given his own slippery behaviour — that the only possibilities had been collaboration or resistance. After the Nazi occupation of Paris was over, Sartre famously said — somewhat hypocritically, given his own slippery behaviour — that the only possibilities had been collaboration or resistance. Alan Riding’s new study of the episode forcefully reminds one that it was never that simple: objectively researched and soberly balanced though the book is, navigating its moral maze leaves one queasy with mixed feelings.

Pearls before swine

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The story of Harry the Valet is the stuff of fiction. He was a dazzlingly adept, smooth, glamorous jewel thief, who never stooped to petty crime but carried off the kind of robberies more commonly found in novels and films: huge ruby necklaces, diamonds and pearls all poured out, pirate-treasure fashion, into his waiting hands. The Valet was the son of a successful lower-middle-class tradesman, a picture-framer, who died when he was a young man, leaving his widow to carry on his business, unsuccessfully. Harry meanwhile bet on horses, drank and smoked and revelled in bad company, soon finding himself with no money and no profession. He took the easy way out, deciding to steal a living, rather than earn one.

‘I told them’

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No messenger bearing bad news can expect to be popular. But to be dis- believed as well adds a particularly bitter twist, since the messenger’s character can only be vindicated by proving the truth of his horrific message. That was Jan Karski’s fate. He was the Polish resistance fighter sent to London in 1942 to tell the world that the Jews in Poland were being exterminated. Not in their hundreds, not in their thousands, but in their millions.There would be none left, Karski reported, unless the Allies publicly promised a retaliation sufficiently terrible to halt the Nazis in their tracks.

A catastrophe waiting to happen

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Gillian Darley’s book has the pace, colour and deliberation of a Vesuvian eruption, which is fitting; for we must get used to the fact that sooner or later the volcano will erupt again with a devastating power. Gillian Darley’s book has the pace, colour and deliberation of a Vesuvian eruption, which is fitting; for we must get used to the fact that sooner or later the volcano will erupt again with a devastating power. The subtitle of the book is quite accurate. Vesuvius probably is the most famous volcano in the world, because unlike all others it has attracted for some 2,000 years multifarious extraordinary people to study it. Darley enumerates these in their legions, showing that Pliny the Younger, writing after the 79 AD eruption, was not the first.