Biography

Jane’s Fame: How Jane Austen Conquered the World, by Claire Harman What does Mr Darcy look like? Anyone who has read Pride and Prejudice will be able to give an answer. I believe that he is tall, square-jawed, beetle-browed, slightly weather-beaten and dark-haired. Is any of that at all controversial? But on returning to the novel, we find a strange thing. The one feature in that list which I would have thought beyond dispute is that he has dark hair. This, however, is what Jane Austen has to say about his personal appearance. On his first entry, he is said to have a fine, tall person, handsome features, noble mien …The gentlemen pronounced him to be a fine figure of a man, the ladies declared he was much handsomer than Mr Bingley.

Who reads Ralph Hodgson’s poetry today? Probably few people under the age of 40 have even heard of this strange Englishman who died in 1961 in a small town in the American mid-west. His most famous poems are those once learnt by schoolchildren like ‘Time you old Gypsy Man’ or ‘The Bells of Heaven’, both little more than pleasant rhymes. But in his day Hodgson was admired by (among others) Robert Lowell, Siegfried Sassoon, Stephen Spender and T. S. Eliot, who wanted him to illustrate the book that he had partly inspired — Old Possum’s Book of Practical Cats; the lazy Hodgson could have made a fortune from the project but refused. In fact he mostly did exactly what he wanted, in his life and his work.

The Vanishing Face of Gaia: A Final Warning, by James Lovelock He Knew He Was Right: The Irrepressible Life of James Lovelock and Gaia, by John Gribbin and Mary Gribbin James Lovelock is an English scientist, recip- ient of many awards, and he is a pleasant writer, moderate in tone and conciliatory towards his critics. In the late 1960s he became famous in New Age circles for his Gaia theory. The name, which is that of the old Greek goddess of Earth, was suggested to him by William Golding, his neighbour and pub companion in their Wiltshire village. It was immediately popular, and so was the image that Lovelock attached to it, of a self-regulating planet that has been working throughout its existence to develop the atmosphere, climate and other conditions necessary for sustaining life.

Judicial biography is out of fashion: Lord Chancellors apart, the lives of the bewigged great and good are confined within the narrow boundaries of the Dictionary of National Biography. Judicial autobiography is too often driven more by the self-esteem of the authors than the intrinsic interest of the subject. Anthony Lentin convincingly establishes his subject’s claim to resurrection. Born John Andrew Hamilton and of Mancunian middle-class origins, the future Viscount profited from an education at two great forcing houses of talent, Manchester Grammar School and Balliol. Called to the Bar by the Inner Temple, he was no instant success either in London or on the Northern Circuit. For many years he earned a living by his pen, not his tongue.

This book falls into two distinct parts. The first is the author’s account of his own life until he left Oxford in disgrace. John Joll- iffe, the son of Lord Hylton, passed his childhood and youth at Mells, in Somerset, the home of the Asquith family, and at neighbouring Ammerdown, the seat of the Hyltons. Children in large houses were shoved upstairs to the nursery. In his father’s world, Jolliffe writes, the gap between generations ‘was deep in a way that would be unthinkable today, where parents and children live at such close quarters from the start’. This may have been a sea-change in the mores of the upper class, but the less privileged have lived at such close quarters for centuries.

To say that this first volume of Samuel Beckett’s collected letters is a puzzle and a disappointment is to suggest that one might have had specific expectations of it. Where did this cryptic and poetic writer come from? What did so very affectless an author sound like when he was talking in his own voice to his intimates? And, considering the remote relationship most of his writing bears to the world, how did he look at it? Added to this specific anticipation is the knowledge that Beckett, in tthe Thirties, had an exceptionally interesting life. He was an intimate of the Joyce household, trusted by all members of it. He played an important role in the composition and development of Finnegans Wake.