Book review

Scenes from the Mad Hatter’s tea party

From our UK edition

I only ever heard my mother admit twice to fancying other men. One, remarkably, was Saddam Hussein, the other was Richard Burton, and of each she said, ‘He’s a good-looking old man.’ She said this the way only a Welsh Baptist matron could: grimly, and because she was secure in the knowledge that she was not likely to meet either in chapel or on the streets of Carmarthen. Richard Burton, once of Port Talbot, later of the Dorchester Hotel, was cat-nip to women. He had a face ravaged by acne and his feet smelt, but he managed to sleep with the most beautiful leading ladies of his time, something his latest biographer quotes Stanley Baker, his fellow thespian and Welshman, as saying was ‘absolutely essential’ for an actor. Sadly, Baker did not say this.

The worst crime was to be a bore

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Gully Wells is a spirited and amusing writer, the daughter of the American journalist Dee Wells and the stepdaughter of the famous philosopher Freddie Ayer. While an undergraduate at Oxford she had an affair with Martin Amis and travelled to Italy with him, a trip fictionalised in his recent novel, The Pregnant Widow (conveniently out in paperback at just the same moment as this memoir appears, for ease of cross-referencing). Wells worked for the publisher George Weidenfeld before marrying and moving to New York, where today she’s the features editor of a travel magazine. Christopher Hitchens and Anna Wintour are among her pals. Her parents divorced when Gully was tiny.

Chinese whispers

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River of Smoke begins with the storm that struck the convict ship the Ibis at the end of Amitav Ghosh’s 2008 Man Booker-shortlisted Sea of Poppies. River of Smoke begins with the storm that struck the convict ship the Ibis at the end of Amitav Ghosh’s 2008 Man Booker-shortlisted Sea of Poppies. Redruth, the vessel of a Cornish plant-hunter, Frederick ‘Fitcher’ Penrose, sails in to Port Louis, Mauritius, two days after the Ibis, while the Anahita, belonging to Bahram Modi, a Bombay opium merchant, encounters the same storm on the other side of the Indian Ocean. Counting the cost of their voyages, characters from all three ships make their way to the Chinese port of Canton.

Damned either way

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As someone who was born ‘the other side of the tracks’, I really wanted to like Owen Jones’s book, which sets out to expose how in recent years the working classes have become ‘objects of fear and ridicule’. It’s true; they have. The problem is, however, that he implores us to pity them rather than fear them. And as the proverb goes: ‘Friends help; others pity.’ Jones catalogues media and political assaults on ‘chavs’ — those fake-Burberry-clad no-marks covered in bling, who hang around street corners with scary-looking dogs and bottles of alcopops. They are now wearily familiar symbols in the Daily Mail and on Channel 4 of all that is decadent about modern England.

Sad, not mad

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The Catholic Monarchs — Ferdinand II of Aragon and Isabella I of Castile — had five children together. The Catholic Monarchs — Ferdinand II of Aragon and Isabella I of Castile — had five children together. Each child was married off to a promising European neighbour, thereby acting as a diplomatic tool in the Monarchs’ reassertion of royal authority over Spain. Two of those children remain famous today, chiefly for their reputation as the 16th century’s most wretched doormats. Katherine of Aragon was the youngest child. As we know, her first marriage was to Henry VII of England’s eldest son, Prince Arthur. When he died, her second marriage was to the man who would become Henry VIII. The rest barely needs rehearsing.

The biography of a nobody

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A biography of Ed Miliband has to try hard not to be the sort of thing one buys as a present for someone one avidly dislikes. This effort, the first in what its authors seem (perhaps optimistically) to imagine may be a long series of accounts of their subject’s life, does not try hard enough. It has detail — Messrs Hasan and Macintyre boast of a million words of interview transcripts — but in the end it is, plainly and simply, stultifyingly boring. I am not sure this is entirely the writers’ faults. Before reading their book, I thought Mr Miliband was simply oversold, a man born to disappoint. Now I realise that he, and therefore an account of his life, is boring too.

Empty lines on a CV

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The intern is everywhere, slowly but surely, infiltrating every office on the planet. But while the internship is now ubiquitous, having become the standard first rung on most career ladders and the most frequent stepping stone between education and a career, it remains a largely unexamined and unregulated sector. Somewhere between an apprenticeship and a temp job, the internship resists easy definition and is understood more in terms of social cachet than actual responsibilities. Having had his fair share of directionless and underpaid internships between various degrees at Stanford and Cambridge, Ross Perlin, a researcher in linguistics, decided that the phenomenon deserved closer scrutiny. The result is Intern Nation, an exposé of the murky world of the internship.

Mumbai and Mammon

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This is a state of the nation novel or more accurately a state of Mumbai novel. Behind the tale of a struggle by a developer to acquire, for flashy redevelopment,  the three towers of the lower-middle-class, crumbling Vishram Co-operative Housing Society, lies a colourful and ambitious novel about the changing standards and habits of the citizens of Mumbai, poisoned as much by the rocketing wealth all around, as by the foul air and excrement-laden byways. (Adiga mentions shit and its stench time and again.) On the one side of the divide is a group of friends and neighbours who live in Tower A of the Society. The most respected of them is Masterji — Yogesh A. Murthy — a retired and recently widowed schoolmaster.

Heroic long-suffering

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English patriotism was still a force in 1914. On the first day of the war, my mother’s three brothers, and my father and his two brothers, all joined up together, in the Artists’ Rifles. On the first day of the second world war, which I remember well, there were some similarities, but they were superficial. Again, my elder brother joined immediately. But the mood was resignation, not enthusiasm. There was no rejoicing, no talk of a new and better world: just a despairing attempt to preserve what was left of an unsatisfactory old one. The truth is, the Great War knocked the stuffing out of the British. They have never been the same since, collectively. Of the 722,000 killed, the vast majority were volunteers, overwhelmingly young: the eager elite.

When more is less

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If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. Throughout Ozick’s career, James has hovered over her fiction and featured heavily in her essays. Now, in Foreign Bodies, she goes for, among other things, a full-scale recasting of The Ambassadors.

The English El Greco

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Talk about ‘enemies of promise’. Talk about ‘enemies of promise’. In the March 1942 number of Horizon magazine there appeared what could be a heartfelt illustration of the whinger’s conceit propagated by Horizon’s editor, Cyril Connolly, to the effect that life stifles artistic ambitions. Plate 2, ‘Dreamer in Landscape’ by John Craxton, is a pen-and-wash drawing of horny plants breathing down the neck of a dozing boy. How very Craxton. Not yet 20 and already well-versed in overgrown styling and poetic self-pity. For decades Craxton lived with the fact that early promise guarantees nothing.

A haze of artifice

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Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow poets. This means, in fact, he writes for his fellow poets.’ Certainly Auden’s The Age of Anxiety, which was first published in 1947, is seldom understood except by other poets.

Morality tales

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Francis King celebrates Margaret Drabble’s distinguished career and vividly recalls their first meeting I first met a youthful Margaret Drabble when, already myself an established author, I was working at Weidenfeld and Nicolson as a literary adviser. The editorial director was an Australian woman called Barley Allison, sister of an MP, who constantly boasted of having ‘grabbed’ (her word) yet another new author for her distinguished list. Her latest ‘grab’ was a sometimes pensively grave and sometimes energetically argumentative woman, an admired actress when up at Cambridge, with the totally unsuitable surname Drabble. ‘You must meet her,’ Allison told me. ‘Quite remarkable.

Clashing by night

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Cables from Kabul is Sir Sherard Cowper-Coles’s valedictory account of his years as ambassador to Kabul (2007-9) and as this country’s Special Representative for Afghanistan and Pakistan (2009-10). Cables from Kabul is Sir Sherard Cowper-Coles’s valedictory account of his years as ambassador to Kabul (2007-9) and as this country’s Special Representative for Afghanistan and Pakistan (2009-10). A long telegram reporting on the ramp ceremony for a fallen soldier, Corporal Damian Stephen Lawrence of the 2nd Battalion, the Yorkshire Regiment, opens the book. It is a beautiful piece, describing the service — ‘in the best traditions of lapidary Anglicanism. Plenty of dignity but not too much religion’ — and the military ritual of the event.

A heart made to be broken

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Very useful in modern conversation, Oscar Wilde. Not for the quotable quips — everyone knows those already. His real value comes when you’re trying to guess someone’s sexuality. ‘He can’t be gay,’ someone will say of whoever is under the microscope, ‘he’s married with two kids.’ You hit them with the reply: ‘So was Oscar Wilde.’ It’s hardly surprising that so many people are unaware of Mrs W’s existence, or that those who do tend to forget about her, given her husband’s status as poster boy for the Two Fingers to Convention party. You’d be forgiven for thinking that Oscar was a Victorian Alan Carr, standing in the middle of Piccadilly belting out ‘Sing If You’re Glad To Be Gay’.

Those who die like cattle

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An ex-farmer whose brother has died fighting in Iraq is the man at the centre of Graham Swift’s new book, a state-of-the-nation novel on a small canvas. An ex-farmer whose brother has died fighting in Iraq is the man at the centre of Graham Swift’s new book, a state-of-the-nation novel on a small canvas. Jack runs a caravan park on the Isle of Wight, having sold his centuries-old Devon farm to a banker in need of a bolt-hole. His parents are dead, and more than a decade has passed since he’s last been in touch with Tom, nine years his junior. Now Tom’s gone too, blown up by an IED, and Jack’s preparing to return to Devon for the funeral; it’s the first time he’ll have been back since selling up.

A nation of meddlers

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If you thought that bust of Lenin you had on your desk as a teenager was the ultimate in radical chic, think on. Infatuated with the French Revolution, Lord Stanhope proclaimed his solidarity at a banquet at White’s Club. Announcing that he was thenceforth to be known as Citizen Stanhope, he ordered the coronets to be removed from the iron gates of his estate, Chevening. Despite its title, David Pryce-Jones’s new book isn’t just, or even especially, about traitors. It’s a high-speed survey of prominent British citizens who have taken up foreign causes.